Райли Сейгер - Home Before Dark - A Novel

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Home Before Dark: A Novel: краткое содержание, описание и аннотация

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**One of . . .
** Huff Post **’s “10 Of The Most Anticipated Book Releases Of June 2020” •** Good Housekeeping **’s “The 35 Best Books of 2020 to Add to Your Reading List” •** Travel + Leisure **’s “20 Most Anticipated Summer 2020 Books” •** PopSugar **’s 17 Most Anticipated Summer Thrillers •** Working Mother **’s “The 20 Most Anticipated Books of 2020” •** Newsweek **’s 20 most anticipated summer reads •** Publishers Weekly's " **Summer Reads 2020" •** BookPage **’s “2020 Most Anticipated Thrillers and Mysteries” • Today.com’s “16 highly anticipated summer reads” •** The Star Tribune **’s “Great Escapes” summer reads •** BookPage **'s "Private Eye July"
In the latest thriller from **New York Times **bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?
**
*What was it like? Living in that house.
* Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called *House of Horrors*. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling *The Amityville Horror* in popularity—and skepticism.
Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in *House of Horrors* , lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to ** Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.
Alternating between Maggie’s uneasy homecoming and chapters from her father’s book, *Home Before Dark* is the story of a house with long-buried secrets and a woman’s quest to uncover them—even if the truth is far more terrifying than any haunting. **
**Review**
"Clever, twisty, and altogether spine-chilling. . . . [A] deliciously terrifying story. . . .You'll want to read this one after dark, ideally with the wind whistling in the eaves and a window banging somewhere just out of reach. But keep the light switch handy. You just might need it."
**–Ruth Ware,** Book of the Month
"What could be better than a haunted house with ghosts aplenty?  *Home Before Dark*  is equally superb and terrifying. Buckle up for a wild ride. This book should come with a warning not to be read after dark." 
**–Mary Kubica,** New York Times **bestselling author of** The Other Mrs.  
"Flawless pacing, a dexterous dual narrative, and character through the roof. But the biggest revelation to be found in  *Home Before Dark* is this: There’s nobody writing scarier books than Riley Sager is right now."
**–Josh Malerman,** New York Times  **bestselling author of** Bird Box  **and** Malorie 
"Houses breathe. Some have a heartbeat. None forget. Grabbing you from the first page, Riley Sager crafts a devilish plot, twisted timelines, and horrors that linger in this haunting thriller that needs to be on your reading list!"
**–J.D. Barker, International Bestselling Author of** She Has A Broken Thing Where Her Heart Should Be *
*"Part ghost story, part murder mystery, *Home Before Dark* is a nightmare ride of haunting terror and suspense. Dripping with atmosphere and danger, Baneberry Hall is the new Hill House. I couldn’t turn the last 100 pages fast enough." *
* **–Richard Chizmar,** New York Times **bestselling author** *
*
“[An] outstanding supernatural thriller. . . . Sager, who makes the house a palpable, threatening presence, does a superb job of anticipating and undermining readers’ expectations. Haunted house fans will be in heaven.” *
*–Publishers Weekly **, starred review** *
*“The ghosts and poltergeist activity Sager conjures are truly chilling, and he does a masterful job of keeping readers guessing until the very end.”
–Kirkus *
*
“For fans of the *Amityville Horror* story comes yet another breath-stealer from the hit machine Sager.”
–Good Housekeeping **, “The 35 Best Books to Add to Your Reading List ASAP.”
** "Sager does a superb job of upsetting reader expectations in this horror thriller."
–Publishers Weekly **, "Summer Reads 2020"
** "[ *Home Before Dark]* is set to deliver major goose bumps."
–PopSugar **
**"King of thrillers, Sager returns with a pulse-pounding, goosebump-inducing tale of a woman who goes back to her childhood home—and the setting of a true horror story." **
**–Newsweek **
**“Another breathtaking hit from Sager, who’s proven himself a master at crafting new twists on classic horror tales.”
–Booklist 
### **About the Author**
*Home Before Dark* is the fourth thriller from Riley Sager, the pseudonym of an author who lives in Princeton, New Jersey. Riley's first novel,  *Final Girls* , was a national and international bestseller that has been published in more than two dozen countries and won the ITW Thriller Award for Best Hardcover Novel. Sager's subsequent novels,  *The Last Time I Lied*  and  *Lock Every Door,*  were  *New York Times*  bestsellers.

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I was first to reach Maggie’s room, colliding with Petra, who had burst into the hallway. She wrapped her thin arms around herself, as if trying to ward off a sudden chill.

“It’s Maggie,” she said.

“What’s wrong?” Jess asked as she caught up to us.

“I don’t know, but she’s freaking out.”

Inside the bedroom, Maggie began to shout. “Go away!”

I ran into the room, confounded by what I saw.

The armoire doors were wide open, and all the dresses Jess had hung there were now scattered about the room. Hannah was up to her neck in her sleeping bag, mute with fear, scooching backward like an inchworm.

Maggie stood on her bed, shrieking at the open armoire.

“Go away! Go away !”

In the hallway, I heard Petra telling Jess what had happened.

“I was asleep,” she said, the words tumbling out. “Hannah woke me up yelling, saying Maggie had just pulled her hair. But Maggie said she hadn’t. That it was someone else. And then I heard the wardrobe door open and things flying out of it and Maggie screaming.”

Maggie remained on the bed. Her shouts had devolved into an earsplitting wail that refused to die down. In the corner, Hannah’s hands shot out of the sleeping bag and clamped over her ears.

“Maggie, there’s no one here.”

