Алекс Михаэлидес - The Silent Patient

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The Silent Patient: краткое содержание, описание и аннотация

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"That rarest of beasts: the perfect thriller. This extraordinary novel set my blood fizzing—I quite literally couldn’t put it down. I told myself I'd just dip in; eleven hours later—it's now 5:47 a.m.—I've finished it, absolutely dazzled."
**—A. J. Finn, #1 *New York Times* bestselling author of *The Woman in the Window***
**Promising to be *the* debut novel of the season *The Silent Patient* is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive…**
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.
Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.
Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
**
### Review
"Superb... This edgy, intricately plotted psychological thriller establishes Michaelides as a major player in the field."
**― *Publisher's Weekly* , starred review**
“ *The Silent Patient* sneaks up on you like a slash of intimidating shadow on a badly lit street. Alex Michaelides has crafted a totally original, spellbinding psychological mystery so quirky, so unique that it should have its own genre. I read it in two nights and savored every luscious word, every grim encounter, every startling twist. The pages will burn with the friction from your hands turning them.”
**―David Baldacci**
“Smart, sophisticated storytelling freighted with real suspense―a very fine novel by any standard.”
**―Lee Child**
"One of the most spellbinding psychological thrillers we’ve read in years. Beautifully written, exquisitely plotted, the story relentlessly pulls you in and doesn’t let you go until the last shocking (and yet brutally logical) twist. This is an absolutely fantastic and extraordinary read."
**―Douglas Preston and Lincoln Child, #1 *New York Times* bestselling authors of the Pendergast series**
“Alex Michaelides has written one of the best psychological thrillers I have ever read. *The Silent Patient* is a swarming, paranoid nightmare of a novel with an ending that is destined to go down as one of the most shocking, mind-blowing twists in recent memory.”
**―Blake Crouch, *New York Times* bestselling author of *Dark Matter***
"This is a wonderful new voice. Listen to it. It's about to tell you a thrilling and scary story. *The Silent Patient* paints a picture, crawling into your soul in the very best way. Take a chance."
**―Brad Meltzer, author of *The Escape Artist** *
"Dark, edgy, and compulsively readable."
**―*Library Journal** *
" *The Silent Patient* isn't quiet at all. It loudly announces that Alex Michaelides is a new talent in the field of psychological thrillers."
**―*Shelf Awareness** *
"Unputdownable, emotionally chilling, and intense, with a twist that will make even the most seasoned suspense reader break out in a cold sweat."
**―*Booklist** *
### About the Author
**Alex Michaelides** was born in Cyprus in 1977 to a Greek-Cypriot father and an English mother. He studied English literature at Cambridge University and got his MA in screenwriting at the American Film Institute in Los Angeles. *The Silent Patient* is his first novel.

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“Have you got the key? Let’s go and have a look. See if we can find any clues.”

We left the goldfish bowl and walked to Alicia’s studio. Yuri unlocked the door and opened it. He flicked on the light.

And there, on the easel, was the answer we were looking for.

Alicia’s painting—the picture of the Grove going up in flames—had been defaced. The word SLUT was crudely daubed across it in red paint.

I nodded. “Well, that explains it.”

“You think Elif did it?”

“Who else?”

* * *

I found Elif in the emergency ward. She was propped up in bed, attached to a drip. Padded bandages were wrapped around her head, covering one eye. She was upset, angry, and in pain.

“Fuck off,” she said when she saw me.

I pulled up a chair by the bed and sat down. I spoke gently, respectfully. “I’m sorry, Elif. Truly sorry. This is an awful thing to happen. A tragedy.”

“Too fucking right. Now, piss off and leave me alone.”

“Tell me what happened.”

“That bitch took out my fucking eye. That’s what happened.”

“Why did she do that? Did you have a fight?”

“You trying to blame me? I didn’t do nothing!”

“I’m not trying to blame you. I just want to understand why she did it.”

“’Cause she’s got a fucking screw loose, that’s why.”

“It had nothing to do with the painting? I saw what you did. You defaced it, didn’t you?”

Elif narrowed her remaining eye, then firmly closed it.

“That was a bad thing to do, Elif. It doesn’t justify her response, but still—”

“That ain’t why she did it.” Elif opened her eye and stared at me scornfully.

I hesitated. “No? Then why did she attack you?”

Elif’s lips twisted into a kind of smile. She didn’t speak. We sat like that for a few moments. I was about to give up, then she spoke.

“I told her the truth.”

“What truth?”

“That you’re soft on her.”

I was startled by this.

Before I could respond, Elif went on, speaking with cold contempt. “You’re in love with her, mate. I told her so. ‘He loves you,’ I said. ‘He loves you—Theo and Alicia sitting in a tree. Theo and Alicia K I S S I N G—’” Elif started laughing, a horrible shrieking laugh. I could picture the rest—Alicia goaded into a frenzy, spinning round, raising her paintbrush … and plunging it into Elif’s eye.

