Райли Сейгер - Home Before Dark - A Novel

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**One of . . .
** Huff Post **’s “10 Of The Most Anticipated Book Releases Of June 2020” •** Good Housekeeping **’s “The 35 Best Books of 2020 to Add to Your Reading List” •** Travel + Leisure **’s “20 Most Anticipated Summer 2020 Books” •** PopSugar **’s 17 Most Anticipated Summer Thrillers •** Working Mother **’s “The 20 Most Anticipated Books of 2020” •** Newsweek **’s 20 most anticipated summer reads •** Publishers Weekly's " **Summer Reads 2020" •** BookPage **’s “2020 Most Anticipated Thrillers and Mysteries” • Today.com’s “16 highly anticipated summer reads” •** The Star Tribune **’s “Great Escapes” summer reads •** BookPage **'s "Private Eye July"
In the latest thriller from **New York Times **bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?
**
*What was it like? Living in that house.
* Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called *House of Horrors*. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling *The Amityville Horror* in popularity—and skepticism.
Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in *House of Horrors* , lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to ** Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.
Alternating between Maggie’s uneasy homecoming and chapters from her father’s book, *Home Before Dark* is the story of a house with long-buried secrets and a woman’s quest to uncover them—even if the truth is far more terrifying than any haunting. **
**Review**
"Clever, twisty, and altogether spine-chilling. . . . [A] deliciously terrifying story. . . .You'll want to read this one after dark, ideally with the wind whistling in the eaves and a window banging somewhere just out of reach. But keep the light switch handy. You just might need it."
**–Ruth Ware,** Book of the Month
"What could be better than a haunted house with ghosts aplenty?  *Home Before Dark*  is equally superb and terrifying. Buckle up for a wild ride. This book should come with a warning not to be read after dark." 
**–Mary Kubica,** New York Times **bestselling author of** The Other Mrs.  
"Flawless pacing, a dexterous dual narrative, and character through the roof. But the biggest revelation to be found in  *Home Before Dark* is this: There’s nobody writing scarier books than Riley Sager is right now."
**–Josh Malerman,** New York Times  **bestselling author of** Bird Box  **and** Malorie 
"Houses breathe. Some have a heartbeat. None forget. Grabbing you from the first page, Riley Sager crafts a devilish plot, twisted timelines, and horrors that linger in this haunting thriller that needs to be on your reading list!"
**–J.D. Barker, International Bestselling Author of** She Has A Broken Thing Where Her Heart Should Be *
*"Part ghost story, part murder mystery, *Home Before Dark* is a nightmare ride of haunting terror and suspense. Dripping with atmosphere and danger, Baneberry Hall is the new Hill House. I couldn’t turn the last 100 pages fast enough." *
* **–Richard Chizmar,** New York Times **bestselling author** *
*
“[An] outstanding supernatural thriller. . . . Sager, who makes the house a palpable, threatening presence, does a superb job of anticipating and undermining readers’ expectations. Haunted house fans will be in heaven.” *
*–Publishers Weekly **, starred review** *
*“The ghosts and poltergeist activity Sager conjures are truly chilling, and he does a masterful job of keeping readers guessing until the very end.”
–Kirkus *
*
“For fans of the *Amityville Horror* story comes yet another breath-stealer from the hit machine Sager.”
–Good Housekeeping **, “The 35 Best Books to Add to Your Reading List ASAP.”
** "Sager does a superb job of upsetting reader expectations in this horror thriller."
–Publishers Weekly **, "Summer Reads 2020"
** "[ *Home Before Dark]* is set to deliver major goose bumps."
–PopSugar **
**"King of thrillers, Sager returns with a pulse-pounding, goosebump-inducing tale of a woman who goes back to her childhood home—and the setting of a true horror story." **
**–Newsweek **
**“Another breathtaking hit from Sager, who’s proven himself a master at crafting new twists on classic horror tales.”
–Booklist 
### **About the Author**
*Home Before Dark* is the fourth thriller from Riley Sager, the pseudonym of an author who lives in Princeton, New Jersey. Riley's first novel,  *Final Girls* , was a national and international bestseller that has been published in more than two dozen countries and won the ITW Thriller Award for Best Hardcover Novel. Sager's subsequent novels,  *The Last Time I Lied*  and  *Lock Every Door,*  were  *New York Times*  bestsellers.

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“No, Minnie was different.”

“Was she a mouse?”

“Yes,” Jess said, blushing so much even her shoulders had turned pink. “But they were different, I swear. My Minnie was my height. And furry. Like an honest-to-God mouse, only bigger.”

I approached Jess from behind, took her into my arms, kissed her shoulder right next to the strap of her nightgown, the skin there still warm. “I think you’re lying,” I whispered.

“Fine,” Jess admitted. “My imaginary friend was Minnie Mouse. I have a shitty imagination. I admit it. Happy now?”

“Always, when I’m with you.” We crawled into bed, Jess snuggling against me. “Our daughter, I suspect, isn’t. I think she’s lonely.”

“She’ll be going to kindergarten in the fall,” Jess said. “She’ll make friends then.”

“And what about the rest of the summer? We can’t expect her to spend it cooped up in this house with imaginary friends.”

“What’s the alternative?”

I saw only one. And they lived just outside Baneberry Hall’s front gate.

“I think we should invite the Ditmer girls over,” I said.

“Like a playdate?”

