Karin Slaughter - Skin Privilege

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Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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Hank telling them about their mother was that Angela had been unequivocal on the subject of drugs and alcohol. After years of watching her older brother slowly dig his own grave, she had finally cut him out of her life and vowed never to let him back in. Hank had not cared at the time. He was twenty-six years old. He didn't want family or sex or money or cars. All he was interested in was finding his next high.

According to Hank, the first promise that Angela extracted from her husband, Calvin Adams, was that he would never go out drinking with his fellow officers. Calvin adhered to this – they were very much in love – and seldom touched a drop; certainly, he never drank in front of his young wife. Of course, no one would ever know how long that would have lasted. The couple shared only three months of wedded bliss before Cal pulled over his last speeding violation. The driver shot him twice in the face and drove off, never to be seen again. Lena 's father was dead before his body hit the ground.

Angela's first sign that she was pregnant came at her husband's funeral. Not normally one to be weak-kneed or emotional, she passed out at Calvin's gravesite. Seven months later, she went into the hospital to give birth to twin girls and never came out. Septicemia is rare, but deadly. It took two weeks for the infection to overtake the new mother's systems, shutting down her vital organs one by one until, finally, a decision had to be made to take her off life support. Hank Norton, Angela's closest living relative, had made the decision.

It was, Hank often said, the most difficult thing he had ever done in his life.

It was, evidently, all a lie.

Angela Norton had been a petite woman, very plain looking until she smiled, then there was no way you could not notice her. She had the dark coloring of her Mexican-American mother, unlike her brother, who was pasty as a jar of buttermilk. Another quality Hank did not share with his sister was her extreme devoutness, courtesy of their mother's Catholicism. Angela was passionate about helping people while Hank was passionate about helping himself.

As an adult, Lena knew that every good story has its darkness and light, and now she could see that Hank had always painted himself in the blackest of hues.

Angela Norton had met Calvin Adams at a church fair. He'd been working the raffle for the sheriff's department and despite the fact that gambling was a sin, she wanted her chance to win the basket of baked goods being offered as prize. Angela was a shy girl, just a teenager when she met the dashing young deputy. She was bright and funny, and just about the kindest, most caring person to walk the face of the earth.

Angela and Hank's mother had died at a young age. Car accident. She had no other relatives, and her husband, career military, had been killed in Vietnam when the children were little. Cal was an only child. Both parents had died when he was in his early twenties. He had no other relations in town, no cousins or aunts or uncles that anyone knew of. No family for Lena or Sibyl to visit.

Calvin Adams cut a dashing figure. A bit of a nerd in high school, people had been surprised when he signed up with the sheriff's department.

He had turned into a good cop, though – firm, but fair. Always willing to listen to both sides of an argument. He wore the gun and badge with pride but never lorded it over anybody. Angela and Calvin were in love, very much in love, and what happened to them was tragic.

After watching his sister take her last breath, Hank had taken the newborn Lena and Sibyl from the hospital because he would not leave his own flesh and blood to be raised by the state. Woefully unprepared that first night, he had improvised cribs by lining two dresser drawers with sheets and pillows, nestling his young charges in for the night as he went around his house and systematically destroyed any traces of alcohol.

He often claimed that night was his 'turning point,' that looking down and seeing those two helpless baby girls tucked into his sock drawers, knowing that he was the only thing standing between them and the hairy-chinned woman from children's social services, had given him the strength to turn his back on an old friend.

This was the history Lena had been told. These were the lies she had been spoon-fed all of her life. She could remember rainy afternoons with Sibyl, playing games with Hank's stories. They acted out the tragedy of their parents' short lives, always taking turns being Angela, the best, the kindest, one. Oh, how their parents loved each other. Oh, how they would have loved to hold their twin daughters in their arms. Things would have been different, so very, very different, had they lived.

Or would they?

Hank often claimed that he gave up his addictions the night that he brought his nieces home from the hospital, but Lena had lived through it. She knew the truth. Eight years passed before he really gave it all up. Eight years of weeklong benders and parties that lasted for days and the police sniffing around, and lies… nothing but lies.

She had lived in this house, seen it with her own eyes: all those years and yet she had never suspected that a drug addict would tell her anything but the truth about her own mother and father. Why would he lie about what had happened? What did he have to gain by all those lies?

Lena dried her hair with a towel as she sat on the edge of her bed. She had changed into one of Hank's old dress shirts so that she could get in the shower with him and scrape off some of his filth. He was so thin that she could feel his bones through the rubber kitchen gloves she wore to clean him. What looked like rope burns circled his wrists and ankles, but she knew he had probably caused the damage himself, picking the skin with his fingernails, peeling it away like an orange.

Meth mites. Speed bumps. Crank bugs. There were all kinds of names for the phenomenon that caused meth users to pick, scrape, and dig at their own skin. As part of the police outreach program, Jeffrey taught a drug course at the high school twice a year. Lena could clearly remember the first time she'd been forced to tag along. She'd felt her heart race as she'd heard Jeffrey talk about the chemistry behind the sickness, give an explanation for the self-mutilation she'd seen.

Meth causes the body temperature to rise, which in turn causes the skin to sweat. When the sweat evaporates, it removes the protective oil coating the dermis. This process irritates the nerve endings and makes the addict feel as if something is crawling under his skin. He will do anything to stop the sensation, use any instrument he can find to relieve his suffering.

Lena had once watched Hank take an ice pick to his arm, scratching it repeatedly back and forth until the skin split open like a sack of sugar. Just now, she had seen the scar in the bathroom, the thick rope of flesh that had been sewn back together. There were so many marks on his body, so many painful reminders of what he had been willing to do to himself just to get high.

And still, in all those years, Hank had never, ever been this bad.

Why? Why had he gone back to that life after fighting so hard to leave it? What had made Hank embrace the very thing he despised? There had to be a reason. There had to be a trigger that made him take that first shot.

Was it the drug dealer? Was Hank buying drugs from the man who had killed Lena 's mother?

Lena finished drying her hair. She sat up, looking at herself in the mirror over the dresser. Dark curls sprung around her head, water still dripping at the nape. How could she be back in this place again? How could she be back in this room, on this bed, drying her hair after yet again hosing off caked shit from her uncle's emaciated body?

She was an adult now. She had a job, her own home. She wasn't under Hank's thumb anymore, dependent upon him for anything.

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