Джеймс Эллрой - The Big Nowhere

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Los Angeles, 1950. Red crosscurrents: the Commie Scare and a string of brutal mutilation killings. Movieland leftists on a collision course with a grand jury investigating team. A young homicide detective obsessed with capturing a murderer of unparalleled viciousness — even though the price may be horrific self-revelation. Gangsters and cops and fixers and Hollywood grotesques in a noir novel of epic scope and depth.
The Big Nowhere is the story of three men caught up in a massive web of ambition, perversion, and deceit. Danny Upshaw is a Sheriff’s deputy stuck with a bunch of snuffs nobody cares about; they’re his chance to make his name as a cop — and to sate his darkest curiosities. Mal Considine is D.A.’s Bureau brass, climbing on the Red Scare bandwagon to advance his career and to gain custody of his adopted son, a child he saved from the horror of postwar Europe. Buzz Meeks — bagman, ex-Narco goon and pimp for Howard Hughes — is fighting Communism for the money. All three men have purchased tickets to a nightmare.
The Big Nowhere is dark, brutal, tender and powerful; it is a remarkably vivid portrait of a remarkable time and place. With his best-selling The Black Dahlia, James Ellroy established himself as the modern master of noir fiction; The Big Nowhere establishes him as a major American novelist.

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James Ellroy

The Big Nowhere

TO

GLENDA REVELLE

It was written that I should be loyal to the nightmare of my choice—

Joseph Conrad Heart of Darkness

Part One

Red Crosscurrents

Chapter One

Thundershowers hit just before midnight, drowning out the horn honks and noisemaker blare that usually signalled New Year’s on the Strip, bringing 1950 to the West Hollywood Substation in a wave of hot squeals with meat wagon backup.

At 12:03, a four-vehicle fender bender at Sunset and La Cienega resulted in a half dozen injuries; the deputies who responded got eyewitness testimony: the crash was caused by the clown in the brown DeSoto and the army major in the Camp Cooke staff car racing no-hands with dogs wearing paper party hats on their laps. Two arrests; one call to the Verdugo Street Animal Shelter. At 12:14, an uninhabited vet’s shack on Sweetzer collapsed in a heap of drenched prefab, killing a teenaged boy and girl necking under the foundation; two County Morgue DOA’s. At 12:29, a neon lawn display featuring Santa Claus and his helpers short-circuited, shooting flames along the electrical cord to its inside terminus — a plug attached to a maze of adapters fueling a large, brightly lit Christmas tree and nativity scene — severely burning three children heaping tissue-wrapped presents on a glow-in-the-dark baby Jesus. One fire truck, one ambulance and three Sheriff’s prowl cars to the scene, a minor jurisdictional foul-up when the LAPD appeared in force, a rookie dispatcher mistaking the Sierra Bonita Drive address as City — not County — territory. Then five drunk drivings; then a slew of drunk and disorderlies as the clubs on the Strip let out; then a strongarm heist in front of Dave’s Blue Room, the victims two Iowa yokels in town for the Rose Bowl, the muscle two niggers who escaped in a ’47 Merc with purple fender skirts. When the rain petered out shortly after 3:00, Detective Deputy Danny Upshaw, the station’s acting watch commander, predicted that the 1950’s were going to be a shit decade.

Except for the drunks and nonbooze misdemeanants in the holding tank, he was alone. Every black-and-white and unmarked was out working graveyard; there was no chain of command, no switchboard/clerical girl, no plainclothes deputies in the squadroom. No khaki and olive drab patrolmen strutting around, smirking over their plum duty — the Strip, glossy women, Christmas baskets from Mickey Cohen, the real grief over the city line with the LAPD. No one to give him the fisheye when he picked up his criminology textbooks: Vollmer, Thorwald, Maslick — grid-searching crime scenes, blood spatter marks explained, how to toss an 18-foot-by-24-foot room for hard evidence in an hour flat.

