Karin Slaughter - Skin Privilege

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Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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Sara held her tongue, not in the mood for one of her mother's feminist lectures.

Cathy offered, I can come home if you need me.'

Sara nearly dropped the phone. 'No. I'm fine, really. Don't ruin your vacation because of-'

'Shit,' her mother hissed; it was rare that an expletive crossed her lips. I have to go. Your father just set himself on fire.'

'Mama?' Sara pressed the phone to her ear, but her mother had already hung up.

Sara held the phone in her hand, wondering if she should call back, deciding that if something had been really wrong, her mother would have sounded less annoyed. Finally, she returned the phone to the cradle and went over to the large plate glass window looking out into the motel parking lot. Sara had kept the drapes closed most of the morning, thinking sitting alone in the dark room was less bleak than staring out into the empty lot… Now, she opened the polyester drapes a few inches, letting in a thin ray of light.

The table and set of white plastic lawn chairs by the window seemed perfect companions to the dismal view. Sara adjusted the threadbare towel she'd draped over one of the chairs and sat down. Exhaustion overwhelmed her, but the thought of getting back into bed, sliding between the rough, yellowing sheets, was too much to bear.

She had walked across the street earlier in the morning to buy coffee and ended up purchasing some Comet with bleach additive and a sponge that smelled like it had already been used. Her thought had been to tidy the room, or at least make the bathroom less disgusting, but every time she thought about taking the supplies in hand and actually using them, Sara found that she didn't have the energy. What's more, if she was going to clean anything, it should be her own home.

She tried to list the chores she could be doing back in Grant County right now: folding the laundry piled on the bed in the spare room, fixing the leak in the bathroom sink, taking the dogs for a walk around the lake. Of course, the reality was that Sara had done none of these tasks in the weeks since she'd closed the clinic. For the most part, she'd sat around the house brooding about the lawsuit. When her sister called from Atlanta, Sara had talked about the lawsuit. When Jeffrey got home from work, she had talked about the lawsuit.

She had become so obsessed with discussing the suit that finally, her mother had snapped, 'For the love of God, Sara, do something. Even patients in mental homes have to weave baskets.'

Unfortunately, getting out of the house only exacerbated the problem. Whether Sara was at the grocery store or picking up Jeffrey's suits from the cleaners or even raking leaves in the front yard, she had felt people's eyes on her. Not just that, but she'd felt their disapproval. The few times she'd talked to anyone, the conversations had been brief if not downright cold. Sara hadn't told anyone about these exchanges – not Jeffrey, not her family – but she had found herself sinking deeper and deeper into depression with each encounter.

And now, courtesy of Lena Adams, Sara had one more failure to add to her list. How could she have been so easily tricked? How could she have been so utterly idiotic? All night, Sara had tried to parse each moment of her time with Lena, picking apart the seconds, trying to see how she could have acted differently, how she could have changed the outcome. Nothing came to mind except her own glaring stupidity.

Lena had been up on her knees in bed, the restraints keeping her from moving any farther away. As soon as Jeffrey and the sheriff left, she relaxed, her arms going limp.

Sara had studied her, noticed the way the other woman's chest shook with every exhale of breath. 'What's going on, Lena? Why are you so afraid?'

'You have to get out of here. Both of you.' Her voice was quiet, ominous. When she looked up, her eyes seemed to glow with terror. 'You have to get Jeffrey out of here.'

Sara felt her heart stop. 'Why? Is he in danger?'

Lena did not answer. Instead, she looked down at her hands, the tangled sheets. 'Everyone, everything I touch – it all turns to shit. You have to get away from me.'

'Do you really think we're going to abandon you?' Sara had said 'we,' but they both knew that she meant Jeffrey. 'Someone died in that car, Lena. Tell me what happened to you.'

She shook her head, resigned.

' Lena, talk to me.'

Again, no answer came. That must have been when Lena had decided her course of action, that if she could not control Sara, she could at least use her.

'I'm so dirty,' she'd said, her tone of voice indicating the filth was more than skin-deep. I feel so dirty.' She'd looked up at Sara. Tears wet her eyes, and though her voice was more restrained, her hands still shook in her lap. I need to wash off. I have to wash off.'

Sara hadn't even thought about it. She'd walked over to the side of the bed and unstrapped the Velcro restraints. 'You're going to be okay,' she'd promised. 'You need to trust me, or I can get Jeffrey-'

'No,' Lena begged. 'Just… I just need to wash off. Let me…' Her lips trembled. All the fight seemed to be drained out of her. She slid to the edge of the bed, tried to stand on shaky legs. Sara put her arm around the other woman's waist, helped her gain her footing.

Lena had really acted the part, Sara thought. A decided frailty had marked her every move. Nothing about her actions suggested she was capable of climbing on a toilet and pulling herself up into a drop ceiling, let alone eluding a manhunt.

Sara had been completely fooled, walking alongside Lena across the room, keeping her arm out a few inches from the other woman's back in case her support was needed. It was an automatic gesture, the sort of thing you learned your first week as a resident. Sara had escorted her all the way to the bathroom, shuffling her feet to match Lena 's slow gait.

What Sara had been thinking as they walked was that Lena was not a whiner. She was the type of person who would rather bleed to death than admit she had been cut. Sara found herself wondering if maybe the doctors had misdiagnosed Lena, that she should look at the chest X-rays, find a stethoscope, review the drugs that had been administered, run some fluids, do some blood work. Was there brain damage, some kind of shock from the explosion? Had Lena fallen? Hit her head? Had she lost consciousness? Smoke inhalation was deadly, claiming more victims than fire alone. Secondary infections, fluid in the lungs, tissue damage – all sorts of possibilities were flashing through Sara's mind, and she'd realized that without warning, she was thinking like a doctor again. For the first time in months, she felt useful.

Then Lena had stopped her at the door to the bathroom, holding up her hand so that Sara would get the message that she needed privacy. Then, just before shutting the door, Lena had turned to Sara. 'I'm so sorry,' she'd said, her apology seeming so genuine that Sara could not believe this was the same woman who had been almost hysterical with fear and hatred five minutes earlier. 'I'm so, so sorry.'

'It's all right,' Sara had assured her, smiling, letting Lena know that she was no longer alone in this. 'We can talk about it later, okay? We'll get Jeffrey in here and we'll all figure out what to do.'

Lena had nodded, probably not trusting her voice.

'I'll wait out here for you.'

And Sara bad waited, standing outside the door, grinning like a fool, thinking about how much she was going to help Lena. Meanwhile, Lena was probably bolting down the stairs, laughing at how easy Sara had made her escape.

Now, sitting at the plastic table in the dreary motel room, Sara felt her face redden with humiliation.

'Stupid,' she said, standing up before the chair sucked out what little life was left in her.

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