Райли Сейгер - Home Before Dark - A Novel

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Home Before Dark: A Novel: краткое содержание, описание и аннотация

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**One of . . .
** Huff Post **’s “10 Of The Most Anticipated Book Releases Of June 2020” •** Good Housekeeping **’s “The 35 Best Books of 2020 to Add to Your Reading List” •** Travel + Leisure **’s “20 Most Anticipated Summer 2020 Books” •** PopSugar **’s 17 Most Anticipated Summer Thrillers •** Working Mother **’s “The 20 Most Anticipated Books of 2020” •** Newsweek **’s 20 most anticipated summer reads •** Publishers Weekly's " **Summer Reads 2020" •** BookPage **’s “2020 Most Anticipated Thrillers and Mysteries” • Today.com’s “16 highly anticipated summer reads” •** The Star Tribune **’s “Great Escapes” summer reads •** BookPage **'s "Private Eye July"
In the latest thriller from **New York Times **bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?
**
*What was it like? Living in that house.
* Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called *House of Horrors*. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling *The Amityville Horror* in popularity—and skepticism.
Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in *House of Horrors* , lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to ** Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.
Alternating between Maggie’s uneasy homecoming and chapters from her father’s book, *Home Before Dark* is the story of a house with long-buried secrets and a woman’s quest to uncover them—even if the truth is far more terrifying than any haunting. **
**Review**
"Clever, twisty, and altogether spine-chilling. . . . [A] deliciously terrifying story. . . .You'll want to read this one after dark, ideally with the wind whistling in the eaves and a window banging somewhere just out of reach. But keep the light switch handy. You just might need it."
**–Ruth Ware,** Book of the Month
"What could be better than a haunted house with ghosts aplenty?  *Home Before Dark*  is equally superb and terrifying. Buckle up for a wild ride. This book should come with a warning not to be read after dark." 
**–Mary Kubica,** New York Times **bestselling author of** The Other Mrs.  
"Flawless pacing, a dexterous dual narrative, and character through the roof. But the biggest revelation to be found in  *Home Before Dark* is this: There’s nobody writing scarier books than Riley Sager is right now."
**–Josh Malerman,** New York Times  **bestselling author of** Bird Box  **and** Malorie 
"Houses breathe. Some have a heartbeat. None forget. Grabbing you from the first page, Riley Sager crafts a devilish plot, twisted timelines, and horrors that linger in this haunting thriller that needs to be on your reading list!"
**–J.D. Barker, International Bestselling Author of** She Has A Broken Thing Where Her Heart Should Be *
*"Part ghost story, part murder mystery, *Home Before Dark* is a nightmare ride of haunting terror and suspense. Dripping with atmosphere and danger, Baneberry Hall is the new Hill House. I couldn’t turn the last 100 pages fast enough." *
* **–Richard Chizmar,** New York Times **bestselling author** *
*
“[An] outstanding supernatural thriller. . . . Sager, who makes the house a palpable, threatening presence, does a superb job of anticipating and undermining readers’ expectations. Haunted house fans will be in heaven.” *
*–Publishers Weekly **, starred review** *
*“The ghosts and poltergeist activity Sager conjures are truly chilling, and he does a masterful job of keeping readers guessing until the very end.”
–Kirkus *
*
“For fans of the *Amityville Horror* story comes yet another breath-stealer from the hit machine Sager.”
–Good Housekeeping **, “The 35 Best Books to Add to Your Reading List ASAP.”
** "Sager does a superb job of upsetting reader expectations in this horror thriller."
–Publishers Weekly **, "Summer Reads 2020"
** "[ *Home Before Dark]* is set to deliver major goose bumps."
–PopSugar **
**"King of thrillers, Sager returns with a pulse-pounding, goosebump-inducing tale of a woman who goes back to her childhood home—and the setting of a true horror story." **
**–Newsweek **
**“Another breathtaking hit from Sager, who’s proven himself a master at crafting new twists on classic horror tales.”
–Booklist 
### **About the Author**
*Home Before Dark* is the fourth thriller from Riley Sager, the pseudonym of an author who lives in Princeton, New Jersey. Riley's first novel,  *Final Girls* , was a national and international bestseller that has been published in more than two dozen countries and won the ITW Thriller Award for Best Hardcover Novel. Sager's subsequent novels,  *The Last Time I Lied*  and  *Lock Every Door,*  were  *New York Times*  bestsellers.

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It’s yet another thing my father never mentioned, probably because he knew I would have tried to talk him out of it.

“Did he tell you what the gist of this conversation would have been?” I say, toying with the possibility it might have been an attempt to finally come clean after all these years. A confession, of sorts, taking place at the scene of the crime.

That idea is immediately shot down by Brian Prince.

“Your father said he wanted to reaffirm what he had written in his book.”

“And you were just going to go along with it?” I say, my opinion of Brian Prince swiftly changing. Maybe he’s not as blameless as I first thought. “Listen to my father tell a bunch of lies and write it down as fact?”

“I wasn’t planning on going easy on him,” Brian says as he fussily adjusts his bow tie. “I was going to ask some tough questions. Try to get at the truth of the matter.”

“The truth is that he made it all up,” I say. “Everyone knows that.”

“I don’t think it’s as simple as that,” he says.

Because Brian Prince shows no sign of leaving anytime soon, I take a seat on the porch steps. When Brian sits next to me, I’m too tired to shoo him away. Not to mention a tad curious about what he thinks is the real reason we abandoned Baneberry Hall.

