Райли Сейгер - Home Before Dark - A Novel

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Home Before Dark: A Novel: краткое содержание, описание и аннотация

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**One of . . .
** Huff Post **’s “10 Of The Most Anticipated Book Releases Of June 2020” •** Good Housekeeping **’s “The 35 Best Books of 2020 to Add to Your Reading List” •** Travel + Leisure **’s “20 Most Anticipated Summer 2020 Books” •** PopSugar **’s 17 Most Anticipated Summer Thrillers •** Working Mother **’s “The 20 Most Anticipated Books of 2020” •** Newsweek **’s 20 most anticipated summer reads •** Publishers Weekly's " **Summer Reads 2020" •** BookPage **’s “2020 Most Anticipated Thrillers and Mysteries” • Today.com’s “16 highly anticipated summer reads” •** The Star Tribune **’s “Great Escapes” summer reads •** BookPage **'s "Private Eye July"
In the latest thriller from **New York Times **bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?
**
*What was it like? Living in that house.
* Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called *House of Horrors*. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling *The Amityville Horror* in popularity—and skepticism.
Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in *House of Horrors* , lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to ** Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.
Alternating between Maggie’s uneasy homecoming and chapters from her father’s book, *Home Before Dark* is the story of a house with long-buried secrets and a woman’s quest to uncover them—even if the truth is far more terrifying than any haunting. **
**Review**
"Clever, twisty, and altogether spine-chilling. . . . [A] deliciously terrifying story. . . .You'll want to read this one after dark, ideally with the wind whistling in the eaves and a window banging somewhere just out of reach. But keep the light switch handy. You just might need it."
**–Ruth Ware,** Book of the Month
"What could be better than a haunted house with ghosts aplenty?  *Home Before Dark*  is equally superb and terrifying. Buckle up for a wild ride. This book should come with a warning not to be read after dark." 
**–Mary Kubica,** New York Times **bestselling author of** The Other Mrs.  
"Flawless pacing, a dexterous dual narrative, and character through the roof. But the biggest revelation to be found in  *Home Before Dark* is this: There’s nobody writing scarier books than Riley Sager is right now."
**–Josh Malerman,** New York Times  **bestselling author of** Bird Box  **and** Malorie 
"Houses breathe. Some have a heartbeat. None forget. Grabbing you from the first page, Riley Sager crafts a devilish plot, twisted timelines, and horrors that linger in this haunting thriller that needs to be on your reading list!"
**–J.D. Barker, International Bestselling Author of** She Has A Broken Thing Where Her Heart Should Be *
*"Part ghost story, part murder mystery, *Home Before Dark* is a nightmare ride of haunting terror and suspense. Dripping with atmosphere and danger, Baneberry Hall is the new Hill House. I couldn’t turn the last 100 pages fast enough." *
* **–Richard Chizmar,** New York Times **bestselling author** *
*
“[An] outstanding supernatural thriller. . . . Sager, who makes the house a palpable, threatening presence, does a superb job of anticipating and undermining readers’ expectations. Haunted house fans will be in heaven.” *
*–Publishers Weekly **, starred review** *
*“The ghosts and poltergeist activity Sager conjures are truly chilling, and he does a masterful job of keeping readers guessing until the very end.”
–Kirkus *
*
“For fans of the *Amityville Horror* story comes yet another breath-stealer from the hit machine Sager.”
–Good Housekeeping **, “The 35 Best Books to Add to Your Reading List ASAP.”
** "Sager does a superb job of upsetting reader expectations in this horror thriller."
–Publishers Weekly **, "Summer Reads 2020"
** "[ *Home Before Dark]* is set to deliver major goose bumps."
–PopSugar **
**"King of thrillers, Sager returns with a pulse-pounding, goosebump-inducing tale of a woman who goes back to her childhood home—and the setting of a true horror story." **
**–Newsweek **
**“Another breathtaking hit from Sager, who’s proven himself a master at crafting new twists on classic horror tales.”
–Booklist 
### **About the Author**
*Home Before Dark* is the fourth thriller from Riley Sager, the pseudonym of an author who lives in Princeton, New Jersey. Riley's first novel,  *Final Girls* , was a national and international bestseller that has been published in more than two dozen countries and won the ITW Thriller Award for Best Hardcover Novel. Sager's subsequent novels,  *The Last Time I Lied*  and  *Lock Every Door,*  were  *New York Times*  bestsellers.

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“Promise?” Maggie said.

“I promise,” I replied.

Jess reached across the table for our hands and gave them a gentle squeeze. “ We promise.”

“If you have any questions about what happened, don’t be afraid to ask,” I told Maggie. “We can talk about it anytime you want. In fact, I have a newspaper article about it, if you want to see it.”

I waited until Maggie nodded before sliding the article in front of her. Since her reading skills were still limited, her gaze immediately went to the photograph.

“Hey,” she said, pressing a finger to the photocopied face of Katie Carver. “That’s the girl.”

I tensed. “What girl, honey?”

“The one I play with sometimes.”

“Hannah?” Jess said hopefully.

Maggie shook her head. “The girl who can’t leave my room.”

She then looked to the other side of the photo and Curtis Carver’s scowling face. Immediately, she began to whimper.

“It’s him,” she said, climbing into my lap and pressing her face against my chest.

“Who?”

Maggie shot one last, frightened look at Curtis Carver.

Him ,” she said. “He’s Mister Shadow.”