“She’s a fucking nutter.” Elif sounded close to tears, anguished, exhausted. “She’s a psycho.”

Looking at Elif’s bandaged wound, I couldn’t help but wonder if she was right.

CHAPTER THIRTY-THREE

THE MEETING TOOK PLACE in Diomedes’s office, but Stephanie Clarke assumed control from the start. Now that we had left the abstract world of psychology and entered the concrete realm of health and safety, we were under her jurisdiction and she knew it. Judging by Diomedes’s sullen silence, it was obvious so did he.

Stephanie was standing with her arms crossed; her excitement was palpable. She’s getting off on this, I thought—being in charge, and having the last word. How she must have resented us all, overruling her, teaming up against her. Now she was relishing her revenge. “The incident yesterday morning was totally unacceptable,” she said. “I warned against Alicia being allowed to paint, but I was overruled. Individual privileges always stir up jealousies and resentments. I knew something like this would happen. From now on, safety must come first.”

“Is that why Alicia has been put in seclusion?” I said. “In the interest of safety?”

“She is a threat to herself, and others. She attacked Elif—she could have killed her.”

“She was provoked.”

Diomedes shook his head and spoke wearily. “I don’t think any level of provocation justifies that kind of attack.”

Stephanie nodded. “Precisely.”

“It was an isolated incident,” I said. “Putting Alicia in seclusion isn’t just cruel—it’s barbaric.” I had seen patients subjected to seclusion in Broadmoor, locked in a tiny, windowless room, barely enough space for a bed, let alone other furniture. Hours or days in seclusion was enough to drive anyone mad, let alone someone who was already unstable.

Stephanie shrugged. “As manager of the clinic, I have the authority to take any action I deem necessary. I asked Christian for his guidance, and he agreed with me.”

“I bet he did.”

Across the room, Christian smiled smugly at me. I could also feel Diomedes watching me. I knew what they were thinking—I was letting it get personal, and letting my feelings show; but I didn’t care.

“Locking her up is not the answer. We need to keep talking to her. We need to understand.”

“I understand perfectly,” Christian said with a heavy, patronizing tone, as if he were talking to a backward child. “It’s you, Theo.”

“Me?”

“Who else? You’re the one who’s been stirring things up.”

“In what sense, stirring?”

“It’s true, isn’t it? You campaigned to lower her medication—”

I laughed. “It was hardly a campaign. It was an intervention. She was drugged up to the eyeballs. A zombie.”

“Bullshit.”

I turned to Diomedes. “You’re not seriously trying to pin this on me? Is that what’s happening here?”

Diomedes shook his head but evaded my eye. “Of course not. Nonetheless, it’s obvious that her therapy has destabilized her. It’s challenged her too much, too soon. I suspect that’s why this unfortunate event took place.”

“I don’t accept that.”

“You’re possibly too close to see it clearly.” Diomedes threw up his hands and sighed, a man defeated. “We can’t afford any more mistakes, not at such a critical juncture—as you know, the future of the unit is at stake. Every mistake we make gives the Trust another excuse to close us down.”

I felt intensely irritated at his defeatism, his weary acceptance. “The answer is not to drug her up and throw away the key. We’re not jailers.”

“I agree.” Indira gave me a supportive smile and went on, “The problem is we’ve become so risk averse, we’d rather overmedicate than take any chances. We need to be brave enough to sit with the madness, to hold it—instead of trying to lock it up.”

Christian rolled his eyes and was about to object, but Diomedes spoke first, shaking his head. “It’s too late for that. This is my fault. Alicia isn’t a suitable candidate for psychotherapy. I should never have allowed it.”

Diomedes said he blamed himself, but I knew he was really blaming me. All eyes were on me: Diomedes’s disappointed frown; Christian’s gaze, mocking, triumphant; Stephanie’s hostile stare; Indira’s look of concern.

I tried not to sound as if I was pleading. “Stop Alicia painting if you must. But don’t stop her therapy—it’s the only way to reach her.”

Diomedes shook his head. “I’m beginning to suspect she’s unreachable.”

“Just give me some more time—”

“No.” The note of finality in Diomedes’s voice told me that arguing further was pointless. It was over.

CHAPTER THIRTY-FOUR

DIOMEDES WAS WRONG ABOUT IT SNOWING. It didn’t snow; instead it started raining heavily that afternoon. A storm with angry drumbeats of thunder and lightning flashes.

I waited for Alicia in the therapy room, watching the rain batter the window.

I felt weary and depressed. The whole thing had been a waste of time. I had lost Alicia before I could help her; now I never would.

A knock at the door. Yuri escorted Alicia into the therapy room. She looked worse than I expected. She was pale, ashen, ghostlike. She moved clumsily, and her right leg trembled nonstop. Fucking Christian, I thought—she was drugged out of her mind.

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