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Karin Slaughter: Skin Privilege

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Karin Slaughter Skin Privilege

Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again? *** 'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times 'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express 'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out 'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror 'An explosive thriller with plenty of twists – this is criminally spectacular!' OK! 'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian 'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph 'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times 'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out 'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror 'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express 'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times 'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly 'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post 'Gripping, gruesome and definitely not for the faint-hearted' Woman Home 'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen 'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review 'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent 'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News 'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews 'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist 'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post 'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina 'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy 'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com 'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly 'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today 'A page turner… has more twists than a Slinky Factory' People 'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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Sara leaned back against the front counter, hugging her arms to her waist as she tried to read his expression. She had been a cop's wife far too long to think that there was any such thing as a simple phone call.

'Where is she now?' Jeffrey demanded. He nodded, his shoulders tensing as he listened to the caller. 'All right,' he said, looking at his watch. 'I can be there in three hours.'

He ended the call, squeezing the phone so hard in his hand that Sara thought it might break. ' Lena,' he said brusquely, just as Sara was about to ask him what was going on. Lena Adams was a detective on his squad, a woman who made a habit of getting herself into bad situations and dragging Jeffrey along with her. Just the sound of her name brought a sense of dread.

Sara said, 'I thought she was on vacation.'

'There was an explosion,' Jeffrey answered. 'She's in the hospital.'

'Is she okay?'

'No,' he told her, shaking his head as if he could not believe what he had heard. 'She's been arrested.'

THREE DAYS EARLIER

TWO

Lena kept one hand on the steering wheel as she scrolled through radio stations with the other. She cringed at the vacuous girls screeching from the speakers; when had stupidity become a marketable talent? She gave up when she hit the country music channels. There was a six-disc changer in the trunk, but she was sick of each and every song on each and every disc. Desperate, she reached into the floor of the backseat, groping for a loose CD. She fished out three empty jewel cases in a row, cursing more loudly with each one. She was about to give up when the tips of her fingers brushed a cassette tape underneath her seat.

Her Celica was around eight years old and still had a tape player, but Lena had no idea what this particular cassette contained, or how it had even ended up in her car. Still, she popped it into the dash and waited. No music came, and she turned up the knob, wondering if the tape was blank or had been damaged by last summer's scorching heat. She turned it up further and nearly had a heart attack when the opening drumbeats of Joan Jett's 'Bad Reputation' filled the car.

Sibyl. Her twin sister had made this tape two weeks before she had died. Lena could remember listening to this exact song nearly six years ago as she sped down the highway, heading back to Grant County from a drop-off she'd made at the Georgia

Bureau of Investigation's lab in Macon. The drive had been much like the one she was making today: a straight shot down a kudzu-lined interstate, the \ few cars on the road whizzing by eighteen-wheelers and mobile homes that were being transported to waiting families. Meanwhile, her sister was back in Grant County, being tortured and murdered by a sadist while Lena sang with Joan Jett at the top of her lungs.

She popped out the tape and turned off the radio.

Six years. It didn't seem like so much time had passed, but then again, it felt like an eternity. Lena i was just now getting to the point where her dead! twin was not the first thing she thought about when j she woke up in the morning. It usually wasn't until later in the day when she saw something funny or heard a crazy story at work that she thought about Sibyl, made a mental note to tell her sister, then i realized a split second later that Sibyl was no longer j there to hear it.

Lena had always thought of Sibyl as her only j. family. Their mother had died thirteen days after giving birth. Their father, a cop, had been shot dead! by a man he'd pulled over on a speeding violation, i He'd never even known his young wife was pregnant. As there were no other relatives to speak j of, Hank Norton, their mother's brother, had j-raised the two girls. Lena had never thought of her l uncle as family. Hank had been a junkie during her j childhood and a sober, self-righteous asshole j during her teen years. Lena thought of him as more i like a warden, somebody who made the rules and | held all of the power. From the beginning, Lena had I only wanted to break out.

She pushed in the cassette tape again, twisted the knob to lower the sound to a low, angry growl.

I don't give a damn about my bad reputation

The sisters had sung this as teenagers, their anthem against Reece, the backwater town they lived in until they were old enough to get the hell out. With their dark complexions and exotic looks that came courtesy of their Mexican-American grandmother, neither one of them had been particularly popular. Other kids were cruel, and Lena 's strategy was to take them on one by one while Sibyl kept to her studies, working hard to get the scholarships she needed to continue her education. After high school, Lena had spun her wheels for a while then entered the police academy, where Jeffrey Tolliver plucked her from a group of recruits and offered her a job. Sibyl had already taken a professorship at the Grant Institute of Technology, which made the decision to accept the job that much easier.

Lena found herself thinking about her first weeks in Grant County. After Reece, Heartsdale had seemed like a major metropolis. Even Avondale and Madison, the other cities that comprised Grant, were impressive to her small-town eyes. Most of the kids Lena had gone to school with had never traveled outside the state of Georgia. Their parents worked twelve-hour days at the tire plant or drew unemployment so they could sit around and drink. Vacations were for the wealthy – people who could afford to miss a couple of days of work and still pay the electric bill.

Hank owned a bar on the outskirts of Reece, and once he had stopped injecting the profits into his veins, Sibyl and Lena had lived a fairly comfortable life compared to their neighbors. Sure, the roof on their house was bowed and a 1963 Chevy truck had been on blocks in the backyard for as long as she could remember, but they always had food on the table and each year when school came around, Hank drove the girls into Augusta and bought them new clothes.

Lena should have been grateful, but she was not.

Sibyl had been eight when Hank, on a drunken bender, had slammed his car into her. Lena had been using an old tennis ball to play catch with her sister. She overthrew, and when Sibyl ran into the driveway and leaned down to pick up the ball, the bumper of Hank's reversing car had caught her in the temple. There hadn't even been much blood -just a thin cut following the line of her skull – but the damage was done. Sibyl hadn't been able to see anything after that, and no matter how many Alcoholics Anonymous meetings Hank attended or how supportive he tried to be, in the back of her mind, Lena always saw his car hitting her sister, the surprised look on Sibyl's face as she crumpled to the ground.

Yet, here Lena was, using up one of her valuable vacation days to go check on the old bastard. Hank hadn't telephoned in two weeks, which was strange. Even though she seldom returned his calls, he still left messages every other day. The last time she had seen her uncle was three months ago, when he'd driven to Grant County – uninvited – to help her move. She was renting Jeffrey's house after he'd found out his previous tenants, a couple of girls from the college, were using the place as their own personal bordello. Hank had said maybe a handful of words to her as he moved boxes, and Lena had been just as chatty. As he was leaving, guilt had forced her to suggest dinner at the new rib place up the street, but he was climbing into his beat-up old Mercedes, making his excuses, before she got the words out of her mouth.

She should have known then something was wrong. Hank never passed up an opportunity to spend time with her, no matter how painful that time was. That he had driven straight back to Reece should have been a clue. She was a detective, for chrissakes. She should notice when things were out of the ordinary.

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