Patricia Cornwell - Portrait Of A Killer - Jack The Ripper - Case Closed
Здесь есть возможность читать онлайн «Patricia Cornwell - Portrait Of A Killer - Jack The Ripper - Case Closed» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Триллер, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.
- Название:Portrait Of A Killer: Jack The Ripper - Case Closed
- Автор:
- Жанр:
- Год:неизвестен
- ISBN:нет данных
- Рейтинг книги:5 / 5. Голосов: 1
-
Избранное:Добавить в избранное
- Отзывы:
-
Ваша оценка:
- 100
- 1
- 2
- 3
- 4
- 5
Portrait Of A Killer: Jack The Ripper - Case Closed: краткое содержание, описание и аннотация
Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Portrait Of A Killer: Jack The Ripper - Case Closed»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.
Portrait Of A Killer: Jack The Ripper - Case Closed — читать онлайн бесплатно полную книгу (весь текст) целиком
Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Portrait Of A Killer: Jack The Ripper - Case Closed», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.
Интервал:
Закладка:
In a 1912 article for the English Review he wrote, "Enlarged photographs of the naked corpse should be in every art school as a standard of drawing from the nude."
Chapter Seven. The Gentleman Slummer
The heaviest rain of the year fell during the last week of August 1888. On average, the sun burned through the mist no more than an hour each day.
Temperatures remained unseasonably cool, and coal fires burned inside dwellings, gushing black smoke into the air and adding to the worst pollution in the great city's history. In the Victorian era, there was no such thing as pollution monitoring and the word "smog" had not been coined. But the problems created by coal were nothing new.
It had been known since the English stopped using wood for fuel in the seventeenth century that smoke from burning coal damaged life and all of its edifices, but this did not dissuade people from using it. In the 1700s, it is estimated that there were 40,000 houses with 360,000 chimneys in the metropolis. By the late 1800s, coal consumption had gone up, especially among the poor. The approaching visitor smelled London many miles before he saw it.
Skies were sodden and blotchy, streets were paved with soot, and limestone buildings and ironworks were being eaten away. The polluted thick mist lingered longer and became denser as it took on a different hue than it had in the past. Watercourses dating from Roman times became so foul that they were filled in. A public health report written in 1889 declared that at the rate London was polluting itself, engineers would soon be forced to fill in the Thames, which was fouled with the excrement of millions every time the tide seeped in. There was good reason to wear dark clothing, and on some days the sulfurous, smoky air was so hellish and the stench of raw sewage so disgusting that Londoners walked about with burning eyes and lungs, handkerchiefs held over their faces.
The Salvation Army reported in 1890 that out of a population of approximately 5.6 million in the Great Metropolis, 30,000 were prostitutes, and 32,000 men, women, and juveniles were in prison. A year earlier, in 1889,160,000 people were convicted of drunkenness, 2,297 committed suicide, and 2,157 were found dead on streets, in parks, and in hovels. In the Great Metropolis, slightly less than one-fifth of the population was homeless, in workhouses or asylums, in hospitals, or ravaged by poverty and near starvation. Most of the "raging sea" of misery, to the founder of the Salvation Army, General William Booth, was located in London's East End, where a cunning predator like Jack the Ripper could easily butcher drunken, homeless prostitutes.
When the Ripper was terrorizing the East End, the population of his hunting ground was estimated at a million. If one includes the overcrowded nearby hamlets, the population doubles. East London, which included the London docks and run-down areas of Whitechapel, Spitalfields, and Bethnal Green, was bordered on the south by the River Thames, to the west by the City of London, to the north by Hackney and Shoreditch, with the River Lea to the east. The growth of the East End had been heavy because the road that led from Aldgate to Whitechapel to Mile End was a major artery for leaving the city, and the earth was level and easy to build upon.
The anchor of the East End was the London Hospital for the poor, which is still located on Whitechapel Road but is now called the Royal London Hospital. When Scotland Yard's John Grieve took me on one of several retrospective visits to what is left of the Ripper crime scenes, our meeting place was the Royal London Hospital, a grim Victorian brick building that doesn't seem to have been modernized much. The depressiveness of the place is but a faint imprint of what a pitiful pit it must have been in the late 1800s, when Joseph Carey Merrick - mistakenly called John Merrick by the showman who "owned" him last - was granted shelter in two of the hospital's first-floor back rooms.