Danny settled in to read, his feet up on the front desk, the station-to-prowler two-way turned down low. Hans Maslick was digressing on how to roll fingerprints off severely burned flesh, the best chemical compounds to remove scabbed tissue without singeing the skin below the surface of the print pattern. Maslick had perfected his technique during the aftermath of a prison fire in Düsseldorf in 1931. He had plenty of stiffs and fingerprint abstracts to work from; there was a chemical plant nearby, with an ambitious young lab assistant eager to help him. Together, they worked rapid fire: caustic solutions burning too deep, milder compounds not penetrating scarred flesh. Danny jotted chemical symbols on a notepad as he read; he pictured himself as Maslick’s assistant, working side by side with the great criminologist, who would give him a fatherly embrace every time he made a brilliant logical jump. Soon he was transposing the scorched nativity scene kids against his reading, going solo, lifting prints off tiny fingers, double-checking them against birth records, the hospital precaution they took in case newborns got switched around—

“Boss, we got a hot one.”

Danny glanced up. Hosford, a uniformed deputy working the northeast border of the division, was in the doorway. “What? Why didn’t you call it in?”

“I did. You mustn’t of—”

Danny pushed his text and notepad out of sight. “What is it?”

“Man down. I found him — Allegro, a half mile up from the Strip. Jesus dog, you ain’t ever seen noth—”

“You stay here, I’m going.”

Allegro Street was a narrow residential road, half Spanish bungalow courts, half building sites fronted by signs promising DELUXE LIVING in the Tudor, French Provincial and Streamline Moderne styles. Danny drove up it in his civilian car, slowing when he saw a barrier of sawhorses with red blinkers, three black-and-whites parked behind it, their headlights beaming out into a weed-strewn vacant lot.

He left his Chevy at the curb and walked over. A knot of deputies in rain slickers were pointing flashlights at the ground; cherry lamp glow fluttered over a sign for the ALLEGRO PLANTATION ARMS — FULL TENANCY BY SPRING 1951. The prowlers’ low beams crisscrossed the lot, picking out booze empties, sodden lumber and paper debris. Danny cleared his throat; one of the men wheeled and pulled his gun, spastic twitchy. Danny said, “Easy, Gibbs. It’s me, Upshaw.”

Gibbs reholstered his piece; the other cops separated. Danny looked down at the corpse, felt his knees buckle and made like a criminologist so he wouldn’t pass out or vomit:

“Deffry, Henderson, keep your lights on the decedent. Gibbs, write down what I say verbatim.

“Dead male Caucasian, nude. Approximate age thirty to thirty-five. The cadaver is lying supine, the arms and legs spread. There are ligature marks on the neck, the eyes have been removed and the empty sockets are extruding a gelatinous substance.”

Danny squatted by the corpse; Deffry and Henderson moved their flashlights in to give him some close-ups. “The genitals are bruised and swollen, there are bite marks on the glans of the penis.” He reached under the dead man’s back and felt wet dirt; he touched the chest near the heart, got $$$ kin and a residue of body heat. “There is no precipitation on the cadaver, and since it rained heavily between midnight and three A.M., we can assume the victim was placed here within the past hour.”

A siren wailed toward the scene. Danny grabbed Deffry’s flashlight and went in extra close, examining the worst of it. “There is a total of six oval, irregular, circumscribed wounds on the torso between the navel and rib cage. Shredded flesh outlines the perimeters, entrails coated with congealed blood extruding from them. The skin around each wound is inflamed, directly outlining the shred marks, and—”

Henderson said, “Hickeys sure as shit.”

Danny felt his textbook spiel snap. “What are you talking about?”

Henderson sighed. “You know, love bites. Like when a dame starts sucking on your neck. Gibbsey, show plainclothes here what that hat check girl at the Blue Room did to you Christmas.”

Gibbs chuckled and kept writing; Danny stood up, pissed at being patronized by a flunky harness bull. Not talking made the stiff sucker-punch him; his legs were rubber and his stomach was flip-flops. He flashed the five-cell at the ground surrounding the dead man, saw that it had been thoroughly trampled by LASD-issue brogans and that the prowl cars had obliterated any possible tire tracks. Gibbs said, “I ain’t sure I got all them words spelled right.”

Danny found his textbook voice. “It doesn’t matter. Just hold on to it and give it to Captain Dietrich in the morning.”

“But I’m off at eight. The skipper don’t come in till ten, and I got Bowl tickets.”

“Sorry, but you’re staying here until daywatch relieves you or the lab techs show up.”

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