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Karin Slaughter: Skin Privilege

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Karin Slaughter Skin Privilege

Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again? *** 'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times 'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express 'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out 'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror 'An explosive thriller with plenty of twists – this is criminally spectacular!' OK! 'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian 'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph 'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times 'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out 'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror 'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express 'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times 'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly 'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post 'Gripping, gruesome and definitely not for the faint-hearted' Woman Home 'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen 'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review 'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent 'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News 'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews 'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist 'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post 'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina 'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy 'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com 'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly 'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today 'A page turner… has more twists than a Slinky Factory' People 'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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She also shouldn't have let two whole weeks pass without calling to check on him.

In the end, it was Charlotte, one of Hank's neighbors, who called to tell Lena that she needed to come down and see about her uncle.

'He's in a bad way,' the woman had said. When Lena tried to press her, Charlotte had mumbled something about one of her kids needing her and hung up the phone.

Lena felt her spine straighten as she drove into the Reece city limits. God, she hated this town. At least in Grant, she fit in. Here, however, she would always be the orphan, the troublemaker, Hank Norton's niece – no, not Sibyl, Lena, the bad one.

She passed three churches in rapid succession. There was a big billboard by the baseball field that read, 'Today's Forecast: Jesus Reigns!'

'Christ,' she murmured, taking a left onto Kanuga Road, her body on autopilot as she coasted through the back streets that led to Hank's house.

Classes weren't out for another hour, but there were enough cars leaving the high school to cause a traffic jam. Lena slowed, hearing the muffled strains of competing radio stations as souped-up muscle cars stripped their tires on the asphalt.

A guy in a blue Mustang, the old kind that drove like a truck and had a metal dashboard that could decapitate you if you hit the right tree, pulled up in the lane beside her. Lena turned her head and saw a teenage kid openly staring at her. Gold chains around his neck sparkled in the afternoon sun and his ginger-red hair was spiked with so much gel that he looked more like something you'd find at the bottom of the ocean than in a small Southern town. Oblivious to how stupid he looked, his head bobbed with the rap music pounding out of his car stereo and he gave her a suggestive wink. Lena looked away, thinking she'd like to see his spoiled white ass dropped off in the middle of downtown Atlanta on a Friday night. He'd be too busy pissing his pants to appreciate the gangsta life.

She turned off at the next street, taking the long way to Hank's, wanting to get away from the kids and traffic. Hank was probably fine. Lena knew one thing she shared with her uncle was a tendency toward moodiness. Hank was probably just in a dark place. He'd probably be angry to find her on his doorstep, invading his space. She wouldn't blame him.

A white Cadillac Escalade was parked in the driveway behind Hank's old Mercedes. Lena pulled her Celica close to the curb and turned off the ignition, wondering who was visiting. Hank might be hosting an AA meeting; in which case, she hoped the Escalade's driver was the last to leave instead of the first to show up. Her uncle was just as hooked on self-help bullshit as he had been addicted to speed and alcohol. She had known Hank to drive six hours straight to hear a particular speaker, attend a particular meeting, only to turn around and drive another six hours back so that he could open the bar for the early afternoon drunks.

She studied the house, thinking that the only thing that had changed about her childhood home was its state of decay. The roof was more bowed, the paint on the clapboard peeling so badly that a thin strip of white flecks made a chalk line around the house. Even the mailbox had seen better days. Someone had obviously taken a bat to the thing, but Hank, being his usual handy self, had duct-taped it back onto the rotting wood post.

Lena palmed her keys as she got out of the car. Her hamstrings were tight from the long drive, and she bent at the waist to stretch out her legs.

A gunshot cracked the air, and Lena bolted up, reaching for her gun, realizing that her Glock was in her glove compartment at the same time she processed that the gunshot was just the front door slamming shut.

The slammer was a stocky, bald man with arms the size of cannons and an attitude she could read from twenty paces. A large sheath containing a hunting knife was on his right hip and a thick metal chain dangled from his belt loop to his wallet in his back left pocket. He trotted down the rickety front stairs, counting a wad of money he held in his meaty hands.

He looked up, saw Lena, and gave a dismissive snort before climbing into the white Cadillac. The SUV's twenty-two-inch wheels kicked up dust as he backed out of the driveway and swung out into the street beside her Celica. The Escalade was about a yard longer than her car and at least two feet wider. The roof was so high she couldn't see over the top. The side windows were heavily tinted, but the front ones were rolled down, and she could clearly see the driver.

He'd stopped close enough to crowd her between the two cars, his beady eyes staring a hole into her. Time slowed, and she saw that he was older than she'd thought, that his shaved head was not a fashion statement but a complement to the large red swastika tattooed on his bare upper arm. Coarse black hair grew in a goatee and mustache around his mouth, but she could still see the sneer on his fat, wet lips.

Lena had been a cop long enough to know a con, and the driver had been a con long enough to know that she was a cop. Neither one of them was about to back down, but he won the standoff by shaking his head, as if to say, 'What a fucking waste.' His wife beater shirt showed rippling muscles as he shifted into gear and peeled off.

Lena was left standing in his wake. Five, six, seven … she counted the seconds, standing her ground in the middle of the road as she waited for the Cadillac to make the turn, taking her out of sight of the guy's rearview mirrors.

Once the car was gone, she went around to the passenger's side of the Celica and found the six-inch folding knife she kept under the seat. She slipped this into her back pocket, then got her Glock out of the glove compartment. She checked the safety on the gun and clipped the holster to her belt. Lena did not want to meet the man again, especially unarmed.

Walking toward the house, she wouldn't let her mind consider the reasons why such a person would be at her uncle's house. You didn't drive a car like that in a town like Reece by working at the tire factory. You sure as shit didn't leave somebody's house flashing a wad of money unless you knew that no one was going to try to take it off you.

Her hands were shaking as she walked toward the house. The door jamb had splintered from being slammed so hard, or maybe from being kicked open. Pieces of rotting wood and rusting metal jutted into the air near the knob, and Lena used the toe of her shoe to push open the door.

'Hank?' she called, fighting the urge to draw her weapon. The man in the Escalade was gone, but his presence still lingered. Something bad had happened here. Maybe something bad was still going on.

Being a cop had given Lena a healthy respect for her instinct. You learned to listen to your gut when you were a rookie. It wasn't something that could be taught at the academy. Either you paid attention to the hairs sticking up on the back of your neck or you got shot in the chest on your first call by some whacked-out drug addict who thought the aliens were trying to get him.

Lena pulled the Glock, pointed it at the floor. 'Hank?'

No answer.

She stepped carefully through the house, unable to tell if the place had been tossed or if Hank just hadn't bothered to straighten up in a while. There was an unpleasant odor in the air, something chemical, like burned plastic, mixed with the usual reek of cigarettes from Hank's chain-smoking and chicken grease from the takeout he got every night. Newspapers were scattered on the living room couch. Lena leaned down, checked the dates. Most were over a month old.

Cautiously, she walked down the hallway, weapon still drawn. Lena and Sibyl's bedroom door stood open, the beds neatly made. Hank's room was another matter. The sheets were bunched up at the bottom like someone had suffered a fever dream and an unpleasant brown stain radiated from the center of the bare mattress. The bathroom was filthy. Mold blackened the grout, pieces of wet plaster hung from the ceiling.

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