Karin Slaughter - Skin Privilege

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Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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And of course, Jeffrey had come running.

But wasn't that why Sara loved Jeffrey? Because he refused to give up on people, no matter how beyond reach they seemed? Sara was hardly one to talk about women making stupid mistakes with men. She had married Jeffrey twice, leaving him the first time after coming home to find him in bed with another woman. Jeffrey had changed in the years since their divorce, though. He had grown up. He had worked to get Sara back, to regain her trust and mend their relationship. She loved this new Jeffrey with such passion that it scared her sometimes.

Was that what had driven Lena to stand by Ethan no matter how many times he beat her? Had she felt the same lovesickness as Sara, the same lurch in her stomach when they were apart? Had she made such a fool of herself over him that she could not let go?

Sara dropped the scraps of the sponge into the wastebasket and rinsed the tub again. Jeffrey would be shocked when he got back from his meeting. She could not remember the last time she had cleaned her own bathroom so thoroughly. Sara hated most domestic chores and did them only because in a town as small as Heartsdale, her mother would find out if she hired a maid. Cathy's belief was that chores built character, and paying other people, especially women, to do them showed what sort of character you really were. Sara's belief was that her mother's Puritan work ethic had gone round the bend. There was a reason Sara had graduated from high school a year ahead of her class. When she was growing up, her mother thought that homework was the only valid excuse for getting out of cleaning duty.

She washed the cleaner off her hands, her mind going back to Lena and wishing that Ethan Green could be washed out of all their lives just as easily. Sara had seen Ethan only once – seen his body. The tattoos must have taken hours to ink onto his skin. There were at least ten that Sara had counted, but the one she could never put out of her mind was the large black swastika over his heart. What made a man embrace such hatred? What did it say about Lena that she could be with such a man, want him, make love to him, and not be repulsed by the hateful symbol on his body?

Last night, sitting in the car outside the hospital, Sara had seen the way the skinhead in the white sedan had looked at Jeffrey, the recognition that Jeffrey was a cop, his callous disregard for what that means. She had also seen the red swastika on the man's arm and felt a sudden sickening fear when Jeffrey made it obvious that he was not intimidated, would not back down. Now, she felt sick just thinking about it.

The phone rang and Sara's heart jumped. She ran into the other room and picked up the receiver. 'Hello?' She waited, listening to static on the line, the sound of someone breathing. 'Hello?' she repeated, then, for no reason, ' Lena?'

There was a soft click, then the quiet of a dead line.

Sara returned the phone to its cradle, shivering. She looked at her watch, then checked it against the alarm clock on the bedside table. Jeffrey had left almost two hours ago to meet with Nick Shelton. He had told her he'd call on his way back, but there was no telling when that would be.

She saw a takeout menu on the table, the notes she had scrawled on the back. Sara picked up the menu, tried to decipher her own handwriting.

Jeffrey had left Sara an assignment. She loved him for trying to make her feel useful, but the fact was a monkey could've performed the task. After her coffee run to the convenience store, she had called Frank Wallace, Jeffrey's second in command, and asked him to track down the license plate from the white sedan they had seen at the hospital last night. Even Frank had sounded puzzled when he'd heard Sara's request. He had played along, though, typing the plate into the computer, humming under his breath. Sara had known Frank for as long as she'd been alive – he was a poker buddy of her father's – but she had felt uncomfortable talking to him on the phone, mostly because they both knew that she had no business doing policework,

Frank had the registration in under a minute. Sara had scrambled for something to write on and found the takeout menu in one of the bedside drawers. A corporation named Whitey's Feed amp; Seed owned the Chevy Malibu.

So, the Nazi in the white sedan had a sense of humor.

Sara had rung off with Frank and decided to take some initiative – something a monkey surely could not do – and run down the articles of incorporation for Whitey's Feed amp; Seed. After spending almost twenty minutes on hold with the secretary of state's office, she knew a man named Joseph Smith was listed as CEO and president of Whitey's Feed amp;c Seed. Going on the assumption that this was a valid name and not some allusion to the founder of the Mormon Church, Sara called directory services. There were over three hundred listings for the name of Joseph Smith in the state of Georgia. Oddly enough, none of them lived in or around the Elawah area.

Frank's computer search had yielded a post office box as the address for the vehicle's registration, but the woman at the secretary of state's office had given Sara a local address, 339 Third Avenue. If Reece was like every other small town in the world, it was laid out on a grid pattern. The Elawah County Medical Center was on Fifth Avenue. Sara knew that the hospital was less than a ten-minute drive from the motel, which meant that Third Avenue had to be within a few miles.

Sara stared at the menu, her scribbled letters crisscrossing the dessert selections. She'd talked to her mother, cleaned the bathroom, refolded all the clothes in their suitcase and left three messages on her sister's cell phone to please call before boredom atrophied her mind. Short of sweeping the motel parking lot, there really was nothing else left for her to do.

A motorcycle revved outside, the pipes so loud that the plate glass window rattled. Sara looked out the slit in the curtains, but she could only see the back of the bike as it pulled onto the main road. Overhead, the sky was turning dark, but she guessed that any rain was at least a few hours away.

Sara tore off the address she'd written on the menu and wrote Jeffrey a note on the entree section. She had seen some local maps at the convenience store when she'd walked over earlier that morning. Third Avenue had to be close by.

She snatched the motel key off the table and left the room before she could stop herself.

LENA

FIVE

'Tell us about our mother,' Lena and Sibyl begged Hank, almost as soon as they could talk. They were desperate for information about the woman who had died giving birth to them. Hank would always protest – he had a bar to run or a meeting to attend – but eventually he would settle down and recall a summer picnic or a trip to see long-lost relatives. There was always something that happened – a stranger on the side of the road that their mother helped, a relative she nursed back to good health. Angela the Angel always put others ahead of herself. Angela happily gave her life so that her twin daughters would live. Angela was looking down on Sibyl and Lena from heaven.

Even to a child's ears, the stories were unbelievable fairy tales full of goodness and light, but Lena and Sibyl had never tired of hearing about their mother's generosity, her open, loving heart. Sibyl had tried to emulate their mother, to be the sort of person who only saw good in others. For Lena 's part, Angela Adams had been the invisible yardstick, the woman she would never meet and never measure up to.

And now Hank was telling Lena that her mother had not died in childbirth but had been killed by a drug dealer. Not just any drug dealer – Hank's drug dealer.

One of the first things Lena could remember

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