Джеймс Эллрой - Hollywood Nocturnes

Somewhere in the course of the story I started liking Mo almost as much as I liked Gretchen Rae. I still couldn’t see any way out of the mess, but I was curious about one thing: the girly gewgaws, the appliances, all the squarejohn homey stuff Gretchy had glommed. When Mo finished his tale, I said, “What’s with all the clothes and gadgets and stuffed animals?”

Morris Hornbeck, worm bait inside six months, just sighed. “Lost time, Meeks. The father and daughter act someplace safe, the shtick we shoulda played years ago. But that’s tap city, now.”

I pointed to the dead dog, its paws starting to curl with rigor mortis like it was going to be begging biscuits for eternity. “Maybe not. You sure ain’t gonna have a trusty mascot, but you might get a little taste of the rest.”

Morris went to his bedroom and passed out. I laid down on the homey dreambed, holding a stuffed panda, the lights off to insure some good brainwork. Straight manipulation of Mickey and Howard fell by the wayside quick, so I shifted to the Other Guy Routine and made a snag.

Sid Weinberg.

RKO Line Producer.

Filthy rich purveyor of monster cheapies, drive-in circuit turkeys that raked in the cash.

A valuable RKO mainstay — his pictures never flopped. Howard kissed his ass, worshipped his dollars and cents approach to movie making and gave him carte blanche at the studio.

“I’d rather lose my you know what than lose Sid Weinberg.”

Mickey Cohen was indebted to Sid Weinberg, the owner of the Blue Lagoon Saloon, where Mickey was allowed to perform his atrocious comedy routines without cops hanging around — Sid had LAPD connections.

The Mick: “I’d be without a pot to piss in without Sid. I’d have to buy my own nightclub, and that’s no fun — it’s like buying your own baseball team so you can play yourself.”

Sid Weinberg was a widower, a man with two grown daughters who patronized him as a buffoon. He often spoke of his desire to find himself a live-in housekeeper to do light dusting and toss him a little on the side. About fifteen years ago, he was known to be in love with a dazzling blonde starlet named Glenda Jensen, who hotfooted it off into the sunset one day, never to be seen again. I’d seen pictures of Glenda; she looked suspiciously like my favorite teenage killer. At eight tomorrow night Sid Weinberg was throwing a party to ballyhoo Bride of the Surf Monster . I was to provide security. Mickey Cohen and Howard Hughes would be guests.

I fell asleep on the thought, and dreamed that benevolent dead dogs were riding me up to heaven, my pockets full of other guys’ money.

In the morning we took off after the prodigal daughter. I drove, Mo Hornbeck gave directions — where he figured Gretchen Rae would be, based on their last conversation — a panicky talk two days ago; the girl afraid of phone taps; Mo saying he would let the evidence chill, then dispose of it.

Which, of course, he didn’t. According to Mo, Gretch told him Voyteck Kirnipaski had given her a list of financial district sharks who might be interested in her Hughes Enterprises graphs: when to buy and sell shares in Toolco, Hughes Aircraft and its myriad subsidiaries — based on her new knowledge of upcoming defense contracts and her assessment of probable stock price fluctuations. Mo stressed that was why Gretchy raped the Bullocks catalog — she wanted to look like a businesswoman, not a seductress/killer.

So we slow-lane trawled downtown, circuiting the Spring Street financial district, hoping to catch a streetside glimpse of Gretchen Rae as she made her office calls. I’d won Mo partially over with kind words and a promise to plant Janet in a ritzy West LA pet cemetery, but I could still tell he didn’t trust me — I was too close to Mickey for too long. He gave me a steady sidelong fisheye and only acknowledged my attempts at conversation with grunts.

The morning came and went; the afternoon followed. Mo had no leads on Gretchen Rae’s home calls, so we kept circling Spring Street — Third to Sixth and back again — over and over, taking piss stops at the Pig & Whistle on Fourth and Broadway every two hours. Dusk came on, and I started getting scared: my Other Guy Routine would work to perfection only if I brought Gretchy to Sid Weinberg’s party right on time.

6:00.

6:30.

7:00.

7:09. I was turning the corner onto Sixth Street when Mo grabbed my arm and pointed out the window at a sharkskin clad secretary type perusing papers by the newsstand. “There. That’s my baby.”

I pulled over; Mo stuck his head out the door and waved, then shouted, “No! Gretchen!”

I was setting the hand brake when I saw the girl — Gretch with her hair in a bun — notice a man on the street and start running. Mo piled out of the car and headed toward the guy; he pulled a monster hand-cannon, aimed, and fired twice. Mo fell dead on the sidewalk, half his face blown off; the man pursued Gretchen Rae; I pursued him.

The girl ran inside an office building, the gunman close behind. I caught up, peered in, and saw him at the top of the second-floor landing. I slammed the door and stepped back; the act coaxed two wasted shots out of the killer, glass and wood exploding all around me. Four rounds gone, two to go.

Screams on the street; two sets of footsteps scurrying upstairs; sirens in the distance. I ran to the landing and shouted, “Police!” The word drew two ricocheting bang-bangs. I hauled my fat ass up to floor three like a flabby dervish.

The gunman was fumbling with a pocketful of loose shells; he saw me just as he flicked his piece’s cylinder open. I was within three stairs of him. Not having time to load and fire, he kicked. I grabbed his ankle and pulled him down the stairs; we fell together in a tangle of arms and legs, hitting the landing next to an open window.

We swung at each other, two octopuses, blows and gouges that never really connected. Finally he got a choke hold on my neck; I reached up through his arms and jammed my thumbs hard in his eyes. The bastard let go just long enough for me to knee his balls, squirm away, and grab him by the scalp. Blinded now, he flailed for me. I yanked him out the window head first, pushing his feet after him. He hit the pavement spread eagled, and even from three stories up I could hear his skull crack like a giant eggshell.

I got some more breath, hauled up to the roof and pushed the door open. Gretchen Rae Shoftel was sitting on a roll of tar paper, smoking a cigarette, two long single tears rolling down her cheeks. She said, “Did you come to take me back to Milwaukee?”

All I could think of to say was, “No.”

Gretchen reached behind the tar paper and picked up a briefcase — brand-new, Bullocks Wilshire quality. The sirens downstairs were dying out; two bodies gave lots of cops lots to do. I said, “Mickey or Howard, Miss Shoftel? You got a choice.”

Gretch stubbed out her cigarette. “They both stink.” She hooked a thumb over the roof in the direction of the dead gunman. “I’ll take my chances with Jerry Katzenbach and his friends. Daddy went down tough. So will I.”

I said, “You’re not that stupid.”

Gretchen Rae said, “You play the market?”

I said, “Want to meet a nice rich man who needs a friend?”

Gretchen Rae pointed to a ladder that connected the roof to the fire escape of the adjoining building. “If it’s now, I’ll take it.”

In the cab to Beverly Hills I filled Gretchy in on the play, promising all kinds of bonuses I couldn’t deliver, like the Morris Hornbeck scholarship for impoverished Marquette University Business School students. Pulling up to Sid Weinberg’s tudor mansion, the girl had her hair down, make up on, and was ready to do the save-my-ass tango.