Joan Didion - The Year of Magical Thinking

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From one of America's iconic writers, this is a portrait of a marriage and a life — in good times and bad — that will speak to anyone who has ever loved a husband or wife or child. This is a stunning book of electric honesty and passion. Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill.
At first they thought it was flu, then pneumonia, then complete sceptic shock. She was put into an induced coma and placed on life support. Days later — the night before New Year's Eve — the Dunnes were just sitting down to dinner after visiting the hospital when John suffered a massive and fatal coronary.
In a second, this close, symbiotic partnership of 40 years was over. Four weeks later, their daughter pulled through. Two months after that, arriving at LA airport, she collapsed and underwent six hours of brain surgery at UCLA Medical Centre to relieve a massive hematoma.
This powerful book is Didion's 'attempt to make sense of the weeks and then months that cut loose any fixed idea I ever had about death, about illness, about marriage and children and memory, about the shallowness of sanity, about life itself'. The result is an exploration of an intensely personal yet universal experience: a portrait of a marriage, and a life, in good times and bad.

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“Well, you know, sepsis, it’s a clinical term,” the doctor said, then continued examining her.

I had pressed him.

“She’s already in some degree of sepsis.” He had seemed cheerful. “But we’re continuing vanc. And so far her blood pressure is holding.”

So. We were back to waiting to see if she lost blood pressure.

We were back to watching for septic shock.

Next we would be watching for ice floes on the East River.

In point of fact what I watched from the windows at UCLA was a swimming pool. I never once saw anyone swim in this swimming pool, although it was filled, filtered (I could see the little swirl where the water entered the filter and the bubbling where it reemerged), sparkling in the sun, and surrounded by patio tables, with parasols. One day when I was watching it I had a sharp memory of having gotten the idea to float candles and gardenias in the pool behind the house in Brentwood Park. We were having a party. It was an hour before the party but I was already dressed when the gardenia idea presented itself. I knelt on the coping and lit the candles and used the pool skimmer to guide the gardenias and candles into a random pattern. I stood up, pleased with the result. I put the pool skimmer away. When I glanced back at the pool, the gardenias had vanished and the candles were out, tiny drenched hulks bobbing furiously around the filter intake. They could not be sucked in because the filter was already clogged with gardenias. I spent the remaining forty-five minutes before the party cleaning the sodden gardenias from the filter and scooping out the candles and drying my dress with a hair dryer.

So far so good.

A memory of the house in Brentwood Park that involved neither John nor Quintana.

Unfortunately I thought of another. I had been alone in the kitchen of that house, late twilight, early evening, feeding the Bouvier we then had. Quintana was at Barnard. John was spending a few days at the apartment we had in New York. This would have been late 1987, the period during which he had begun talking about wanting us to spend more time in New York. I had discouraged this idea. Suddenly a red flashing light had filled the kitchen. I had gone to the window. There was an ambulance in front of a house across Marlboro Street, visible beyond the coral tree and two cords of stacked wood in our side yard. This was a neighborhood in which many houses, including the one across Marlboro Street, had side yards in which there were two cords of stacked wood. I had watched the house until the last light was gone and the ambulance left. The next morning when I was walking the Bouvier a neighbor told me what had happened. Two cords of stacked wood had not kept the woman in the house across Marlboro Street from becoming a widow at dinner.

I had called John in New York.

The red flashing light had by then seemed an urgent warning.

I said maybe he was right, we should spend more time in New York.

Watching the empty swimming pool from the window at UCLA I could see the vortex coming but could not deflect it. The vortex in this instance would be the memory’s insistent appointment-in-Samarra aspect. Had I not made that call would Quintana have moved back to Los Angeles when she graduated from Barnard? Had she been living in Los Angeles would Beth Israel North have happened, would Presbyterian have happened, would she be in UCLA today? Had I not misread the meaning of the red flashing light in late 1987 would I be able to get in my car today and drive west on San Vicente and find John at the house in Brentwood Park? Standing in the pool? Rereading Sophie’s Choice ?