Merrick - doomed to be known as the "Elephant Man" - was rescued from torment and certain death by Sir Frederick Treves, a courageous, kind physician. Dr. Treves was on the London Hospital's staff in November 1884 when Merrick was a slave to the carnival trade across the street inside a deserted greengrocer's shop. In front was a huge canvas advertising a life-size "frightful creature that could only have been possible in a nightmare," as Dr. Treves described it years later when he was Sergeant-Surgeon to King Edward VII.
For two pence, one could gain admittance to this barbaric spectacle. Children and adults would file inside the cold, vacant building and crowd around a red tablecloth hanging from the ceiling. The showman would yank back the curtain to "ooh!"s and "aah!"s and cries of shock as the hunched figure of Merrick cowered on his stool, dressed in nothing but an oversized pair of filthy, threadbare trousers. Dr. Treves lectured on anatomy and had seen just about every conceivable form of disfigurement and filth, but he had never encountered or smelled any creature quite so disgusting.
Merrick suffered from von Recklinghausen disease, caused by mutations in genes that promote and inhibit cell growth. His physical aberrations included bony deformations so grotesque that his head was almost three feet in circumference with a mass that projected from his brow like a "loaf" and occluded one eye. The upper jaw was similar to a tusk, with the upper lip curled inside out, making it very difficult for Merrick to speak. "Sack-like masses of flesh covered by… loathsome cauliflower skin" draped from his back, his right arm, and other parts of his body, his face frozen in an inhuman mask incapable of expression. Until Dr. Treves intervened it was believed that Merrick was obtuse and mentally impaired. In fact, he was an extremely intelligent, imaginative, and loving human being.
Dr. Treves noted that one would have expected Merrick to be a bitter, hateful man because of the abominable way he had been treated all of his life. How could he be kind and sensitive when he had known nothing but mockery and cruel abuse? How could anyone be born with more against him? As Dr. Treves pointed out, Merrick would have been better off insensible and unaware of his hideous appearance. In a world that worships beauty, what greater anguish can there be than to suffer from such revolting ugliness? I don't think anyone would argue with the notion that Merrick's deformity was more tragic than Walter Sickert's.
It is quite possible that at some point Sickert paid his twopence and took a peek at Merrick. Sickert was living in London in 1884 and engaged to be married. He was an apprentice to Whistler, who knew the East End rag-shop scenes in the slums of Shoreditch and Petticoat Lane and would etch them in 1887. Sickert went where the Master went. They wandered together. Sometimes Sickert wandered about the sordid squalor on his own. The "Elephant Man" was just the sort of cruel, degrading exhibition that Sickert would have found amusing, and perhaps, for an instant, Merrick and Sickert were eye to eye. It would have been a scene replete with symbolism, for each was the other inside out.
In 1888, Joseph Merrick and Walter Sickert were simultaneously living secret lives in the East End. Merrick was a voracious reader and keenly curious. He would have been all too aware of the horrible murders beyond his hospital walls. A rumor began to circulate that it was Merrick who went out in his black cloak and hood at night and slaughtered Unfortunates. It was the monster Merrick who butchered women because they would not have him. To be deprived of sex would drive any man mad, especially such a beast as that carnival freak who ventured out into the hospital garden only after dark. Fortunately, no rational person took such nonsense seriously.
Merrick's head was so heavy he could scarcely move it, and the stalk of his neck would snap if his head ever fell back. He did not know what it was like to settle into a pillow at night, and in his fantasies he lay himself down to sleep and prayed the Lord would one day bless him with the sweet caresses and kisses of a woman - best of all, a blind one. Dr. Treves thought it a tragic irony that Merrick's organs of generation were nothing like the rest of him, but unfortunately, he was perfectly capable of the sexual love he would never have. Merrick slept sitting up with his huge head hung low, and he could not walk without a cane.
Читать дальшеИнтервал:
Закладка:
Похожие книги на «Portrait Of A Killer: Jack The Ripper - Case Closed»
Представляем Вашему вниманию похожие книги на «Portrait Of A Killer: Jack The Ripper - Case Closed» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.
Обсуждение, отзывы о книге «Portrait Of A Killer: Jack The Ripper - Case Closed» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.