Lipstadt, Beyond Belief , 108; Lawrence S. Wittner, Rebels Against War , 35–36; Clements, Prosperity, Depression and the New Deal , 234; Brogan, The Penguin History of the United States , 595. Эта комиссия будет работать в течение 20 лет, в основном борясь против коммунистов.
Lipstadt, Beyond Belief , 124; Parrish, Anxious Decades , 409; Mordecai Richler, ed., Writers on World War II , 38–39.
Giorgio Cavallon, interview by Jack Taylor; Levin, Lee Krasner , 107–108; Abel, The Intellectual Follies , 49; «Death of Trotsky, Skull Fractured with Pickaxe», The Guardian , August 22, 1940, theguardian.com/century/1940-1949/Story/.
Glaser, «Interview with Lee Krasner», 27; Barbara Rose, «Krasner/Pollock: A Working Relationship», 8; Lee Krasner, interview by Ellen G. Landau, AAA-SI; Dore Ashton, The New York School , 75–76.
Mercedes Matter , interview by Sigmund Koch, Tape 1A, Aesthetics Research Archive; Harry Holtzman, interview by Jack Taylor; Thomas B. Hess and Elizabeth C. Baker, eds., Art and Sexual Politics , 62.
Lillian Kiesler, interview by Ellen G. Landau, AAA-SI, 5; Matossian, Black Angel , 278.
Willem and Elaine de Kooning, interview by Peter Busa and Sandra Kraskin, AAA-SI; Rosenberg, The Anxious Object , 147; Elaine de Kooning, interview by John Gruen, AAA-SI, 8; oral history interview with Vaclav Vytlacil, AAA-SI.
Oral history interview with Lillian Ostrowski, AAA-SI; Nemser, Art Talk , 72; anonymous, interview with author, December 2013, New York.
Oral history interview with Nathan Halper, AAA-SI; oral history interview with Lillian Ostrowski, AAA-SI; Dore Ashton with Joan Banach, eds., The Writings of Robert Motherwell, 309.
Naifeh and Smith, Jackson Pollock , 388; Lillian Kiesler, interview by Ellen G. Landau, AAA-SI, 6.
Matossian, Black Angel, 278–279.
Naifeh and Smith, Jackson Pollock , 388; Landau, Lee Krasner: A Catalogue Raisonné , 305.
May Tabak Rosenberg, interview by Jeffrey Potter, videotape courtesy PKHSC; Solomon, JacksonPollock , 114.
Levin , Lee Krasner , 136–38; Lee Krasner , interview by Robert Coe, videotape courtesy PKHSC; Ashton, The New York School , 65.
Артур Рэмбо, Стихи , 173.
Lee Krasner , interview by Robert Coe, videotape courtesy PKHSC; Munro, Originals , 111; Levin, Lee Krasner , 138; Hobbs, Lee Krasner (1993), 21–22; «Lee Krasner, Paintings, Drawings and Collages», 8. Ли сказала Элеоноре Манро, что стихотворение перевела Луиза Варез, жившая в Нью-Йорке со своим мужем, композитором Эдгаром Варезом.
Robert de Niro Sr., interview by Tina Dickey, AAA-SI; Parrish, Anxious Decades , 453.
Lee Krasner, interview by Робертом Коэ, videotape courtesy PKHSC; Hobbs, Lee Krasner (1993), 22; «Lee Krasner, Paintings, Drawings and Collages», 8; Christopher Bram, Eminent Outlaws , 15; Munro, Originals , 111.
Robert de Niro Sr., interview by Tina Dickey, AAA-SI; Levin, Lee Krasner , 174.
Lee Krasner, interview by Anne Bowen Parsons, AAA-SI, 1; Levin, Lee Krasner , 103, 167–68; Landau, Lee Krasner: A Catalogue Raisonné , 303.
Ashton, The New York School , 109.
Ashton, The Life and Times of the New York School , 31; Ashton, The New York School , 102, 109; Stevens and Swan, De Kooning , 137; Lynes, Good Old Modern , 214; Dorfman, Out of the Picture , 24. «„Герника“, без сомнений, породила в Америке, — как в прессе, так и в остальном обществе, — наибольшее количество комментариев о современном искусстве. А если говорить совсем серьезно, то она чрезвычайно взволновала художников», — писала Дори Эштон.
Levin, Lee Krasner , 135; «Guernica», www.pablopicasso.org/guernica.jsp.
Levin, Lee Krasner , 135.
Lee Krasner, interview by Emily Wasserman, AAA-SI, 6; Rose, Lee Krasner , 38; Philip Pavia, interview by John Gruen, AAA-SI.
Lee Krasner, interview by Emily Wasserman, AAA-SI, 6.
Lynes, Good Old Modern , 203–5; Russell Lynes, «The Eye of the Beholder», лекционные материалы для Художественного музея колледжа Смита, May 5, 1985, Box 1, Russell Lynes Papers 1935–1986, AAA-SI, 18.
Lynes, Good Old Modern , 204–206; Lynes, «The Eye of the Beholder», лекционные материалы для Художественного музея колледжа Смита, May 5, 1985, Box 1, Russell Lynes Papers 1935–1986, AAA-SI, 18.
Martin Gilbert, The Second World War , 2, 4.
Matossian, Black Angel , 288–289.
Глава 4. Дочь Мари Кэтрин Мэри Эллен О’Брайен Фрид
Саган Ф. Смутная улыбка. М.: Эксмо, 2007.
Elaine de Kooning, interview by Minna Daniels, 17–18.
Maud Fried Goodnight, telephone interview by author.
Rose Slivka, «A Few Statements by Elaine’s Friends», Elaine de Kooning Memorial Tribute, March 12, 1990, the Great Hall at Cooper Union, New York, courtesy Doris Aach; Elaine De Kooning and Slivka, Elaine de Kooning , 35; Lee Hall, Elaine and Bill , 38.
Elaine de Kooning , C. F. S. Hancock Lecture, 1–2; Hess and Baker, Art and Sexual Politics , 66.
Hess and Baker, Art and Sexual Politics , 66; Stevens and Swan, De Kooning , 158.
Munro, Originals , 251; Elaine de Kooning, interview by Antonina Zara, 4; Elaine de Kooning, interview by John Gruen, AAA-SI, 1.
Munro, Originals , 251–52; Elaine de Kooning, interview by Molly Barns, 7; Dorothy Dehner, interview by Kolette Roberts, AAA-SI. Динер рассказывала, что за пределами Нью-Йорка натурщицы в учебных аудиториях позировали в «панталонах» и никогда — полностью обнаженными.
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