Lisa Gardner - The Survivors Club

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“Showing a flair for lip-biting suspense, bestselling novelist Gardner combs out a tangled plot to an engrossing effect… Riveting action… This club is worth the dues.” -People, Beach Book of the Week
“Lisa Gardner’s Survivors Club is a high-octane, nerve-jangling tale of suspense.” -Harlan Coben, author of Tell No One
“Hot dang, a new Lisa Gardner book! I love her hot, fast thrill rides. I’m always first in line to grab my copy of her newest release the day it arrives in stores. For my money, when it comes to suspense, nobody does it better.” -Jayne Ann Krentz
“A book seething with suspense and violence, one that will snatch your attention and attach your emotions to the characters.” – Columbia (SC) State
“One cannot read this excellent new novel by bestselling author Gardner without wondering what actors might play these characters… Rocks and rolls right up to a nail-biter ending.” -Publishers Weekly
“Her best effort yet in this dynamite tale… Readers are forewarned that they may be up all night finishing this masterfully crafted thriller.” -Booklist
“The Survivors Club has it all-provocative plotting, an astute eye for detail, engaging characters, and a razor-sharp emotional edge.” -Stephen White
“Another surprise-filled, suspenseful yarn from the gifted Ms. Gardner.” – Denton (TX) Chronicle
“Lisa Gardner knows how to produce a hair-raising mystery thriller, and this offering is no exception… Gardner keeps the reader guessing with twist after ingenious twist.” – Charleston (SC) Post and Courier
“There’s a whiff of The Silence of the Lambs in this gripping new crime novel… A suspenseful page-turner.” – Toronto Sun
“Here’s a winner to keep you on the edge of your beach chair.” – River Falls Journal
***
From Publishers Weekly
One cannot read this excellent new novel by bestselling author Gardner (The Next Accident) without wondering what actors might play these characters, especially the detectives. (Russell Crowe in his Bud White mode should star as Roan Griffin, and Dennis Franz seems a natural for the rumpled and sarcastic Fitz.) A sensitive but tough Rhode Island state police detective just returned from a bereavement leave (his beloved wife has died of cancer), Griffin encounters a hell of a case: a serial rapist, Eddie Como, is professionally hit in the courthouse parking lot, but whoever set up the kill doesn't want any loose ends: a car bomb results in an extra-crispy assassin. The prime suspects for this crime are Eddie's surviving victims: Jillian Hayes, who was beaten when she nearly caught the man after he raped her young sister, Trisha, who died; Carol Rosen, neglected wife of a successful attorney with a secret, who was raped in her own home; and the first victim, young Meg Pesaturo, who has mob ties but remembers nothing about the attack. But this is only the beginning of the case, for the rapist seems to rise from the dead to strike again and an old nemesis of Griffin 's may have everything to do with it. The three-dimensional characterizations are compelling, and the plot barrels along with surprising new twists that feel inevitable once they occur. Though the plot doesn't jell until our hero meets his match in city cop Fitz, the book then rocks and rolls right up to a nail-biter ending coming perhaps a tad too quickly. Roan Griffin is a triumph: hurt, tightly wound, but holding it together and regaining his compassion and ability to reach out. And the grace-note minor characters, the wily nurse Toppi and Jillian's silent former singer mother, Libby, are gems. Gardner should hit the charts again with this one.
From Library Journal
These survivors overcame the consequences of rape, but one of them seems to have taken things too far by murdering the accused rapist. A follow-up to The Accident, the best-selling Gardner 's hardcover debut.

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Bad things happened. Women got raped, people got shot, others were blown up by car bombs. Husbands deserted you, wives went crazy, children were never born. Bad things happened. Especially after 10:00 P . M . Especially to her.

Eddie Como had sent her a note. She found it in the day's mail, which Dan had left on the kitchen counter. The pink envelope looked like a Hallmark card and bore Jillian's return address. A nice little note, Dan had probably thought. So had she. Until she'd ripped it open.

I'm going to get you, Eddie had scrawled in red ink across white butcher paper. Even if it's from beyond the grave…

Carol had bolted back upstairs to the bathroom, but not before first making a stop at the home safe.

I'm going to get you…

Not this time, Carol decided. Not anymore, you son of a bitch. Carol reached beneath the towels and, very gently, stroked the gun.

Ten fifty-eight P.M.

Sylvia Blaire was walking home alone from the university library. She had a test tomorrow morning. Final exam for Psych 101. In theory, Sylvia enjoyed Psych 101, but she hadn't kept up on the readings quite the way she should have. Now she was cramming twelve weeks' worth of learning into two nights of studying, a feat she'd mastered in high school, but which was proving far more difficult in college.

Personally, she thought Professor Scalia should cancel the test. As if anyone could study today, with the big explosion just six blocks away, then the sirens wailing all morning long. The air still smelled acrid, a mixture of gasoline, scorched metal and melted plastic. In the student union, all anyone could talk about was the commotion. Frankly, nothing exciting ever happened in Providence. As far as the students were concerned, the school should cancel exam week and let them enjoy the buzz.

