Алекс Михаэлидес - The Silent Patient

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The Silent Patient: краткое содержание, описание и аннотация

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"That rarest of beasts: the perfect thriller. This extraordinary novel set my blood fizzing—I quite literally couldn’t put it down. I told myself I'd just dip in; eleven hours later—it's now 5:47 a.m.—I've finished it, absolutely dazzled."
**—A. J. Finn, #1 *New York Times* bestselling author of *The Woman in the Window***
**Promising to be *the* debut novel of the season *The Silent Patient* is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive…**
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.
Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.
Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
**
### Review
"Superb... This edgy, intricately plotted psychological thriller establishes Michaelides as a major player in the field."
**― *Publisher's Weekly* , starred review**
“ *The Silent Patient* sneaks up on you like a slash of intimidating shadow on a badly lit street. Alex Michaelides has crafted a totally original, spellbinding psychological mystery so quirky, so unique that it should have its own genre. I read it in two nights and savored every luscious word, every grim encounter, every startling twist. The pages will burn with the friction from your hands turning them.”
**―David Baldacci**
“Smart, sophisticated storytelling freighted with real suspense―a very fine novel by any standard.”
**―Lee Child**
"One of the most spellbinding psychological thrillers we’ve read in years. Beautifully written, exquisitely plotted, the story relentlessly pulls you in and doesn’t let you go until the last shocking (and yet brutally logical) twist. This is an absolutely fantastic and extraordinary read."
**―Douglas Preston and Lincoln Child, #1 *New York Times* bestselling authors of the Pendergast series**
“Alex Michaelides has written one of the best psychological thrillers I have ever read. *The Silent Patient* is a swarming, paranoid nightmare of a novel with an ending that is destined to go down as one of the most shocking, mind-blowing twists in recent memory.”
**―Blake Crouch, *New York Times* bestselling author of *Dark Matter***
"This is a wonderful new voice. Listen to it. It's about to tell you a thrilling and scary story. *The Silent Patient* paints a picture, crawling into your soul in the very best way. Take a chance."
**―Brad Meltzer, author of *The Escape Artist** *
"Dark, edgy, and compulsively readable."
**―*Library Journal** *
" *The Silent Patient* isn't quiet at all. It loudly announces that Alex Michaelides is a new talent in the field of psychological thrillers."
**―*Shelf Awareness** *
"Unputdownable, emotionally chilling, and intense, with a twist that will make even the most seasoned suspense reader break out in a cold sweat."
**―*Booklist** *
### About the Author
**Alex Michaelides** was born in Cyprus in 1977 to a Greek-Cypriot father and an English mother. He studied English literature at Cambridge University and got his MA in screenwriting at the American Film Institute in Los Angeles. *The Silent Patient* is his first novel.

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“You need to be careful,” he said. “You’re way too trusting. The people around you you trust them. Don’t. Don’t trust them.”

I stared at him blankly. It took me a second to speak.

“What are you talking about? Who do you mean?”

Jean-Felix just shook his head and didn’t say anything. He let go of my hand and walked off. I called after him but he didn’t stop.

“Jean-Felix. Stop.”

He didn’t look back. I watched him disappear around the corner. I stood there, rooted to the spot. I didn’t know what to think. What was he doing making a mysterious warning and then walking off like that? I guess he wanted to get the upper hand and leave me feeling unsure and wrong-footed. And he succeeded.

He also left me feeling angry. Now, in a way, he’s made it easy for me. Now I’m determined to cut him out of my life. What did he mean about “people around me”—presumably that means Gabriel? But why?

No. I’m not doing this. This is exactly what Jean-Felix wanted—to fuck with my head. Get me obsessing about him. Come between me and Gabriel.

I won’t fall for it. I won’t give it another thought.

I went back home, and Gabriel was in bed, asleep. He had a five a.m. call for a shoot. But I woke him up, and we had sex. I couldn’t get close enough to him or feel him deeply enough in me. I wanted to be fused with him. I wanted to climb inside him and disappear.

AUGUST 11

I saw that man again. He was a bit farther away this time—he was sitting on a bench farther into the park. But it was him, I could tell—most people are wearing shorts and T-shirts and light colors in this weather, and he was wearing a dark shirt and trousers, black sunglasses, and cap. His head was angled toward the house, looking at it.

I had a funny thought—maybe he’s not a burglar, perhaps he’s a painter. Perhaps he’s a painter like me and he’s thinking about painting the street—or the house. But as soon as I thought this, I knew it wasn’t true. If he were really going to paint the house, he wouldn’t just be sitting there—he’d be making sketches.

