Lisa Gardner - The Survivors Club

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“Showing a flair for lip-biting suspense, bestselling novelist Gardner combs out a tangled plot to an engrossing effect… Riveting action… This club is worth the dues.” -People, Beach Book of the Week
“Lisa Gardner’s Survivors Club is a high-octane, nerve-jangling tale of suspense.” -Harlan Coben, author of Tell No One
“Hot dang, a new Lisa Gardner book! I love her hot, fast thrill rides. I’m always first in line to grab my copy of her newest release the day it arrives in stores. For my money, when it comes to suspense, nobody does it better.” -Jayne Ann Krentz
“A book seething with suspense and violence, one that will snatch your attention and attach your emotions to the characters.” – Columbia (SC) State
“One cannot read this excellent new novel by bestselling author Gardner without wondering what actors might play these characters… Rocks and rolls right up to a nail-biter ending.” -Publishers Weekly
“Her best effort yet in this dynamite tale… Readers are forewarned that they may be up all night finishing this masterfully crafted thriller.” -Booklist
“The Survivors Club has it all-provocative plotting, an astute eye for detail, engaging characters, and a razor-sharp emotional edge.” -Stephen White
“Another surprise-filled, suspenseful yarn from the gifted Ms. Gardner.” – Denton (TX) Chronicle
“Lisa Gardner knows how to produce a hair-raising mystery thriller, and this offering is no exception… Gardner keeps the reader guessing with twist after ingenious twist.” – Charleston (SC) Post and Courier
“There’s a whiff of The Silence of the Lambs in this gripping new crime novel… A suspenseful page-turner.” – Toronto Sun
“Here’s a winner to keep you on the edge of your beach chair.” – River Falls Journal
***
From Publishers Weekly
One cannot read this excellent new novel by bestselling author Gardner (The Next Accident) without wondering what actors might play these characters, especially the detectives. (Russell Crowe in his Bud White mode should star as Roan Griffin, and Dennis Franz seems a natural for the rumpled and sarcastic Fitz.) A sensitive but tough Rhode Island state police detective just returned from a bereavement leave (his beloved wife has died of cancer), Griffin encounters a hell of a case: a serial rapist, Eddie Como, is professionally hit in the courthouse parking lot, but whoever set up the kill doesn't want any loose ends: a car bomb results in an extra-crispy assassin. The prime suspects for this crime are Eddie's surviving victims: Jillian Hayes, who was beaten when she nearly caught the man after he raped her young sister, Trisha, who died; Carol Rosen, neglected wife of a successful attorney with a secret, who was raped in her own home; and the first victim, young Meg Pesaturo, who has mob ties but remembers nothing about the attack. But this is only the beginning of the case, for the rapist seems to rise from the dead to strike again and an old nemesis of Griffin 's may have everything to do with it. The three-dimensional characterizations are compelling, and the plot barrels along with surprising new twists that feel inevitable once they occur. Though the plot doesn't jell until our hero meets his match in city cop Fitz, the book then rocks and rolls right up to a nail-biter ending coming perhaps a tad too quickly. Roan Griffin is a triumph: hurt, tightly wound, but holding it together and regaining his compassion and ability to reach out. And the grace-note minor characters, the wily nurse Toppi and Jillian's silent former singer mother, Libby, are gems. Gardner should hit the charts again with this one.
From Library Journal
These survivors overcame the consequences of rape, but one of them seems to have taken things too far by murdering the accused rapist. A follow-up to The Accident, the best-selling Gardner 's hardcover debut.

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Someone was in her house. Someone was genuinely inside Carol's home. The panic that held her in its grip all night gained momentum and became suddenly, terrifyingly real.

Carol's breathing accelerated. Very slowly, she straightened legs that had grown cramped and numb while curled beneath her. Then she drew back the pile of towels and slid way down, until just her eyes peered above the rim of the bathtub. More noises down the hall. Maybe the bedroom. That bedroom. The bedroom.

Very carefully, Carol raised the barrel of her.22 and aimed it at the door.

Now the sound was in the hallway. Footsteps, definitely, coming her way.

“Dan?” she called out hoarsely. Questioningly. Hopefully.

There was no reply.

And then the footsteps stopped, two dark shadows coming to rest in the lighted crack beneath the bathroom door. He was here.

Goose bumps rippled up Carol's arms.

Steady, Carol. Steady…

The gun in her hand. The breath held in her chest…

She watched the brass doorknob slowly begin to twist.

Jillian bolted out of bed. She grabbed her bathrobe, made it to her door, then did an abrupt about-face and raced back to her bed for her pepper spray. The alarm still sounded shrilly through the house.

Running out into the hallway, she found Toppi standing in a white linen nightgown, looking sleepy-eyed and dazed.

“Did you-”

“No.”

“Libby!” they both cried and went rushing for her room.

Jillian shoved through the door, leading with her pepper spray and looking around frantically. Libby was lying in her bed. Her face was stark white. She had the security remote clutched tight against her chest.

“Mom, Mom, what is it?”

Libby raised her trembling arm. She pointed to the window behind them. And very slowly, Jillian and Toppi turned.

Eleven thirty-three P.M.

Griffin was still at headquarters sifting through paperwork and rubbing the bridge of his nose tiredly when the officer on duty stuck his head into the conference room.

