Lisa Scottoline - Lady Killer

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Lady Killer: краткое содержание, описание и аннотация

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From Publishers Weekly
Philadelphia attorney Mary DiNunzio, last seen in Killer Smile (2004), agrees to help her high school nemesis, Trish Gambone, at the start of this less than convincing thriller from bestseller Scottoline. Trish, whom Mary used to regard as the quintessential Mean Girl, has turned in desperation to the lawyer, the all-around Most Likely to Achieve Sainthood at St. Maria Goretti High School, because she wants to escape from her abusive, and possibly Mafia-connected boyfriend, Bobby Mancuso. Trish rejects Mary's practical suggestions for dealing with Bobby, but once Trish disappears, Mary finds herself under pressure from other high school classmates as well as people from her old neighborhood who blame her for not doing enough. Mary unwisely hides a connection with Bobby from the Feds, who then shut her out of the search for Trish when they learn of it. Scottoline fans will cheer Mary as she stumbles toward the solution, but others may have trouble suspending disbelief.
From The Washington Post
Most mysteries have at least two plots: the murder or heist or conspiracy that gets things going, and the quest for a solution. Merging these two lines of action isn't always easy, and bad mystery-writing is often marred by coincidences that strain credulity. In Lady Killer, Lisa Scottoline finesses this problem by setting her tale in Italian-American South Philadelphia, where her protagonist, Mary DiNunzio, grew up and where the victims and suspects still live. If someone pops up at a convenient moment, the reader doesn't wince: Everybody knows everybody else in this tightly knit neighborhood.
Mary herself is one of the nabe's success stories: a lawyer who represents injured and wronged parties from families just like her own. She may be a bit chary of standing up for herself (as her best friend at the firm points out, Mary is enough of a rainmaker to deserve a partnership, but she can't seem to persuade the boss of her worth). In the courtroom, however, she's a tiger.
Having come a long way (figuratively) from South Philly, Mary is not pleased when the Mean Girls stop by her office: first Trish Gambone and later her acolytes, Giulia, Missy and Yolanda, all of whom made life hard for nerds like Mary in their years together at St. Maria Goretti High. They're the ones who dated the Big Men on Campus and mocked the kids who studied and took part in square activities like debate and student journalism, but they're now stuck in low-paying jobs and still wearing the miniskirts and excess makeup of their youth, while Mary flourishes. Even so, seeing them makes Mary wonder if she is "the only person who had post-traumatic stress syndrome – from high school."
Trish drops in on Mary to plead for help in dealing with Bobby, one of those former Big Men, now Trish's boyfriend. Except he has grown up to be a mobster who's in the habit of belting Trish when he gets angry and jealous; he does it craftily, though, giving her blows to the body rather than the face so that she's not a walking billboard for his brutality. Trish is scared that Bobby will carry out his recent threats to kill her, and Mary recommends going to court for a restraining order. Trish vetoes that idea because Bobby has been skimming money from his drug deals, and the notoriety of a court appearance could lead to his being whacked. When Mary can't think of any other solution, Trish walks out of her office in despair.
Shortly afterward, she goes missing, and the other Mean Girls blame Mary for stiffing their friend in her time of need. To make things right, Mary neglects her law practice while chasing leads all over South Philly and beyond.
In the meantime, Mary is getting to know Anthony, a handsome bachelor whose only drawback is that he's gay. This leads to some good quips: "Mary had been on so many blind dates that it was a pleasure to be with a man who had a medical excuse for not being attracted to her." But then new information develops. As Mary and Anthony find themselves having more and more fun together, only the dimmest reader will fail to guess that Anthony's gayness, like Mark Twain's reported death, is greatly exaggerated.
Scottoline brings her characters to vivid life, the two strands of her plot mesh seamlessly, and her sharp sense of humor makes an appearance on almost every page. About the only ingredient missing from her book, however, is a crucial one: suspense. It's a given, of course, that the protagonist/detective will survive in the end, but Mary never runs into any appreciable danger, and her creator fails to impart a sense of menace to the lives of any other characters. Lady Killer ends up being funny and stylish, but almost as cozy as an Agatha Christie novel. That's a hell of a complaint to have to make about a tale of the South Philly mob.

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“Ant, it’s okay. I know you’re gay and I love you anyway.” Elvira gestured at the crowd. “We all know. I told everybody, it’s like Rock Hudson. We’re all fine with it, aren’t we?”

The room murmured in approval, though Mary spotted two members of the Dean Martin Fan Club exchanging looks in the back of the crowd. Everybody Loves Somebody Sometime, but only if the somebodies were a boy and a girl.

“Mom, no.” Anthony laughed. “I’m really not gay. I just like books and wine and opera.”

“That’s not true, son. You don’t have to lie. I like it that you’re gay. It makes me feel special.”

“Listen, I’m straight. I can’t help it. I was born this way.”

“It’s possible, Elvira.” Mary’s father looked over with a half smile, but her lined mouth was set with skepticism.

“No, it’s not. What about Celine Dion? That’s proof!”

Mary saw a chance to broker a settlement. “Elvira, he was gay, but I converted him, and if I keep at it, he’ll stay on the straight and narrow.”

“Right, Ma. All it took was the love of a good woman.” Anthony threw his arm around Mary and gave her a squeeze. “This woman.”

Mary’s parents beamed, and Elvira looked from Anthony to Mary and back again, then broke into a smile.

“That, I can understand,” she said, finally.