“Did you investigate his claims?” I ask.

“Not back then,” Brian admits. “I didn’t have access to this house, for one thing. Plus there was other news to deal with.”

I roll my eyes. “It must not have been too important. The Gazette put my father’s bullshit story on the front page.”

Which, I wanted to add, was the reason other news outlets paid so much attention to it. If Brian’s article had been buried inside the paper, no one would have even noticed it. But by splashing it across the front page, along with a particularly sinister photo of Baneberry Hall, the Gazette had provided validation for my father’s lies.

“If our deadline had been a day later, your family’s story probably wouldn’t have even made the paper. But I didn’t hear about the Ditmer girl’s disappearance until the morning after that issue had gone to press.”

My body goes rigid at the mention of Petra. “I thought she ran away.”

“I see you’ve already talked to Chief Alcott,” Brian says, flashing me an unctuous smile. “That’s the police’s official line, by the way. That Petra Ditmer ran away. I guess it sounds better than saying a sixteen-year-old girl vanished under mysterious circumstances and they were too inept to find out what really happened to her.”

“What do you think happened?”

“That’s one of the things I wanted to ask your father.”

An uneasy feeling floods my gut. Although I’m unsure where Brian is going with this, his tone of voice already suggests I’m not going to like it.

“Why ask him?” I say. “My father didn’t make Petra run away—”

“Vanish,” Brian interjects.

“Vanish. Disappear. Whatever.” I rise, heading back to the truck, no longer wanting to hear what else Brian has to say. “My father wasn’t involved in any of that.”

“I thought that, too,” Brian says, still on the porch steps, still smiling, still acting like this is just a friendly visit when it’s clearly not. “It wasn’t until later—long after your father’s book came out—that I began to suspect they could be related.”

“How?”

“For starters, Petra Ditmer was last seen on July 15—the same night you and your family left this place. That’s a bit too strange to be a coincidence, don’t you think?”

The news hits me hard. There’s a dizzying moment in which I think I’m going to faint. It comes out of nowhere, forcing me to lean against the truck to keep from falling.

Petra Ditmer vanished the same night we fled Baneberry Hall.

Brian is right—that does feel like more than just a coincidence. But I don’t know what else it could be. Petra certainly didn’t run away with my family. That’s something I would have remembered. Besides, Chief Alcott was inside our hotel room at the Two Pines that night. Surely she would have noticed if a sixteen-year-old girl had also been there.

“I think you’re overreaching,” I say.

“Am I? I’ve read your father’s book many times. In it, he had lots to say about Petra Ditmer. Considering their age difference, they seemed quite close .”

He puts a lascivious spin on the word that makes my blood boil. Yes, Petra was mentioned frequently in the Book, often at key moments. That can’t be denied, especially when I now have the photos to prove it. But that doesn’t mean she and my father were, to use Brian’s euphemism, close.

I knew my father better than he did. Ewan Holt was a lot of things. A liar. A charmer. But he wasn’t a creep or a womanizer. I know that as sure as I know that my mother, had she been cheated on, would have taken my father for every cent he was worth. Since she didn’t, I have to believe we left Baneberry Hall for other reasons.

“Most of what’s in my father’s book is verifiably false. You can’t trust a single thing he wrote. Including how much time he spent with Petra Ditmer. My father wasn’t a stupid man, Mr. Prince. He certainly wouldn’t have written so much about Petra—in a book that hundreds of thousands of people have read—if he was the one who caused her disappearance.”

“Now you’re the one who’s overreaching. I never said he caused her disappearance. What I’m suggesting is that they’re related. Your family fled Baneberry Hall at almost the exact same time Petra Ditmer vanished without a trace. That’s not normal, Maggie. Not here in Bartleby.” Brian stands and makes a show of wiping his pants, as if merely sitting on Baneberry Hall’s porch steps has somehow dirtied him. “Something strange happened the night your family left, and I fully intend to find out what it was. Now, you can help me or hinder me—”

“I’m sure as hell not going to help you,” I say.

Even though Brian Prince and I share the same goal, it’s clear we’re each looking for different results.

“Although that’s not the answer I wanted to hear, I respect it nonetheless,” Brian says. “But just so you know, I will uncover the truth about that night.”

“You’re going to have to do it off my property,” I say. “Which means you need to leave. Now.

Brian makes one last adjustment to his bow tie before getting into his car and driving away. I follow behind him, walking the long, curving road down the hillside to the front gate. Once I’ve made sure he’s gone, I close the gate and lock it.

Then it’s back to the house, where I’m finally able to carry my groceries inside. Burdened with bags heavy in both arms, I get just past the vestibule before noticing something wrong.

It’s bright in here.

Way too bright.

I look to the ceiling and see the chandelier burning at full glow.

But here’s the weird thing: when I left the house, it was dark.

While I was gone, it had somehow been turned on.

JUNE 30 Day 5

Thud .

Just like three nights before, the sound rattled the house and jerked me from sleep. Turning over, I looked at the digital clock on the nightstand, the numbers glowing green in the predawn darkness: 4:54 a.m.

The exact same time I’d previously heard the noise.

It was unnerving, yes, but also helpful, because it let me know that it hadn’t been a dream. This sound was real, and coming from the third floor.

Despite the ungodly early hour, I slipped out of bed and made my way to the study upstairs. Inside, nothing seemed amiss. The doors to both closets were closed, and the record player was silent.

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