Харлан Кобен - Win

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Win: краткое содержание, описание и аннотация

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Over twenty years ago, the heiress Patricia Lockwood was abducted during a robbery of her family’s estate, then locked inside an isolated cabin for months. Patricia escaped, but so did her captors — and the items stolen from her family were never recovered.
Until now. On the Upper West Side, a recluse is found murdered in his penthouse apartment, alongside two objects of note: a stolen Vermeer painting and a leather suitcase bearing the initials WHL3. For the first time in years, the authorities have a lead — not only on Patricia’s kidnapping, but also on another FBI cold case — with the suitcase and painting both pointing them toward one man.
Windsor Horne Lockwood III — or Win, as his few friends call him — doesn’t know how his suitcase and his family’s stolen painting ended up with a dead man. But his interest is piqued, especially when the FBI tells him that the man who kidnapped his cousin was also behind an act of domestic terrorism — and that the conspirators may still be at large. The two cases have baffled the FBI for decades, but Win has three things the FBI doesn’t: a personal connection to the case; an ungodly fortune; and his own unique brand of justice.

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It would go away.

If by some miracle it didn’t go away — if by some one-in-a-thousand chance the authorities were called in on this and stood up to the pressure and took it to trial and found a jury to convict me of impersonating an officer — the punishment would never be prison time. Rich guys like me don’t go to prison. We — gasp! — pay fines. Since I have a ton of money already, a hundred times more than I could spend in a lifetime at the very least, why would that deter me?

Am I being too honest?

A similar calculation is made in my business all the time. It is why so many choose to bend the rules, break the rules, cheat. The odds of getting caught? Slim. The odds of being prosecuted? Slimmer. If you do somehow get caught, the odds of simply paying a fine that will be lower than the amount of money you stole? Great. The odds of doing any kind of real prison time? A mathematical formula constantly approaching zero.

I detest that. I don’t stand for cheaters or thieves, especially those who aren’t doing it to feed a starving family.

Yet here I am with my fake ID.

Do I appear the hypocrite?

“Yeah, Hermit was like a vampire,” Hormuz tells me. “Only came out at night, I guess.”

Hormuz has eyes so heavily lidded I don’t get how he sees anything. He has a bowling-ball paunch and one of those dark faces that appear to be five-o’clock-shadowed seconds after a shave.

“You want something to drink?” he asks me. “Coffee?”

Hormuz shows me his mug, which probably began life as something in the white family but is now stained the color of a smoker’s teeth.

“No, I’m good. I understand the mystery tenant used the basement exit.”

“Yep. Which was weird.”

“Why weird?”

“Because he’d come out over there, to the left. Then he’d circle in front of the building anyway. He’d walk right past me.”

“So he took more steps this way?”

“More steps, longer elevator ride, it just didn’t make sense. Except.”

“Except?”

“Except the lobby has a ton of cameras. But from his elevator to the exit in the basement, there was only the one.”

Made sense. “Did he ever talk to you?”

“The guy in the tower?”

“Yes.”

“Not once. He’d go past me like clockwork every Wednesday night. Or, well, it was four a.m. so maybe that was Thursday morning? Still dark out though.” He shakes his head. “Doesn’t matter, whatever. He’d walk past me. For years this would happen. I would nod and say, ‘Good evening, sir.’ I’m polite like that. He’s one of my tenants. I treat him with respect, no matter how he treats me. Most tenants, well, they’re great. They call me by my first name, tell me to do the same with them. But I don’t. I like to show respect, you know what I’m saying? I’ve been here eighteen years, and I would say I still haven’t met half of the people who live here. They’re in bed by midnight when I come on. But the tower guy? I’d nod to him every time. I would say, ‘Good evening, sir.’ He just kept his head down. Never said anything. Never looked up. Never acknowledged I even existed.”

I say nothing.

“Look, I don’t want you to get the wrong idea. I know he’s dead and all, so I shouldn’t speak bad about the man. I think he had issues, you know. Glenda, my wife, she watches some show on hoarders and whatnot. It’s a real illness, Glenda tells me. So maybe that was it. It’s not like I’m happy he’s dead or anything.”

