Tom Savage - Mrs. John Doe

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Mrs. John Doe: краткое содержание, описание и аннотация

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USA TODAY BESTSELLER. In this adrenaline-laced novel of suspense from Tom Savage – hailed by Michael Connelly as "a master of the high-speed thriller" – an American actress in Europe races to find the truth behind her husband's mysterious accident. What she uncovers makes her the target of a shocking conspiracy.
Nora Baron's life is perfect. She lives on Long Island Sound, teaches acting at a local university, and has a loving family. Then one phone call changes everything. She's informed that her husband, Jeff, has died in a car crash while on a business trip in England. Nora flies to London to identify the body, which the police have listed as a "John Doe." When she leaves the morgue, a man tries to steal her purse containing Jeff's personal effects. Clearly, all is not as it seems.
At her hotel, Nora receives a cryptic message that leaves her with more questions than answers. She follows the message's instructions to France, where a fatal encounter transforms her into a fugitive. Wanted for murder, on the run in a shadowy landscape of lies, secrets, and sudden violence, Mrs. "John Doe" must play the role of a lifetime to stay one step ahead of a ruthless enemy with deadly plans for her – and for the world.
Praise for Mrs. John Doe
"This is a rare spy thriller, smart, beautifully written, and stay-up-all-night enjoyable!" – Gayle Lynds, New York Times bestselling author of The Assassins
"It isn't easy to blindside a fellow suspense author, but Tom Savage manages to fool me every time. A clever, compelling, and cinematic page-turner in which nothing is as it seems, Mrs. John Doe opens with a twist I didn't see coming and closes with a satisfying bang. This longtime Savage fan ranks Mrs. John Doe right up there with Precipice." – Wendy Corsi Staub, New York Times bestselling author of The Black Widow
"Tom Savage's Mrs. John Doe races a fictional path somewhere between Alfred Hitchcock and Agatha Christie, a modern heroine-on-the-run spy thriller dealing with some of our time's deadliest challenges." – James Grady, New York Times bestselling author of Last Days of the Condor
"Savage twists the plot in two startling ways, and Nora's transformation from wealthy home-focused wife to clever investigator holds up brilliantly… I enjoyed each page, gasped at the swift twists, and came away with a hunger for more of the same, whether it be thrills, France, or books by Tom Savage." – Kingdom Books
"If you like books that make your pulse pound, where the images conjured up by your mind while reading are better than the best 'action' movie, Mrs. John Doe should be on your shelf." – Back Porchervations
"Cloak-and-dagger suspense, dark, shadowy figures, secret agents, and a diabolical terrorist plot that must be thwarted combine to create… a shocking, heart-pounding, unrelenting thrill ride." – The Book Reviews
Praise for Tom Savage
"Savage knows the mystery novel inside and out, and it shows on every page." – James Patterson
"A master of the high-speed thriller." – Michael Connelly
"A very gifted writer who creates living, breathing characters, wonderful dialogue, and mesmerizing tension." – Nelson DeMille
"Savage writes with fierce energy, piercing holes in the shredding fabric of our society, where no one is safe, no one is free from harm." – Lorenzo Carcaterra

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She didn’t know how long she knelt there, being sick, but it couldn’t have been more than a few minutes. As the nausea and disorientation subsided, her mind swam with images of Jeff and Dana. The birthday party-why had she been thinking of that? Oh yes: the glare. She turned on the cold water and rinsed the perspiration from her clammy face. She wouldn’t have been surprised if the water had hissed as it touched her hot skin.

Better, much better. Her stomach had settled and the room had stopped spinning around her. She found her bag on the floor and felt inside for her traveling toothbrush kit. The minty toothpaste soon scrubbed away the foul taste in her mouth, and a gargle from the tiny bottle of mouthwash did the rest. She swallowed a Zantac and turned off the tap.

She was returning everything to her bag when she heard the bedroom door open. A spill of light from the upstairs hallway lit the dark space beyond the half-open bathroom door. Viv, of course, coming to check on her. She held her breath and clutched the cool porcelain sink, waiting. If she was very quiet, her well-meaning hostess would assume the darkened rooms were empty and Nora had gone downstairs, perhaps to the kitchen. The sliver of light behind her disappeared as the bedroom door closed. After a moment, Nora heard another door opening and closing farther down the hall.

Vivian was searching for her, and she couldn’t stay in here all night. Besides, now that she was feeling better, she was actually looking forward to Claudia’s Italian meal. Bill had to get back to his office, and she would ask Vivian if she could stay the night here. After Yussuf’s words in Leicester Square this afternoon about staking out the Byron Hotel, she didn’t want to chance showing up there, even as Mme. Blanche Williams, and someone had rifled her husband’s safe house the night he’d left for Norfolk. Yussuf and his associates couldn’t be fooled forever, and she wasn’t about to tempt fate again. She’d probably used up her quota of good luck.