No such luck, though. Professors were such pains in the ass. So Sylvia had left the student union in favor of the library, where she'd managed to read six chapters of her textbook before falling asleep and dreaming about chickens scratching out the Pythagorean theorem in return for pellets. Screw it. She was going home to bed.

Sylvia walked down the street to her apartment. Generally there were more people out this time of night, but during finals week most of the students were sequestered away in various study labs suffering massive anxiety attacks. The street was quiet, the old shrouded houses still.

It didn't bother her. The full moon was bright, the lamps cheery. Besides, she knew the drill. Walk with your chin up, your shoulders square and your steps brisk. Perverts sought out meek women who wouldn't fight back, not former track stars like her.

Not that Providence had many perverts anymore. That rapist dude was dead. The women on campus had cheered.

Sylvia finally arrived at the old house that boasted her second-floor studio apartment. She paused on the darkened front steps, then shook her head. Stupid outdoor light had burnt out again. Thing seemed to go every three weeks and the landlord liked to wait another three before replacing it. This one Sylvia had bought with her own money. Like she could see anything tucked inside the covered patio without a light.

She dragged her backpack off her shoulder, and with a long-suffering sigh began digging for her keys. She finally found the heavy metal key chain in the bottom of her bag. The new key ring was a gift from the Rhode Island Blood Center commemorating the donation of her eighth pint of blood just two weeks ago. Way to go, Sylvia, she was now a member of the gallon club.

Sylvia drew out her keys. She flipped through the massive lot that she kept meaning to pare down but never did, until she came to the desired one. She slid her key into the front door lock.

A noise sounded on the right. Sylvia turned her head…

Eleven-twelve P.M.

Jillian is dreaming. In this dream, she knows that she is dreaming, but she doesn't care. This dream is filled with warm, happy colors. This dream lifts the weight off her chest and takes her, for the first time in a long time, to a place she wants to go.

Jillian is sixteen years old. She is in a hotel-most of her childhood has been spent in hotels. It is two A . M . and Libby is gone. Her gig ended hours ago, but time has never meant much to Libby. Nights are for singing, dancing, drinking, having a good time. Libby has probably met another man by now and is once more falling in love. At this stage of the game, Jillian is used to the drill. Libby falls in love and disappears even more nights of the week. Her singing grows more robust, she wears her nicest gowns and brings Jillian lots of frivolous gifts. Then the bloom goes off the rose. She dumps him, he dumps her, or maybe his wife comes home. Who knows?

Libby falls out of love. They get a new hotel and she promises to spend more time with her daughter. Until, of course, the next handsome man enters the room.

The last time was different, however. The last time had consequences. Jillian now has a baby half sister, whom she was allowed to name. Jillian chose Trisha.

Three-month-old Trisha has fat pink cheeks and big blue eyes. Her head is covered with a downy mist of soft brown hair. She likes to grip Jillian's finger in her tiny little fist. She likes to kick her tiny little feet. And she gurgles a lot, and blows bubbles a lot, and loves big wet zerberts right on her tummy. She also breaks into a wide, smacking smile every time Jillian picks her up.

Now Jillian is cradling baby Trish in her arms and watching her baby-blue eyes grow heavy with sleep. She tickles Trish's chubby cheek with her finger. She inhales the sweet scent of baby powder. She feels her chest expand with the force of her love and thinks that if she cared for Trisha any more, her heart would surely explode.

Libby has never been the perfect mother. There have been times, in fact, when Jillian has grown close to hating her and her careless ways. But as of three months ago, Jillian forgave her mother everything in return for this one, precious gift. Trisha Jane Hayes. Finally, Jillian has someone she can love with her whole heart. Finally, Jillian has someone who will never leave.

The quiet, still night. The perfect weight of Trisha in her arms. The pure beauty of her baby sister, smiling back up at her and kicking her tiny, little feet.

In the dream Jillian knows she is dreaming, she would like to hold this moment forever. She understands, in this dream she knows she is dreaming, that darkness lingers just beyond her sight. That if she turns her head, the beautiful hotel room will spin away and she will find herself in a far different, uglier place. That if she looks at baby Trisha too closely, baby Trisha will spin away and she will find herself holding her grown sister's dying form. That if she thinks too hard at all, she will realize that this moment never happened, that her baby sister cried most nights for her mother, and that Jillian was actually little more than an overwhelmed sixteen-year-old substitute. In this dream she knows she is dreaming, it is only her love for her sister that is real.

A sound intrudes. In the dream hotel room, the dream Jillian turns her head. She listens to the loud, squawking sirens racing down the street.

But then the hotel room falls away. Baby Trisha falls away. And dream Jillian and the real Jillian realize at the same time that the noise is not a siren on the street.

It is in the house. It is in Jillian's bedroom.

Someone has pressed the panic alarm.

Sound. Carol heard it again. A thud in the nether regions of her home. It was followed by a thump.

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