“You said every Wednesday night.”

“Huh?”

“You said he walked past you every Wednesday night.”

“Or Thursday morning. It’s weird having a midnight gig. Like tonight. I arrived Wednesday night but what time is it now?”

I check my watch. “Almost one thirty.”

“Right, so it’s not Wednesday night anymore. It’s Thursday morning.”

“Let’s call it Thursday morning,” I say, because this subject is irrelevant and boring me.

“Yeah, okay.”

“You said you saw him walk past you every Thursday morning at four a.m.”

“Yep, that’s right.”

“So it was a routine?”

“Yeah.”

“How long had he been doing this?”

“Oh, years and years.”

“Summer, fall, spring, winter?”

“Yeah, I think so. I mean, look, there were times he missed. I’m sure of it. There were months I wouldn’t see him at all. Like maybe he flew to Florida for the winter, I don’t know. And there were nights, well, the job is quiet. I sit. I may stick in my AirPods and stream something on Netflix, you know what I’m saying? But as soon as someone touches the door, bam , I’m up. We lock it after midnight. So maybe sometimes he walked by and I didn’t see.”

“Did you ever see him leave at other times?”

“No, I don’t think so. Always four a.m. or right around then.”

I think about that. “And what time did he come back?”

“He didn’t stay out long. I think he just took a walk. He was back within an hour. Maybe sometimes more. I don’t think it was consistent. Look, I figure he’s a weirdo, wants to be alone. So he takes night walks. I’ve heard of stranger things, right?”

“When he walked past you heading out,” I continue, “what direction was he going?”

“East.”

I glance down across the street in the direction where he’s pointing. “Into the park?”

“Yep.”

“Every time?”

“Every time. I figured he was taking a walk. Like I said. Strange time, and I know the park is a lot safer now than it used to be, but you wouldn’t see me strolling around in there at four in the morning.”

I think about this. Four a.m. I wonder whether that is a clue.

I think it is.

“When was the last time you saw him going out like that?” I ask.

“Recently. Last week maybe. Or the week before.”

I realize that would have been the day before he was murdered. Ry Strauss goes out for his usual Thursday morning four a.m. walk. On Friday he goes out again, for the first time in forever during the daytime, and comes back with in all likelihood his killer.

I have a plan.

I stand in the shadows across the street from Malachy’s.

The time is four a.m. By law, New York City bars must stop serving alcohol at four a.m. Coincidence? I, for one, hope not.

They say New York is the city that never sleeps. That may be true, but right about now, her eyes are blinking closed and her head is nodding in exhaustion. My lizard brain, that survival instinct, is wary of shutting itself down. It prefers preparedness. Even as I move about my day, the lizard brain seeks out potential (or erroneously perceived) enemies and threats.

I stay hidden and watch Malachy’s door. I have changed into jogging attire and a sweatshirt with a hood. No, it’s not a hoodie. It’s a sweatshirt with a hood. I would never wear a hoodie. I am patient. I wear earphones. I’m listening to a playlist Kabir created for me featuring Meek Mill, Big Sean, and 21 Savage. Somewhere in the past year or two, after initially scoffing at what I could not comprehend, I have to come to love what we call rap or hip-hop. I know that this music, like Malachy’s Pub, was not created for me, but the underlying anger appeals. I also enjoy the humanism in the desperate posturing and bravado; they want to appear tough but their neediness and insecurity shine through so brightly I assume they must know that we are in on the joke.

Right now, as Kathleen and a male bartender lock up for the night, Meek Mill is bemoaning the fact that he can’t trust women because he has issues.

I hear you, my troubled friend.

Kathleen waves goodbye to the bartender. He heads west toward Broadway, probably to the One train. Kathleen crosses Columbus Avenue and continues to walk with purpose east on Seventy-Second Street. She lives, I know from Kabir’s research, on Sixty-Eighth near West End Avenue.

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