Tom Savage - Mrs. John Doe

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Mrs. John Doe: краткое содержание, описание и аннотация

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USA TODAY BESTSELLER. In this adrenaline-laced novel of suspense from Tom Savage – hailed by Michael Connelly as "a master of the high-speed thriller" – an American actress in Europe races to find the truth behind her husband's mysterious accident. What she uncovers makes her the target of a shocking conspiracy.
Nora Baron's life is perfect. She lives on Long Island Sound, teaches acting at a local university, and has a loving family. Then one phone call changes everything. She's informed that her husband, Jeff, has died in a car crash while on a business trip in England. Nora flies to London to identify the body, which the police have listed as a "John Doe." When she leaves the morgue, a man tries to steal her purse containing Jeff's personal effects. Clearly, all is not as it seems.
At her hotel, Nora receives a cryptic message that leaves her with more questions than answers. She follows the message's instructions to France, where a fatal encounter transforms her into a fugitive. Wanted for murder, on the run in a shadowy landscape of lies, secrets, and sudden violence, Mrs. "John Doe" must play the role of a lifetime to stay one step ahead of a ruthless enemy with deadly plans for her – and for the world.
Praise for Mrs. John Doe
"This is a rare spy thriller, smart, beautifully written, and stay-up-all-night enjoyable!" – Gayle Lynds, New York Times bestselling author of The Assassins
"It isn't easy to blindside a fellow suspense author, but Tom Savage manages to fool me every time. A clever, compelling, and cinematic page-turner in which nothing is as it seems, Mrs. John Doe opens with a twist I didn't see coming and closes with a satisfying bang. This longtime Savage fan ranks Mrs. John Doe right up there with Precipice." – Wendy Corsi Staub, New York Times bestselling author of The Black Widow
"Tom Savage's Mrs. John Doe races a fictional path somewhere between Alfred Hitchcock and Agatha Christie, a modern heroine-on-the-run spy thriller dealing with some of our time's deadliest challenges." – James Grady, New York Times bestselling author of Last Days of the Condor
"Savage twists the plot in two startling ways, and Nora's transformation from wealthy home-focused wife to clever investigator holds up brilliantly… I enjoyed each page, gasped at the swift twists, and came away with a hunger for more of the same, whether it be thrills, France, or books by Tom Savage." – Kingdom Books
"If you like books that make your pulse pound, where the images conjured up by your mind while reading are better than the best 'action' movie, Mrs. John Doe should be on your shelf." – Back Porchervations
"Cloak-and-dagger suspense, dark, shadowy figures, secret agents, and a diabolical terrorist plot that must be thwarted combine to create… a shocking, heart-pounding, unrelenting thrill ride." – The Book Reviews
Praise for Tom Savage
"Savage knows the mystery novel inside and out, and it shows on every page." – James Patterson
"A master of the high-speed thriller." – Michael Connelly
"A very gifted writer who creates living, breathing characters, wonderful dialogue, and mesmerizing tension." – Nelson DeMille
"Savage writes with fierce energy, piercing holes in the shredding fabric of our society, where no one is safe, no one is free from harm." – Lorenzo Carcaterra

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“Hello, darling! You’re right on time,” Vivian sang as they embraced. Tonight she was a vision in a red silk blouse and harem pants that could only be from Stella McCartney, and Nora felt comparatively dowdy in her black denim pantsuit and the cheap coat she’d bought in the French mall yesterday. Well, at least she wasn’t wearing that awful wig.

If Vivian noticed the coat, she was too well-bred to mention it. “Come in, come in! Claudia’s in the kitchen, cooking up a storm, and I just made a batch of martinis. Bill’s on his way; he should be here soon.”

She ushered Nora into the front hall. Straight ahead was the curved staircase to the second floor, with the kitchen beyond it. The living room-or drawing room, in Viv’s lingo-was through an archway on the right, and the dining room was behind it through another archway, next to the kitchen, looking out on the back garden. Upstairs were two bedroom suites and a den that Bill had used as an office. Nora liked this house-good-sized without being ostentatious, if a tad conservative. Vivian had decorated it to accommodate her husband’s professional standing, in sober creams and beiges and earth tones for their frequent entertaining of government VIPs.

When Nora followed her friend through the archway into the drawing room, she stopped short, staring. Then she smiled, gazing around. The oatmeal and taupe and burnt umber had vanished. The new drapes at the big front windows were a virtual garden of flowers, pink and orange and yellow, and the austere beige carpeting had been replaced by a beautiful shade of pale green. The couches and armchairs were new, lighter and more colorful than their predecessors, in similar floral prints. Huge bowls and vases of actual flowers stood on the coffee table and end tables. The standard-issue hunting scenes on the formerly cream, now pale green walls had been replaced by flower-themed watercolors.

“Wow!” Nora whispered.