Sixteen

The reporters return bright and early. I know because I’ve been awake all night. Sometimes pacing the great room. Other times checking the front door and all the windows, making sure for the second, third, fourth time that they’re secure. Most of the night, though, was spent in the parlor, sitting at attention with the knife in my hand, waiting for more weirdness.

That nothing happened didn’t make it any less nerve-racking. Every shadow on the wall sent my pulse galloping. Each creak of the house prompted a startled jump. At one point, while pacing the room, I caught sight of myself in the secretary desk’s mirror, startled not by my sudden presence there but by how crazed I looked.

I’d always assumed I was nothing like the fearful child in my father’s book. Turns out it was me the whole time.

Now I’m at the third-floor windows, peeking through the trees at the line of news vans arriving at the front gate. I wonder how long they’ll be there before giving up. I hope it’s just another few hours and not days.

Because I need to leave again, and this time going through the broken stone wall won’t cut it. For this journey, I need a car.

I consider the idea of simply hopping into my truck and driving it right into the crowd, casualties be damned. But the thought is more revenge fantasy than actual plan. One, I’ll need to get out of the truck to unlock and open the gate—giving Brian Prince and his ilk ample time to pounce. Second, even if I can drive away in peace, there’s nothing to stop them from following me.

My only way to make a quiet getaway is to catch a ride with someone else. That means a phone call to Dane, even though we haven’t spoken since he left the Two Pines. It is clear we are avoiding each other, although the reasons couldn’t be more different. I suspect Dane is embarrassed I rejected his advances and wants to put some space between us.

My excuse is that I’m still trying to process what Chief Alcott told me about his time in prison. I believe that people make mistakes. But I also can’t help but feel deceived. Until he convinces me he’s not the same man who entered that prison, my trust in Dane will be limited to a ride into town.

“I need a favor,” I tell him when he answers the phone. “Can you give me a lift in your truck?”

“Sure,” he says. “I’ll be right up.”

“That’s exactly what I don’t want you to do. Take your truck a half mile from your place and wait for me on the side of the road.”

Dane, to his credit, doesn’t ask me why. “I’ll be there in ten.”

Just as he promised, his truck is idling on the roadside when I emerge from the woods, having passed through the gap in the wall.

“Where to, lady?” he says as I climb inside.

I give him the address to Dr. Weber’s office, which I found online. Surprisingly, she’s still practicing, and still in Bartleby.

The reason for my visit is simple: to ask her if I was indeed a patient of hers and, if so, what I said. Because I have few memories of Baneberry Hall that weren’t influenced by the Book, I need the recollections of a third party to help me make sense of what’s going on. Yet part of me already knows what’s happening.

It’s all true. Every damn word.

It’s not safe there. Not for you.

“How’s everything going?” Dane asks after driving in silence for several minutes.

“Fine,” I say.

He shoots me a sidelong glance. “That’s all I get? Fine? The other night, you couldn’t stop talking.”

“Things have changed.”

More silence follows. A long, tense pause made all the more unbearable by the fact that Dane is right. I couldn’t stop talking that night at the Two Pines. Because he was easy to talk to, back when I didn’t know what he’d done and what he still might be capable of doing. Now I just want to get through this trip by saying as little as possible.

Dane refuses to let that happen.

“Is this about the other night?” he says. “If I made you uncomfortable, I’m sorry. I was just responding to the vibe in the room. Otherwise I never would have suggested it. The last thing I wanted was to make this—”

“Why didn’t you tell me you were in prison?” I ask, unable to keep the question bottled up.

Dane doesn’t react, save for a slight clearing of this throat. He’s clearly been anticipating this moment.

“It never came up.”

“So you’re not denying it?”

“Not when it’s the truth,” Dane says. “I spent a year at Northern State Correctional. The food was bad, the company was worse, and don’t even get me started on the showers.”

The joke—not good to begin with—withers amid the strained mood inside the truck.

“And is it true you almost killed a man?” I say.

“Not intentionally.”

I think Dane expects that to make me feel better. It doesn’t.

“But you did intend to hurt him,” I reply.

“I don’t know what I intended,” Dane says, his voice strained. “Everything got out of hand. The other guy started it, okay? Not that it matters, but that’s a fact. Was I drunk? Yes. Did I go too far? Absolutely. And I regret every goddamn punch. I’ve served my time and changed my ways, but people are always going to judge me for that one awful mistake.”

“Is that why you didn’t tell me?” I say. “Because you thought I’d judge you?”

Dane sniffs. “That’s what you’re doing, isn’t it?”

“I wouldn’t if you had been honest with me. I know all too well what it feels like when people think they have you pegged. I would have understood.”

“Then why are you acting so hurt about it?”

“Only because I deserved to know. I hired you for a job, Dane.”

“So we’re just boss and employee now?”

“That’s what we’ve always been,” I say, in a voice eerily like my mother’s. I hear it—that clipped formality, the passive aggressiveness—and cringe.

“It didn’t feel that way the other night,” Dane says. “Hell, it never felt that way.”

My mother’s tone again seeps into my voice. “Well, that’s how it’s going to be now.”

“Just because you found out I was in prison?”

“No, it’s because of everything I’m dealing with right now. The Book, my father, what he might have done. I don’t need another liar in my life.”

We’ve entered Bartleby proper, the town still waking up. People emerge from their houses with sleepy expressions and steaming travel mugs of coffee. A block away, a church bell chimes out the hour—nine a.m.

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