“Sergeant.”

“Officer Girard.”

“Sir, 911 just got a report of a disturbance over in East Greenwich. A home security system is going off, and apparently a woman in a bathrobe is now running through the yard. I thought you'd want to know-the house belongs to Jillian Hayes.”

“Damn.” A disturbance at Jillian's house tonight of all nights could not be a good thing, and he was at least twenty minutes away. Griffin started talking as he headed for the door.

“Do me a favor, Officer, and put in a call to Detective Fitz.”

“He's with Providence?”

“That's the one.”

“Sorry, sir, but I believe the Providence detectives are out on a call. I heard it on the scanner, though they seem to be keeping the details hush-hush. Some kind of incident on College Hill.”

Griffin drew up short. “On College Hill?”

And Officer Girard repeated, “Yes, sir. College Hill.”

The bathroom door swung open. Carol closed her eyes, then squeezed the trigger.

Pop, pop, pop . The tiny.22 leapt in her hand. And the dark shrouded form fell flat on the floor.

“Oh my God,” the dark shrouded form moaned. “I think you just shot me.”

And Carol said, “Dan?”

Jillian was running. She tore through her yard in her baby-blue bathrobe, shoving back tree limbs, pouncing on bushes. Lights were blazing, neighbors gathering, sirens roaring down the street. She was making a spectacle of herself. She didn't care.

“Come out, come out, you bastard!” she cried. She pointed her pepper spray and attacked a shuddering leaf. “You want to play a practical joke? I'll show you a joke, you cowardly son of a bitch. Come on. Show yourself!”

She ran close to the perimeter. Her neighbors shrank back. She ignored them, tears streaming down her face, her nose running from the blowback of pepper spray. He had to be out here somewhere. He couldn't have gone far. And she would find him, and she would grab him by his scruffy, probably teenage neck, and, and…

She needed to hurt someone. She needed to inflict violence and pain, and that scared her, too, so she kept running, trampling new budding bulbs and freshly planted pansies. She had to move. She had to fight. She was not in a dark basement anymore. She was not powerless!

There, that bush. It moved. Cowardly son of a bitch…

Jillian made a beeline for the trembling sand cherry, and abruptly ran into something hard. “Umph,” she said, falling back a few steps, then belatedly raising her eyes to discover Sergeant Griffin's large, unrelenting form.

“Jillian,” he said quietly.

“Did you see what he did?”

“The officers told me what happened.”

“It was my mother's bedroom. Do you know what that did to her? The EMTs had to come, she's having problems breathing. If that sick bastard gave her another heart attack, I swear I'll kill him myself. I'll find him and I'll rip him from limb to limb!”

“Jillian,” he said quietly.

“It was my mother's bedroom! What kind of idiot does such a thing? Today of all days. My poor mother. Oh God, my poor mother…”

Her shoulders convulsed, then she was swaying from side to side. She looked down to see that her bathrobe had come open and she was standing half-naked in the middle of her lawn. Sirens everyplace, police lights washing her home in violent red light. People everywhere, staring at her, staring at her home, gossiping about her pain.

Eddie Como lives. Scrawled across her mother's bedroom window in red dripping spray paint. Eddie Como lives.

“It's not funny,” she mumbled. “It's a horrible, horrible practical joke.” And then she swayed again and Sergeant Griffin had to catch her in his arms.

“I'm very sorry,” he said.

“I hate this!” Her voice was muffled against his chest.

“Jillian…” he said gently, and something about his tone finally cut through her haze. Slowly, she raised her head. His blue eyes were somber. So somber. She stared and stared and stared. And then, for no good reason, she was thinking of his dead wife. What had it been like to love this man? To be held in these strong arms, to look up at this steady gaze, and to still feel yourself, slowly but surely, slipping away?

“What happened?” she whispered.

“I'm very sorry. I just talked to Detective Fitzpatrick… On College Hill. There's been another incident.”

“But there can't be. Eddie… he's gone. It's over, it's ended. Even this… It's probably just some teenage jerk with a spray can. Please tell me it's just a teenage jerk with a spray can. I need it to be just a teenage jerk with a spray can.”

Sergeant Griffin didn't say a word. His arms were still around her, supporting her half-crumpled form, shielding her from her neighbors. He wouldn't let her go until she was ready. She understood that now. He would stand here as long as she needed, support her as long as she needed. It was his job, and even back then, on the pedophile case, the reporters had said that he took his job seriously.

She studied his face, broad, hard-planed, firm. She looked into his steady blue eyes. Impulsively, she reached up a hand and touched the raspy line of his chin. She wondered what he would think to know that no one had touched her, and she had touched no one, for well over a year.

Then very slowly, she straightened up, stepped away, and belted her robe at the waist.

“Brunette?” she asked.

“Yes.”

“Latex strips?”

“Yes.”

“Is she…?”

“Manual strangulation.”

Jillian closed her eyes. “All right, Sergeant. Maybe you had better come inside.”

Twelve twenty-one A.M.

The lights were out in the Pesaturo home. Tom and Laurie slept peacefully on the opposite sides of their king-sized bed. Little Molly was curled up with her head at the foot of her pink Barbie bed. While in her room, Meg began to thrash from side to side in the throes of a dream.

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