Vivian laughed. “Wait till you see the rest of the place! I just decided, what the hell? I don’t have to live in a men’s club anymore, entertaining all those crotchety old MPs and blue-rinsed dames. For the first time in my life, my house can reflect me, you know, the woman who actually lives here. You should have seen Bill’s face the first time he saw all this! Priceless!”

“I love it!” Nora said. “I really do, Viv. It’s so you !”

“I knew you would, darling. It’s definitely dramatic, and you’re an actress. And it was you who inspired it-your living room with all those flowers, and that marvelous den you did up for Je-” Vivian stopped short, nearly choking back the word. “Oh, my dear, I’m sorry. I shouldn’t have…”

Nora blinked, remembering. Of course. Vivian still thought Jeff was actually dead. Her soon-to-be ex-husband hadn’t let her in on the secret, and it wasn’t Nora’s place to do it. For now, Jeff was officially deceased, and no one could know otherwise-certainly not Viv, who didn’t always think before she spoke. She’d learn the truth soon enough.

“It’s quite all right, Viv,” Nora said now. “I’m-I’m glad you’re moving forward like this.”

“We’re both moving forward,” Vivian said. “Remember that.”

Nora smiled and nodded, but she was saved from having to reply by the arrival of Claudia Bellini from the kitchen.

“Hello, Mrs. Baron,” the housekeeper said. “I’m so sorry for your loss.”

“Thank you, Claudia.” Nora didn’t cringe this time; she didn’t even wince as she acknowledged the condolence. She was getting used to being a widow-and to lying as easily as she drew breath. All the world’s a stage . “How are Tony and Vittorio?” She secretly congratulated herself for remembering the names of Claudia’s husband and son, whom she’d met, briefly, years ago.

“They’re just fine, thank you. Vito is at Cambridge now, and he’s doing splendid-he’s planning to read law!”

“That’s marvelous,” Nora said, and she meant it. Vittorio was the first member of Claudia’s family to attend college, thanks mainly to her employers. Bill and Vivian had overseen Vito’s entire education, and they’d eventually secured a place for him at Bill’s alma mater . His mother couldn’t be more proud; she was beaming.

“Let me take your coat,” she said now. She helped Nora remove it and carried it over to the closet in the entry hallway beside the door to the downstairs bathroom.

“Oh, the powder room isn’t ready yet,” Viv said. “They’re still remodeling, and there are no fixtures in it at the moment. You can use my loo tonight.”

Nora nodded, remembering the big master suite at the top of the stairs, with walk-in closets and a large bathroom. At the far end of the upstairs hall was a guest room that Jeff and Nora had stayed in once, years ago. Those rooms had been decorated in shades of beige and brown when Bill lived here, and she wondered what Viv had done with them. More flowers, probably.

“Supper will be served in one hour,” the housekeeper said to her employer. “Oh-and I’ve run out of cream, so I rang Bessie at Garson’s, and she’s sending her youngest boy over with it. Shane, his name is. I’ve left the money for it on the front hall table by the door. If I don’t hear the bell from the kitchen, would you-?”

“Of course,” Vivian said.

Vivian led Nora back into the living room, and Claudia returned to her cooking. The faint, tantalizing aroma of garlic and red sauce wafted briefly through the floral environment as the swinging door to the kitchen opened and closed. Nora sat on a couch, dropping her purse beside her, while her hostess sank into the matching couch at the other side of the coffee table. The big armchair between the couches-once a deep cocoa, now a riot of roses and violets-had always been Bill Howard’s designated place, and Nora assumed it was waiting for him.

Thinking of Bill Howard brought back the immediacy of her situation, and she felt a tightening, a clenching in her stomach, even as she smiled at her friend. The picture window was behind Vivian, and Nora gazed past her, out at the dark landscape beyond the glass, bracing herself for the inevitable flash of headlights as Bill’s car turned into the driveway. Her hand rested on the Coach bag, and she was acutely aware of the little silver object at the bottom of it, wrapped in her woolen shawl. What would she do when he arrived?

Viv’s bright red lips were moving, and Nora forced herself to follow the conversation. She tried to focus on her friend, smiling sympathetically, wondering if she would be forced to hold this woman’s husband at gunpoint-or worse-right here in her newly redecorated home…

“…very depressed at first, right after Bill moved out. I imagined him with this Solange, this lovely young creature, and I just couldn’t get out of bed in the morning. But I recovered. One day, I looked round this house and decided to change it. I simply went ahead and changed everything- Oh!

Nora had been expecting headlights on the picture window, so when Bill Howard suddenly materialized in the archway, she was just as surprised as Vivian. He was impeccably dressed, as always, in a dark suit and tie. The moment she saw him standing there, smiling, Nora knew something was wrong. She recognized that particular facial expression; she’d produced it herself many times, onstage and on camera. His lips curved upward, but nothing else joined in. His eyes were watchful, wary. Her first, horrible thought was that she had been found out, that he knew she was onto him. But his first words and actions banished that thought from her mind, replacing it with fresh alarm.

“Hello, ladies,” he said. “Viv, I know I’m not the master here anymore, but please bear with me.”

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