Michael Lennon - Norman Mailer - a double life

Tierney, Lawrence, 621

Tiger, Dick, 400

Time, 39, 134, 198, 256, 289, 294, 295, 305, 319, 350, 378, 391, 397, 411, 412, 417, 431, 432, 440, 457, 462, 463, 468, 492, 565, 610

article on NM and March on the Pentagon published in, 391

Marilyn cover of, 466–67, 469–70

Time-Life, NM persistently attacked by, 109

“Time of Her Time, The” (Mailer), 135, 205, 235, 277

cuts in British publication of, 302

and NM’s pre-publication poll of critics, 252–53

“sex as war” metaphor in, 253

Time of Our Time, The (Mailer), 292, 701–6, 721

Timerman, Jacobo, 557

Timmermann, Bonnie, 620, 626

Toback, James, 401–2, 403, 661, 706

Tolstoy, Leo, 71, 79–80, 187–88, 363

Tonkin Gulf Resolution, 345

Torn, Rip, 226, 372, 380, 401, 402–3, 429, 448, 458, 624

Torres, José, 347, 348, 375, 380, 401, 413, 453, 521, 525, 546–47, 566

NM’s friendship with, 352, 357, 368, 445

NM’s TV boxing match with, 447–48

NM trading of writing lessons for boxing lessons from, 352, 445, 548

Torres, Ramona, 352, 375, 445, 525

Tory, Rosemary, 372, 374

Tough Guys Don’t Dance (film), 698, 752, 756

Cannes screening of, 623–24

mixed reviews of, 627

New York premiere of, 625, 627

NM as director of, 620–22

NM’s editing of, 622–23

NM’s screenplay for, 614, 618–19, 620

Tough Guys Don’t Dance (Mailer), 63, 330, 539, 584–85, 590–91, 593, 599, 625, 646, 681

as bestseller, 590

first person point of view in, 584, 587

Little, Brown’s unhappiness with, 588

reviews of, 590

risk-taking as theme in, 586

writing of, 587

Tour of the White House with Mrs. John F. Kennedy, A (TV program), 307

Transit to Narcissus, A (Mailer), 55, 56–58, 59, 60, 61, 70, 74, 85, 86, 517

Trapnell, Garrett, 556

“Trial of the Warlock” (Mailer; screenplay), 501

Trilling, Diana, 63, 64, 147, 223, 228, 252, 441, 442–43, 637

NM’s correspondence with, 254, 350–51, 353–54, 366–67

Trilling, Lionel, 147, 223, 227, 228, 244, 252, 254, 289, 350

Tristram Shandy (Sterne), 360

Trocchi, Alex, 313

Tropic of Cancer (Miller), 32, 487, 496

Trotsky, Leon, 100, 598, 631

Trotskyism, 263

Truman, Harry, 99

Trump, Donald, 607

“Truth and Being; Nothing and Time: A Broken Fragment from a Long Novel” (Mailer), 310–11, 362

Twentieth Century-Fox, 591

Tyrrell, R. Emmett, 605

Tyson, Mike, 631

Ulysses (Joyce), 29

Underground City, The (Humes), 273

United States: Essays, 1952–1992 (Vidal), 514, 702

United States of America, SS, 208, 210

Untermeyer, Louis, 116

“Until Dead: Thoughts on Capital Punishment” (Mailer), 550–51

Up at the Villa (Maugham), 68–69

Updike, John, 326, 359, 405, 602, 603, 607, 653, 700, 710–11

U.S.A. (Dos Passos), 27, 41, 88, 107, 703–4

Utah Board of Pardons, 544–45, 556

NM’s letters to, 552, 565–66

Valsen, Red (char.), 75, 81, 84, 86, 87

Vanity Fair, 615, 692

NM as Writer-in-Residence at, 646, 653

Tough Guys Don’t Dance excerpts in, 646

Venice, 404, 430, 431

Venice Film Festival, 404

“Vertical City” (Mailer, Mowery, and Brown), 332, 346

Vidal, Gore, 107, 137, 161, 195, 252, 269, 283, 336, 431, 432, 512, 575, 653, 702, 728