I got myself into a state about it and I phoned Gabriel. That was a mistake. I could tell he was busy—the last he needed was me calling, freaking out because I think someone is watching the house.

Of course, I’m only assuming the man is watching the house.

He could be watching me.

AUGUST 13

He was there again.

It was soon after Gabriel left this morning. I had a shower and saw him out the bathroom window. He was closer this time. He was standing outside the bus stop. Like he was casually waiting for the bus.

I don’t know who he thinks he’s fooling.

I got dressed quickly and went into the kitchen to have a better look. But he was gone.

I decided to tell Gabriel about it when he got home. I thought he’d brush it off, but he took it seriously. He seemed quite worried.

“Is it Jean-Felix?” he said straightaway.

“No, of course not. How can you even think that?”

I tried to sound surprised and indignant. But in truth I had wondered that too. The man and Jean-Felix are the same build. It could be Jean-Felix, but even so—I just don’t want to believe it. He wouldn’t try and frighten me like that. Would he?

“What’s Jean-Felix’s number?” Gabriel said. “I’m calling him right now.”

“Darling, don’t, please. I’m sure it’s not him.”

“Positive?”

“Absolutely. Nothing happened. I don’t know why I’m making such a big deal out of it. It’s nothing.”

“How long was he there for?”

“Not long—an hour or so—and then he vanished.”

“What do you mean, vanished?”

“He just disappeared.”

“Uh-huh. Is there any chance you could be imagining this?”

Something about the way he said that annoyed me. “I’m not imagining it. I need you to believe me.”

“I do believe you.”

But I could tell he didn’t totally believe me. He only partly believed me. Part of him was just humoring me. Which makes me angry, if I’m honest. So angry I have to stop here—or I might write something I’ll regret.

AUGUST 14

I jumped out of bed as soon as I woke up. I checked the window, hoping the man would be there again—so Gabriel could see him too—but there was no sign of him. So I felt even more stupid.

This afternoon I decided to go for a walk, despite the heat. I wanted to be in the park, away from the buildings and roads and other people—and be alone with my thoughts. I walked up to Parliament Hill, passing the bodies of sunbathers strewn around on either side of the path. I found a bench that was unoccupied, and I sat down. I stared out at London glinting in the distance.

While I was there, I was conscious the whole time of something. I kept looking over my shoulder—but couldn’t see anyone. But someone was there, the whole time. I could feel it. I was being watched.

On my way back, I walked past the pond. I happened to look up—and there he was, the man. He was standing across the water on the other side, too far away to see clearly, but it was him. I knew it was him. He was standing perfectly still, motionless, staring right at me.

I felt an icy shiver of fear. I acted out of instinct:

“Jean-Felix?” I shouted. “Is that you? Stop it. Stop following me!”

He didn’t move. I acted as fast as I could. I reached into my pocket, pulled out my phone, and took a photo of him. What good it will do, I have no idea. Then I turned and started walking quickly to the end of the pond, not letting myself look back until I reached the main path. I was scared he was going to be right behind me.

I turned around—and he was gone.

I hope it’s not Jean-Felix. I really do.

When I got home, I was feeling on edge. I drew the blinds and turned off the lights. I peered out the window—and there he was:

The man was standing on the street, staring up at me. I froze—I didn’t know what to do.

I nearly jumped out of my skin when someone called my name:

“Alicia? Alicia, are you there?”

It was that awful woman from next door. Barbie Hellmann. I left the window and went to the back door and opened it. Barbie had let herself in the side gate and was in the garden, clutching a bottle of wine.

“Hi, honey. I saw you weren’t in your studio. I wondered where you were.”

“I was out, I just got back.”

“Time for a drink?” She said this in a baby voice she sometimes uses and that I find irritating.

“Actually, I should get back to work.”

“Just a quick one. And then I have to go. I’ve got my Italian class tonight. Okay?”

Without waiting for a reply, she came in. She said something about how dark it was in the kitchen and started opening the blinds without asking me. I was about to stop her, but when I looked outside, no one was on the street. The man had gone.

I don’t know why I told Barbie about it. I don’t like her or trust her—but I was scared, I suppose, and I needed someone to talk to, and she happened to be there. We had a drink, which was unlike me, and I burst into tears. Barbie stared at me wide-eyed, silent for once. After I finished, she put down her bottle of wine and said, “This calls for something stronger.” She poured us a couple of whiskeys.

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