That would have been the proper course of action, had their previous playdate gone well. But with Hannah being so bossy and Maggie so shy, they didn’t gel as much as they should—or could—have. To truly bond, they needed something more than another half-hearted game of hide-and-seek.

“I was thinking more like a sleepover,” I said.

“Both girls?” Jess said. “Don’t you think Petra’s a little old for that?”

“Not if we pay her to babysit. She could watch Maggie and Hannah, and we, my dear, could have a proper date night.”

I kissed her shoulder again. Then the nape of her neck.

Jess melted against me. “When you put it that way, how’s a girl supposed to say no?”

“Great,” I said, drawing her tighter against me. “I’ll call Elsa tomorrow.”

The matter was settled. Maggie was going to have her first sleepover.

It turned out to be a decision all three of us would later come to regret.

Eight

In the evening, I get a text from Allie.

Just checking in. How’s the house?

It has potential, I write back.

Allie responds with a thumbs-up emoji, and No ghosts, I presume.

None.

But there’s lots about the place that doesn’t sit well with me. The person standing behind the house last night, for instance. Or the chandelier that magically turned itself on. That one had me so spooked that I called Dane to ask if he’d been in the house while I was gone. He swore he hadn’t.

Then there’s everything Brian Prince told me, which has prompted me to sit in the kitchen with a copy of the Book and my father’s Polaroids lined up on the table like place settings. I flip through the Book, looking for hints Brian might be onto something, even though his insinuation that my father engaged in some kind of improper relationship with Petra is both wrong and, frankly, gross.

Not long after my mother married Carl, my father and I took a trip to Paris. I hadn’t wanted to go. I had just turned fourteen, an age at which no girl wants to be seen with one of her parents. But I knew my father hadn’t reacted well to my mother’s decision to remarry and that he needed the trip more than I did.

We departed a few months before I finally stopped asking questions about the Book, knowing I’d never get a straight answer. I asked about it only once during the trip—another one of my sneak attacks, this time in front of the Mona Lisa —and received my father’s stock answer. That’s why one of the things I remember most about the trip, other than croque monsieurs and a dreamy, flirty café waiter named Jean-Paul, was a rare moment of honesty during an evening picnic in the shadow of the Eiffel Tower.

“Do you think you’ll ever get remarried like Mom?” I asked.

My dad chewed thoughtfully on a piece of baguette. “Probably not.”

“Why?”

“Because your mother is the only woman I’ve ever loved.”

“Do you still love her?”

“As a matter of fact, I do,” my father said.

“Then why did you get divorced?”

“Sometimes, Mags, a couple can go through something so terrible that not even love can fix it.”

He went quiet after that, stretching out on the grass and watching the sun sink lower behind the Eiffel Tower. Even though I knew he was referring to the Book, I dared not ask him about it. He’d already let his guard down. I didn’t want to push it.

Maybe if I had, I finally would have received an honest answer.

I put down the Book and grab the Polaroids, paying extra attention to the ones that feature Petra. At first glance, they’re innocent. Just a teenage girl being herself. But creepier undertones emerge the longer I look at them. In the picture taken in the kitchen, neither Petra nor my mother acknowledges the photographer’s presence, giving the image an uncomfortable, voyeuristic feel. A photo snapped before the subject realized someone was there.

Worse still is the picture of the sleepover. Petra is front and center. So much so that Hannah and I might as well have not even been there. Unlike the kitchen shot, Petra knows she’s being photographed—and she likes it. Her hands-on-hip, one-leg-bent pose is something a forties pinup would strike. It almost looks like she was flirting with the photographer, which in this case had to have been my father.

I slap the photos facedown on the table, disappointed with myself for giving in to gossip.

Behind me, one of the bells on the wall rings.

A single, resounding toll.

The sound jolts me from my chair, which overturns and slams to the floor. I push myself against the table, its edge pressing into the small of my back as I scan the bells. The kitchen is silent save for the sound of my heart—an audible drumroll coming from deep in my chest.

I want to believe I heard nothing. That it was one of those weird auditory blips everyone experiences. Like ringing in the ears. Or when you think you hear your name being called in a crowd and it ends up just being random noise.

But my pounding heart tells me I’m not imagining things.

One of those bells just rang.

Which leads me to a single, undeniable fact—someone else is inside the house.

I edge around the table, never taking my eyes off the bells, just in case one of them rings again. Moving backward, I reach the counter, my hands blindly sliding along its surface until I find what I’m looking for.

A block holding six knives.

I grab the largest one—a carving knife with a seven-inch blade. My reflection quivers in the glinting steel.

I look scared.

I am scared.

Holding the knife in front of me, I creep out of the kitchen and up the steps to the main part of the house. It’s not until I’m in the great room that I hear the music. A crisp, almost dreamy tune I’d have recognized even without the lyrics floating from somewhere above.

“You are sixteen, going on seventeen—”

My heart, which was still beating wildly a mere second ago, stops cold, making the song sound even louder.

“Baby, it’s time to think.”

I move through the great room on legs so numb with fear it feels as though I’m floating. When I reach the front of the house, I notice the chandelier is jangling. Almost as if someone is pounding the floor directly above it.

“Better beware—”

I have two options here—run, or confront whoever’s inside the house. I want to run. My body begs me to, twitching insistently. I opt for confrontation, even though it’s not the wisest choice. Running only leads to more questions. Facing it head-on can only lead to answers.

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