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Karin Slaughter: Skin Privilege

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Karin Slaughter Skin Privilege

Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again? *** 'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times 'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express 'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out 'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror 'An explosive thriller with plenty of twists – this is criminally spectacular!' OK! 'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian 'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph 'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times 'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out 'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror 'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express 'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times 'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly 'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post 'Gripping, gruesome and definitely not for the faint-hearted' Woman Home 'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen 'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review 'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent 'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News 'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews 'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist 'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post 'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina 'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy 'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com 'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly 'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today 'A page turner… has more twists than a Slinky Factory' People 'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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Now, looking at the watch, for the first time in her life Sara was glad her grandmother was not there with her, could not read the anger in Sara's eyes, know the humiliation that burned in her chest like an uncontrollable fire as she sat in a conference room being deposed in a malpractice suit filed by the parents of a dead patient. Everything Sara had ever worked for, every step she had taken that her grandmother could not, every accomplishment, every degree, was being rendered meaningless by a woman who was all but calling Sara a baby killer.

The lawyer leaned over the table, eyebrow raised, lip curled, as Sara glanced at the watch. 'Dr. Linton, do you have a more pressing appointment?'

'No.' Sara tried to keep her voice calm, to quell the fury that the lawyer had obviously been stoking for the last four hours. Sara knew that she was being manipulated, knew that the woman was trying to bait her, to get Sara to say something horrible that would forever be recorded by the little man leaning over the transcript machine in the corner. Knowing this did not stop Sara from reacting. As a matter of fact, the knowledge made her even angrier.

'I've been calling you Dr. Linton all this time.' The lawyer glanced down at an open folder in front of her. 'Is it Tolliver? I see that you remarried your ex-husband, Jeffrey Tolliver, six months ago.'

'Linton is fine.' Under the table, Sara was shaking her foot so hard that her shoe was about to fall off. She crossed her arms over her chest. There was a sharp pain in her jaw from clenching her teeth. She shouldn't be here. She should be at home right now, reading a book or talking on the phone to her sister. She should be going over patient files or sorting through old medical journals she never seemed to have time to catch up on.

She should be trusted.

'So,' the lawyer continued. The woman had given her name at the start of the deposition, but Sara couldn't remember it. All she had been able to concentrate on at the time was the look on Beckey Powell's face. Jimmy's mother. The woman whose hand Sara had held so many times, the friend she had comforted, the person with whom she had spent countless hours on the phone, trying to put into simple English the medical jargon the oncologists in Atlanta were feeding the mother to explain why her twelve-year-old son was going to die.

From the moment they'd entered the room, Beckey had glared at Sara as if she were a murderer. The boy's father, a man Sara had gone to school with, had not even been able to look her in the eye.

'Dr. Tolliver?' the lawyer pressed.

'Linton,' Sara corrected, and the woman smiled, just as she did every time she scored a point against Sara. This happened so often that Sara was tempted to ask the lawyer if she suffered from some unusually petty form of Tourette's.

'On the morning of the seventeenth – this was the day after Easter – you got lab results from the cell blast you'd ordered performed on James Powell. Is that correct?'

James. She made him sound so adult. To Sara, he would always be the six-year-old she had met all those years ago, the little boy who liked playing with his plastic dinosaurs and eating the occasional crayon. He'd been so proud when he told her that he was called Jimmy, just like his dad.

'Dr. Tolliver?'

Buddy Conford, one of Sara's lawyers, finally spoke up. 'Let's cut the crap, honey.'

'Honey?' the lawyer echoed. She had one of those husky, low voices most men found irresistible. Sara could tell Buddy fell into this category, just as she could tell that the fact the man found his opponent desirable heightened his sense of competitiveness.

Buddy smiled, his own point made. 'You know her name.'

'Please instruct your client to answer the question, Mr. Conford.'

'Yes,' Sara said, before they could exchange any more barbs. She had found that lawyers could be quite verbose at three-hundred-fifty dollars an hour. They would parse the meaning of the word 'parse' if the clock was ticking. And Sara had two lawyers: Melinda Stiles was counsel for Global Medical Indemnity, an insurance company to whom Sara had paid almost three and a half million dollars over the course of her medical career. Buddy Conford was Sara's personal lawyer, whom she'd hired to protect her from the insurance company. The fine print in all of Global's malpractice policies stipulated limited liability on the part of the company when a patient's injury was a direct result of a doctor's willful negligence. Buddy was here to make sure that did not happen.

'Dr. Linton? The morning of the seventeenth?'

'Yes,' Sara answered. 'According to my notes, that's when I got the lab results.'

Sharon, Sara remembered. The lawyer was Sharon Connor. Such an innocuous name for such a horrible person.

'And what did the lab results reveal to you?'

'That more than likely, Jimmy had acute myeloblastic leukemia.'

'And the prognosis?'

'That's out of my realm. I'm not an oncologist.'

'No. You referred the Powells to an oncologist, a friend of yours from college, a Dr. William Harris in Atlanta?'

'Yes.' Poor Bill. He was named in the lawsuit, too, had been forced to hire his own attorney, was battling with his own insurance company.

'But you are a doctor?'

Sara took a deep breath. She had been instructed by Buddy to only answer questions, not pointed comments. God knew she was paying him enough for his advice. She might as well start taking it.

'And surely as a doctor you know what acute myeloblastic leukemia is?'

'It's a group of malignant disorders characterized by the replacement of normal bone marrow with abnormal cells.'

Connor smiled, rattling off, 'And it begins as a single somatic hematopoietic progenitor that transforms to a cell incapable of normal differentiation?'

'The cell loses apoptosis.'

Another smile, another point scored. 'And this disease has a fifty percent survival rate.'

Sara held her tongue, waiting for the ax to fall.

'And timing is critical for treatment, is that correct? In such a disease – a disease that literally turns the body's cells against themselves, turns off apoptosis, according to you, which is the normal genetic process of cell death – timing is critical.'

Forty-eight hours would not have saved the boy's life, but Sara was not going to utter those words, have them transcribed into a legal document and later thrown in her face with all the callousness Sharon Connor could muster.

The lawyer shuffled through some papers as if she needed to find her notes. 'And you attended Emory Medical School. As you so graciously corrected me earlier, you didn't just graduate in the top ten percent, you graduated sixth in your class.'

Buddy sounded bored with the woman's antics. 'We've already established Dr. Linton's credentials.'

'I'm just trying to put it all together,' the woman countered. She held up one of the pages, her eyes scanning the words. Finally, she put it down. 'And, Dr. Linton, you got this information – this lab result that was almost certainly a death sentence -the morning of the seventeenth, and yet you chose not to share the information with the Powells until two days later. And that was because…?'

Sara had never heard so many sentences starting with the word 'and.' She imagined grammar wasn't high up on the curriculum at whatever school had churned out the vicious lawyer.

Still, she answered, 'They were at Disney World for Jimmy's birthday. I wanted them to enjoy their vacation, what I thought might be their last vacation as a family for some time. I made the decision to not tell them until they came back.'

'They came back the evening of the seventeenth, yet you did not tell them until the morning of the nineteenth, two days later.'

Sara opened her mouth to respond, but the woman talked over her.

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