But now she must rejoin her friends. She shut her eyes and switched on the bathroom light, then opened them and peered at herself in the mirror. Not as bad as she’d expected-not bad at all, in fact. She was pale, perhaps, and a bit disheveled, but a comb through her hair and lipstick would make her look good as new. She did these things quickly and professionally, imagining that she was in a theater dressing room at intermission and the stage manager had just ordered everyone to their places for act two. When something resembling the usual Nora Baron finally gazed back at her from the glass, she shouldered her bag and went back through the dark bedroom to the hallway.

Bill Howard had dozed off in her absence. She glanced over as she came down the stairs and saw him slumped against an arm of the flowery chair, his head resting on it, one hand dangling down, clearly asleep. He’d been working around the clock for four days now, ever since Jeff’s disappearance, and Nora wondered if he’d had any sleep at all. She smiled at the sight of him, feeling foolish for ever suspecting this dedicated man of criminal behavior. Then she moved farther down the staircase and stopped short, three steps from the bottom, staring.

Through the archway on her right, she saw a long, slender arm stretched out across the pale green carpet of the foyer. The red silk sleeve matched the bright lacquer on the perfectly sculpted fingernails of the smooth white hand. The hand lay palm up, the shiny nails bunched together in a loose fist. When she could move, Nora rushed down the stairs and through the archway, and now she saw the rest.

Vivian lay very still on her back, one arm outflung on the carpet, the other resting on her heart. Her lips were parted and her eyes were wide open, staring up at the ceiling in apparent surprise. Because of the deep scarlet color of the blouse, Nora didn’t see the blood at first. But there it was, saturating the material under the pale hand, slowly spreading outward. Even in death, she had landed gracefully, dramatically.

Nora stood above the body, staring down at the staring eyes, filling her lungs to cry out, to call to Bill in the next room. But no, there was no need for that, and she knew it. She tore her gaze from her friend and went back to the archway, just to be sure.

Yes. She’d thought he was asleep, slumped over the arm of the chair, but it wasn’t sleep at all. His right arm dangled to the carpet, and beside it lay a small black gun. Judging from the blood she now saw on his shirt, the round that had killed him had struck him in the exact same spot as his wife. The gun on the floor was a revolver with no noise-reducing capability. If he’d been able to fire it, Nora would have heard the report from the upstairs bathroom. He obviously hadn’t had time to do more than draw it from the shoulder holster under his jacket; the silenced weapon had been too quick.

Yussuf? Andy Gilbert? Vivian wasn’t facing the front door; she was lying the other way. She’d answered the bell and let the person in, allowed him to walk past her into the hall, shut the door, and turned around to see the gun. Pfft . Perhaps from the living room Bill had heard the muffled sounds of the suppressed shot and his wife falling to the carpet, reached for his weapon, but the intruder had been too fast for him. He hadn’t even risen from the chair…

Nora stood in the archway, looking from one body to the other and back again, aware of the awful silence. She was also aware that her mind was working quickly and clearly. The snub-nosed LadySmith from her purse was already in her hand, raised to waist level, and her gaze now moved swiftly from the front door behind Vivian’s body (shut) to the front hall closet door (open and empty) to the powder room door (open and empty) to the dining room (empty) to the top of the staircase she’d just descended (empty) and at last to the main hallway behind her. She turned, bringing the gun up in front of her, and walked slowly toward the swinging door to the kitchen. She pressed her ear against the door, listening. Silence. She drew in a deep breath, pushed the door open, and crouched down, aiming directly into the room.

The bright ceiling lights of the sparkling white kitchen cast everything in harsh relief. Nora lowered the gun and slumped against the open door, staring. Claudia Bellini lay on her back in the center of the wet floor, her hands encased in bright yellow oven mitts, and she no longer had a face. She’d been in the act of lifting the big cast-iron pot of boiling spaghetti from the stove when this door had flown open behind her and a single shot had slammed through the back of her head. The pot lay on its side near the body, and steam was still rising from the pools of red-tinged water and the slithering clumps of pasta everywhere on the floor. On the white wall above the stove was a dripping red starburst, as bright red as the tomato sauce that still simmered there, filling the steamy kitchen with its rich aroma. Beyond the body, at the far end of the room, the door to the back garden stood wide open.

They’d left in a hurry, whoever they were; they hadn’t even bothered to shut the kitchen door behind them as they fled. Still, Nora wasn’t taking any chances. She reached up and switched off the kitchen light before getting up from the floor. Gun in hand, she moved swiftly to the open door and peered outside. The little patch of lawn and flower bushes surrounding the back patio was still, illuminated by soft blue area lights, enclosed in a spiked, six-foot, iron fence that separated the space from the adjacent properties and the service road that ran behind the houses. The iron gate back there stood open as well. Out this door, across the patio and lawn, and through that gate to the service road, then away in either direction.

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