Advertisements reviewed by, 261–62

in Don Juan in Hell, 723–24

on Jeanne Campbell, 295

NM compared to Charles Manson by, 447, 514

NM’s Dick Cavett Show debate with, 449–51

NM’s fight with, 513–14

NM’s relationship with, 161–62, 289, 432, 447, 451, 594, 602, 723

Patriarchal Attitudes review of, 447

in PEN fundraising series, 602, 603, 607

“Vietnam Days” (Berkeley teach-in), 355–56

Vietnam War, 345, 353, 371, 405, 440, 477, 569, 629

Cambodia and Laos bombings in, 455

NM’s speeches and writings on, 355–56, 363, 364, 374, 378, 398, 399, 408, 425

protests against, 355–56, 363–64, 374, 381, 387, 428

Village Gate, 417

Villager, The, 200, 204

Village Voice, 112, 173, 225, 243, 294, 307, 345, 350, 358, 372, 378, 399, 413, 417, 441, 459–60, 461–62, 591

NM’s columns in, 200–202, 203–5, 212, 228, 333

NM’s Deer Park ad in, 198

NM’s Godot essay in, 206

NM’s part ownership of, 194–95, 199, 204, 256, 404, 452, 487, 523

Villechaize, Hervé, 401

violence, 303, 564

as theme in “The White Negro,” 219, 221, 227, 242, 564

Vitale, Alberto, 691

Vogelgesang, Sandy, 387

Vogue, 350, 692

Vonnegut, Kurt, 458, 500, 539, 602, 603, 609, 706

Wagner, Robert, 415, 418–19

Waiting for Godot (Beckett), 206, 207–8

Wakefield, Dan, 198–99, 214

Waldorf Conference, NM at, 115–16, 650–51

Walker, Alice, 603

Walker, Bill, 266, 376, 417

Walker, Edwin, 673

Walk in the Sun, A (Brown), 71, 103

Wallace, George C., 409, 456

Wallace, Henry, 101, 108, 110–11, 112, 113, 116

Wallace, Mike, 217–18, 286, 287, 512

Marilyn interview of, 464, 466, 467–68

Wall Street Journal, 417

Walters, Barbara, 513–14

“Wandering in Prose, A: For Hemingway” (Mailer), 209, 285, 294

War and Peace (Tolstoy), 71, 79–80, 363

Ward, Bill, 266, 279

War Diary (Malaquais), 113

Warhol, Andy, 375–76, 400, 403, 436, 459, 681

Warnecke, John, 513

Warner, Jack, 645–46

Warner Books, 504, 582

Warner Brothers, 339, 342

Warren, Earl, 654

Warren Commission, 654, 679

Warren Commission Report, 370, 377, 668, 673, 677–78

Washington Post, 370, 460, 461, 505, 513

Wasserman, Al, 356, 459, 525, 570, 732

Wasserman, Barbara Mailer, see Mailer, Barbara Jane

Watergate scandal, 454, 460, 499, 501, 599, 635, 643, 650

Senate investigation of, 461

Watson, Graham, 151

Waugh, Evelyn, 102, 283, 303, 304–5

WAVES, 60, 74

Way Out, 228

Weatherby, W. J., 241

Webster, William, 719

Weidenfeld, George, 512

Weidenfeld and Nicolson, 411

Weinberg, Richard, 26

Weiss, Larry, 29, 35–36, 43, 117

Welles, Orson, 435–36

Welt, Jan, 379, 401, 403, 407

Welty, Eudora, 603

Wendling, John, 757, 758–59

Wenke, Joseph, 219–20

Wenner, Jann, 739

West, Anthony, 134

West, James L. W., III, 222

West, Nathanael, 122

West, Rebecca, 313

Weymouth, Lally, 512–14, 602

W. H. Allen, 466

Wharton, William, 529

When We Were Kings (film), 699

NM’s commentary in, 699

Whistle (Jones), 517

White, Stanford, 549, 550

White, Theodore H., 25, 270, 419–20

“White Man Unburdened, The” (Mailer), 729

“White Negro, The” (Mailer), 77, 203, 205–6, 208, 210, 216, 219–21, 223, 225, 238, 239, 243, 279, 324, 364, 426, 427, 476, 693

“Lipton’s Journal” as source of, 189–90

violence as theme in, 219, 221, 227, 242, 564

Whitman, Walt, 182, 309, 373, 727

Who Walks in Darkness (Brossard), 216

Why Are We at War? (Mailer), 721, 728

“Why Are We in New York?” (Mailer), 417

Why Are We in Vietnam? (Mailer), 63, 353, 374, 376, 382, 448

reviews of, 378–79

scatological humor in, 378

writing of, 365–66, 370

Wild 90 (film), 375–76, 381, 383, 398, 399