“There is!” she cried. “They’re all here! I told you they’d be mad!”

“Sweetie, calm down. Everything’s okay.”

I reached for her, but she slapped my hand away.

“It’s not!” Maggie cried. “He’s under there!”

“Who?”

“Mister Shadow.”

It wasn’t until her voice died down that I heard an unidentifiable noise coming from under the bed.

“There’s nothing down there,” I said, hoping to convince myself as well as Maggie.

“He’s there!” Maggie shrieked. “I saw him! And Miss Pennyface is right there!”

She pointed to the corner behind her closet door, which I saw had also been opened. I didn’t remember it being that way when I came into the room, even though it had to have been.

“And then there’s the little girl,” she said.

“Where is she?” I asked.

“Right next to you.”

Even though I knew it was my mind playing tricks on me, I still felt a presence beside me. It was the same way you could tell someone was sneaking up behind you. A disturbance in the air gave them away. I longed to look at my side, but I feared doing so would make Maggie think I believed her.

So, I didn’t look, even when I felt—or thought I felt—someone brush my hand. Instead, I glanced across the room to Hannah, hoping her reaction would tell me if something was there. But Hannah’s eyes were shut tight as she continued to slide backward into the corner where Maggie said Miss Pennyface was standing.

She wasn’t, of course. There was no Miss Pennyface. But when Hannah reached the corner, she began to shout.

“Something touched me! Something touched me!”

In between her screams, I again heard the noise under the bed.

A muffled skittering.

Like a giant spider.

Without thinking, I dropped to my knees.

Above me, Maggie had resumed shrieking, matching Hannah in volume. More noise started up from the doorway. Jess asking me what the hell I was doing.

I ignored her.

I ignored everything.

I was focused solely on the bed. I needed to see what was under there.

With trembling hands, I touched the bed skirt, brushing it aside.

Then I peered into the dark under Maggie’s bed.

Nothing was there.

Then the bedsprings sank—a jarring sight that made me yelp and jump away from the bed. I looked up and saw it was Hannah, out of her sleeping bag and now standing on the bed. She tugged at Maggie’s arms, trying to snap her out of whatever spell she was under.

“Make it stop, Maggie!” she yelled. “Make it stop !”

Maggie stopped screaming.

Her head snapped in Hannah’s direction.

Then she punched her.

Blood sprayed from Hannah’s nose, flying across Maggie, the bed, the floor.

A stunned look crossed Hannah’s face as she tilted backward and dropped off the edge of the bed. She hit the floor hard, wailing the moment she landed. Jess and Petra ran to her.

I stayed where I was.

Also on the floor.

Staring up at my daughter, who seemed not to have realized what she’d just done. Instead, she looked to the corner by the closet. The door was now shut, although I had no idea how or when that could have happened.

It was the same with the armoire. Both doors were completely closed.

Maggie looked to me and, in a voice thick with relief, said, “They’re gone.”

Fifteen

I close my father’s copy of the Book, having just read the chapter about the sleepover. As I stare at the aerial view of Baneberry Hall on the cover, what Hannah said about that night plays on repeat in my head.

It’s all true.

But it isn’t. It can’t be. Because if the part about the sleepover is true, then so is the rest of the Book. And I refuse to believe that. The Book is bullshit.

Right?

I shake my head, disappointed by my own uncertainty. Of course it’s bullshit. I’ve known that since I was nine.

Then why am I still here at the dining room table with the Book in front of me? Why did I feel compelled to sit down and read the chapter about the sleepover in the first place? Why am I on the verge of reading it a second time?

I want to think it’s because doing a deep dive into House of Horrors is easier than facing the idea that my father might have killed Petra. It’s a much-needed distraction. Nothing more.

But I know better. I’ve seen too many similarities between real life and the Book to dismiss it outright, and I can’t shake the feeling that something eerie is happening. Something strange enough to make my hands tremble as I open the Book.

Then close it.

Then open it again.

Then throw it across the dining room, where it hits the wall in an angry flutter of pages.

I grab my phone, checking to see if my mother returned my call while I was reading. She hasn’t. I call again. When it goes straight to her voicemail, I hang up without leaving a message. What am I going to say? Hi, Mom, did you know about the body in the ceiling, and did Dad do it, and did I really see ghosts as a child?

I drop the phone onto the table and reach for my dinner—a bag of tortilla chips and a can of mixed nuts. Although there’s enough food in the house for several meals, cooking isn’t in the cards. After what happened in the kitchen, I want to spend as little time there as possible. So I stuff some chips into my mouth and wash them down with a beer. That’s followed by some nuts, which I chomp while eyeing the Book, now splayed on the floor. I’m tempted to pick it up. Instead, I grab the Polaroids I found in my father’s study.

The first one is the picture of my mother and me entering the woods. On the far side of the frame is that dark shape I thought might have been a person but is clearly a tree in shadow.

Next is the one from the sleepover, with me and Hannah as minor players in the Petra Show. I study her pose—the hand on her hip, the bent leg, the lips parted in a flirty smile. I can’t help but think she was putting herself on display for my father.

Petra had a boyfriend , Hannah had said. Or something.

Could that have been my father? Was he capable of betraying my mother like that? Even though he once told me my mother was the only woman he’d ever loved, sometimes love has nothing to do with it.

I move to the next photo—the ceiling repairs in the kitchen, which has a new, morbid significance after the events of the past few days. Now it’s a picture of a sixteen-year-old girl looking directly at the spot where her remains would be discovered twenty-five years later. Seeing it makes me quiver so hard the chair shakes.

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