Дэвид Балдаччи - One Good Deed

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It’s 1949. When war veteran Aloysius Archer is released from Carderock Prison, he is sent to Poca City on parole with a short list of do’s and a much longer list of don’ts: do report regularly to his parole officer, don’t go to bars, certainly don’t drink alcohol, do get a job — and don’t ever associate with loose women.
The small town quickly proves more complicated and dangerous than Archer’s years serving in the war or his time in jail. Within a single night, his search for gainful employment — and a stiff drink — leads him to a local bar, where he is hired for what seems like a simple job: to collect a debt owed to a powerful local businessman, Hank Pittleman.
Soon Archer discovers that recovering the debt won’t be so easy. The indebted man has a furious grudge against Hank and refuses to pay; Hank’s clever mistress has her own designs on Archer; and both Hank and Archer’s stern parole officer, Miss Crabtree, are keeping a sharp eye on him.
When a murder takes place right under Archer’s nose, police suspicions rise against the ex-convict, and Archer realizes that the crime could send him right back to prison... if he doesn’t use every skill in his arsenal to track down the real killer.

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The man next to Archer, who had shown Archer the ways with the tools of butchering said, “Heard you talking to Dill.”

“That right?”

“You asking about Pittleman?”

“I was, yeah.”

“He was an odd bird.”

“So you knew him?”

“There were some here who knew him. He had his fingers in lots of pies, they say.”

“Man had a lotta businesses, that’s true.”

“You know a man named Malcolm Draper?”

“I’ve met him. Why?”

“He’s around here a lot too. And he ain’t butchering hogs.”

“He runs Pittleman’s businesses.”

“He runs something, all right.”

Archer was about to ask another question when Dickie Dill came into Archer’s workspace holding his sledgehammer.

“Hey, Archer?”

“Yeah?”

“Thought I’d give you a look-see at what it is I do here.”

Another man came in dragging a fat hog by a leather cord. The terrified beast, perhaps sensing what was about to befall it, was squealing and pulling against the tether with all its strength. Its hooves were digging into the wooden floor and creating an unsettling clatter as it struggled to survive.

All the men in the butchering room, including Archer, stopped what they were doing and looked that way.

The other man faced the hog, knelt down, and pulled the leather cord to the floor, forcing the poor beast’s head down and keeping it stationary.

Dill circled around behind the hog and raised his sledgehammer, the look on his face one of unadulterated excitement.

A moment before metal hit skull, Archer closed his eyes.

The sound of the sledgehammer crushing bone was nearly as horrible as the dying squeal made by the unfortunate animal.

When he reopened them, the hog was lying dead on a floor full of hog scraps, bleeding from its crushed head, but also from its nose and mouth. Its one blood-filled and lifeless eye looked up at the man who had just killed it.

Dill held up his homicidal tool in triumph.

“And now you know how it’s damn well done, boy.”

The message conveyed was perfectly clear to every man in the place. And most particularly to Archer.

“Knowledge is a good thing, Dickie,” said Archer, drawing another funny look from Dill.

Archer went back to his butchering.

When pay time came, their wages were short by half. When some of the men began to protest, a couple of large steady-eyed fellows carrying shotguns walked into their midst and calm quickly returned.

Archer had not sat next to Dill during the ride back, but the latter had kept his gaze on Archer the whole way. The men spent the trip back to town complaining about the short wages. The gent who’d taught Archer the cutting method leaned in and whispered, “That man Dill ain’t right in the head. Think somebody hit him with a sledgehammer maybe when he was a baby.”

“Well, if they didn’t back then, somebody might want to think about doing it now,” replied Archer.

After the truck dropped them off, Archer started walking away, looking once over his shoulder to make sure Dill had headed off in the opposite direction.

Ernestine had arrived at her house ahead of him. She was cooking up some chicken in a pan on her electric stove when he walked in the back door.

“Funny,” she said, a smile playing over her lips. “I had somebody look at the lock today and they said it was just fine. Though it did show signs of being breached .”

Archer took off his hat, glanced at the lock, and said, “Well, you can never be too careful.”

She reached into her apron pocket and pulled out a key. “How about I give you one of these instead?”

After a dinner of fried chicken and corn on the cob and soft peas and doughy rolls washed down with lemonade, Archer proclaimed it one of the best meals of his life.

“How was the slaughterhouse?” she asked, after her smile showed that his compliment had pleased her.

“I have no plans to make it a career, if that’s what you’re asking.”

She laughed. “I hope not. I think you’re meant for bigger and better things.”

“We only got half our wages, though, so the money problems for Pittleman are real enough.”

“That is totally astonishing to me. He seemed so wealthy.”

“I’ve found that looks can be deceiving.”

She glanced up to see him staring pointedly at her.

“You have something you want to say?” she asked, giving him a curious glance.

“Look at you. I mean, a man could just see your... well, your beauty and think that was all there was. They wouldn’t know anything about all the books you’ve read, all the things you know. That you want to write a book of your own. And that you help people that need helping, like me. I mean, they wouldn’t know any of that.”

“You’re right, they wouldn’t. And what do you think about that?”

“I think it’s sad. Like the fellow who wrote those nasty things or the sheriff who wants you to whatever, or the jerk in the hall who wolf-whistled. They just look at you and see one thing.”

She leaned forward, and those enormous eyes of hers wrapped themselves around the man. “And how about you, Archer? When you look at me what do you see?”

He didn’t hesitate in answering. “I see someone I’d like to be good friends with my whole life.”

His answer seemed to startle her for a moment. “I believe you mean that.”

“That’s because I do.” He paused and this line of conversation made him think of something else, something important. “Look here, Ernestine, Dickie Dill?”

“What about him?”

“He’s one dangerous man.”

“I know that, Archer.”

“I don’t like the fact that you have to meet with him.”

“It’s only once a month now. I won’t have to see him for quite some time.”

“I don’t like that you have to ever see him.”

“It is my job.” She gave him a piercing look. “Why? Did something happen?”

He started to tell her but then changed his mind. “Next time you have to meet with him, let me know and I’ll be there, too.”

“You don’t have to do that, Archer.”

“I’m not doing it because I have to, it’s because I want to, Ernestine.”

“Thank you. That’s very... sweet of you.”

They spent the rest of the evening listening to music on Crabtree’s Emerson radio.

“I like that Sinatra fellow,” said Archer. “But give me old Bing Crosby any day.”

“I still love listening to the Andrews Sisters,” replied Crabtree nostalgically. “After work, in the rooming house I stayed at during the war, we’d lie around, drinking coffee and smoking, and listen to them all night long.”

“They came over with the USO while we were fighting in Italy. Them and Bob Hope and some others. ‘Boogie Woogie Bugle Boy’ always got me stomping my feet. And that Patty Andrews, wow, she was some looker—” Archer caught himself. “And a damn fine singer.”

Crabtree looked up at him and smiled. “It’s okay to compliment a person’s looks, Archer. You’re a handsome man, I freely admit that. So long as it’s not all we think about each other.”

“Right.”

Later, they each picked up their books and Ernestine headed off to bed. But about a half hour later Archer put his novel down, picked his hat up, clutched his new key, and left by the back door.

About twenty minutes later, he was knocking on the portal at 27 Eldorado.

Jackie answered his knock dressed in high-waisted jeans, pink slippers, and a checkered shirt tied up high enough to expose her taut midriff. Her hair was curled up in plump rollers.

She did not seem happy to see him. “You think you can just show up any old time and I’ll let you in? I got things to do, too, Archer.”

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