Would I need to relive every mistake? If by accident I remembered the morning we drove down to St.-Tropez from Tony Richardson’s house in the hills and had coffee on the street and bought the fish for dinner would I also need to remember the night I refused to swim in the moonlight because the Mediterranean was polluted and I had a cut on my leg? If I remembered the gamecock at Portuguese Bend would I also need to remember the long drive home from dinner to that house, and how many nights as we passed the refineries on the San Diego Freeway one or the other of us had said the wrong thing? Or stopped speaking? Or imagined that the other had stopped speaking? “Each single one of the memories and expectations in which the libido is bound to the object is brought up and hypercathected, and detachment of the libido is accomplished in respect of it…. It is remarkable that this painful unpleasure is taken as a matter of course by us.” So Freud explained what he saw as the “work” of grief, which as described sounded suspiciously like the vortex.

In point of fact the house in Brentwood Park from which I had seen the red flashing light and thought to evade it by moving to New York no longer existed. It was torn down to the ground and replaced (by a house marginally larger) a year after we sold it. The day we happened to be in Los Angeles and drove past the corner of Chadbourne and Marlboro and saw nothing left standing except the one chimney that allowed a tax advantage, I remembered the real estate agent telling me how meaningful it would be to the buyers were we to give them suitably inscribed copies of the books we had written in the house. We had done this. Quintana and Friends, Dutch Shea, Jr., and The Red White and Blue for John, Salvador, Democracy, and Miami for me. When we saw the flattened lot from the car, Quintana, in the back seat, burst into tears. My first reaction was fury. I wanted the books back.

Did this corrective line of thinking stop the vortex?

Not hardly.

One morning when Quintana was still in the step-down unit because the persistence of her fever necessitated an echocardiogram to rule out endocarditis she lifted her right hand for the first time. This was significant because it was on the right side of her body that the effects of the trauma could be seen. Movement meant that the traumatized nerves remained alive. Later that day she kept wanting to get out of bed, and fell into a sulk like a child when I said I would not help her. My memory of that day is not at all mudgy.

It was decided in late April that sufficient time had passed since the surgery to allow her to fly to New York. The issue until then had been pressurization and the potential it presented for swelling. She would need trained personnel to accompany her. A commercial flight was ruled out. Arrangements were made to medevac her: an ambulance from UCLA to an airport, an air ambulance to Teterboro, and an ambulance from Teterboro to New York University Hospital, where she would do neuro-rehab at the Rusk Institute. Many conversations were held between UCLA and Rusk. Many records were faxed. A CDROM of CT scans was prepared. A date was set for what even I was now calling “the transfer”: Thursday, April 29. Early that Thursday morning as I was about to check out of the Beverly Wilshire I got a call from somewhere in Colorado. The flight had been delayed. The plane was in Tucson, where it had landed with “mechanical difficulties.” The mechanics in Tucson would look at it when they came in, at ten mountain time. By early afternoon Pacific time it was clear that the plane would not be flying. Another plane would be available the next morning, but the next morning was a Friday, and UCLA did not like to transfer on Fridays. At the hospital I pressed the discharge coordinator to agree to the Friday transfer.

To delay the transfer into the following week could only dispirit and confuse Quintana, I said, sure of my ground.

Rusk had no problem with a Friday night admission, I said, less sure.

There was nowhere I could stay over the weekend, I lied.

By the time the discharge coordinator had agreed to the Friday transfer Quintana was asleep. I sat for a while in the sun on the plaza outside the hospital and watched a helicopter circling to land on the roof. Helicopters were always landing on the roof at UCLA, suggesting trauma all over Southern California, remote scenes of highway carnage, distant falling cranes, bad days ahead for the husband or wife or mother or father who had not yet (even as the helicopter landed and the trauma team rushed the stretcher into triage) gotten the call. I remembered a summer day in 1970 when John and I stopped for a red light on St. Charles Avenue in New Orleans and noticed the driver of the next car suddenly slump over his steering wheel. His horn sounded. Several pedestrians ran up. A police officer materialized. The light changed, we drove on. John had been unable to get this image out of his mind. There he was, he had kept saying later. He was alive and then he was dead and we were watching. We saw him at the instant it happened. We knew he was dead before his family did.

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