CHAPTER FORTY-SEVEN

A pale yellow sun climbed a cloudless sky, and Rittenhouse Square was just beginning to flower, the coldest of March gone for good. The hedges lining the park popped bright green leaves, and the grass, recently seeded, sprouted behind cordons of cotton string. People strode through the park, bearing briefcases and gym bags, full of purpose and caffeine, on their way to work. Mary sat next to Judy on a wooden bench, dressed in a khaki suit, white shirt, brown pumps, and her starter trenchcoat. She was betting it would help get her job back, if she dressed like a mini Bennie Rosato.

“She’ll take you back, I know it,” Judy was saying. “All you have to do is go into her office, sit in a chair, and tell her that you’re sorry.”

“What am I sorry for, again?” Mary kept forgetting.

“You’re sorry for walking out that day.”

“I’m not sorry for that. I’m sorry I lost my job. Does that count?”

“No. You need to say you’re sorry if you want your job back.” Judy looked concerned, which was a neat trick in a jeans jacket and a cherry red minidress, worn with black-and-white-striped leggings and yellow Dr. Martens boots.

“She might not take me back. At the Roundhouse, she barely spoke to me.”

“Don’t worry about it. She’ll come around. She was really upset last week, after she’d come back from court. She won her trial and she still wasn’t happy.” Judy flared her eyes. “Unprecedented.”

“Really.”

“Weird.” Judy nodded.

“She left me no choice but to go,” Mary said, thinking back. “The truth is, I wouldn’t do it any differently.”

“You’re not going to say that.” Judy brushed a spray of bangs out of her eyes. “It sucks working there without you. Anne feels the same way. We want you back.”

“I want to go back. It’s where I belong.”

“Good. Then do it for me. Say the magic words, and Bennie will accept your apology. Even if she’s still mad at you, it makes business sense to take you back.”

“I’ve lost some clients.”

“You’ll get them back and plenty more. In fact, I forgot to tell you, Nunez called this morning and he’s rehiring you.”

“That’s great.” Mary felt her heart lift.

“It’s just the beginning. Of course Bennie will take you back. She just needs to save face, which is why you have to apologize.” Judy pointed her finger. “Say it first. ‘I’m Mary and I’m sorry.’”

“I’m Sorry Mary.”

“Stop joking around.”

“I’ll crawl in on my knees.”

“That works, too.”

“I hear you.” Mary was thinking about Mrs. Foglia and Tony-From-Down-The-Block. “You know, Bennie should apologize to me.”

“Don’t be a baby.”

“I’m just saying. I didn’t do anything wrong and in the end, I caught the bad guy. Even if it wasn’t my job and she was somebody’s mother.” Suddenly Mary wasn’t feeling so strong. She was destroying her own self-confidence. She needed to shut up. “At least I have a boyfriend.”

“True, and he sounds great.”

“He is.” Mary had told Judy every delicious detail. Twice. Of course, she’d never admit as much to Anthony. Not all conspiracies of silence were wrong.

“But now you need a job.”

“Can you believe this? For a long time, I had a job and no boyfriend. Now I have a boyfriend and no job. How do you get both at once?”

“Stand up. We’re going.” Judy rose to her full six feet and checked her ridiculous Swatch watch with the tumbling baby heads. “You meet with her in fifteen minutes.”

“Okay, I’m ready.” Mary rose with a self-assurance she didn’t feel, and Judy raised a hand to slap her five.

“Come on, give it up.”

“No. You always do it too hard.”

“Now. For luck.”

Mary obeyed, and Judy slapped her palm too hard, as she knew she would. “Jude, ouch!”

“Sorry.” Judy threw an arm around her and they joined the flow of the people with jobs, walking to the office down the main diagonal of the park. “It’s nothing compared to what Bennie’s going to do to you.”

“Thanks.”

“I’m kidding. You’ll be fine.”

“You’ll come in if I scream?”

“Goes without saying,” Judy said anyway.

CHAPTER FORTY-EIGHT

M ary lingered at the open door to Bennie’s office while the boss skimmed the newspaper, standing up behind her desk the way she always did, her hands braced on either side of the front page. Even upside down, Mary recognized her own photo below the newspaper fold, and it reminded her of what she’d been through in the past week. For some reason, she felt suddenly impatient.

“Bennie, you ready to see me?” Mary asked, and her voice sounded authoritative, even to her, who knew better.

“DiNunzio.” Bennie looked up pleasantly and motioned her in. She had on a navy suit and white oxford shirt, with her curly hair pulled back into a simple, albeit tangled, low ponytail. “Take a seat.”

“By the way, congratulations on your trial. I forgot to tell you the other night.”

“Thanks,” Bennie said with a smile. She sat down in her desk chair while Mary took a seat opposite her desk, thinking about what Judy had told her.

She just needs to save face, which is why you have to apologize. It has to be the first thing you say.

“I’m pleased with the newspaper coverage, aren’t you?” Bennie asked. “The media attention bodes very well for Trish’s mother. The pressure will build up, especially if the Mob murders stop. So far, so good.”

Apologize. “I thought the same thing.”

“Against my nature to have her confess, but it really did serve the client and the greater good.”

“It did. Thanks for coming to the rescue.” Mary smiled, softening. As angry as Bennie must have been, she dropped everything, no questions asked. “I was so blindsided by her confession. I don’t know what I would have done without you.”

“You’re welcome.” Bennie waved it off. “How was Trish later? She was so upset.”

“She’ll be fine, I think. Her friends will help.” Now. Say it. “I’m sorry about the other day, when I left the office.”

Bennie looked at her for a minute, puckering her mouth slightly, and Mary sensed she was waiting for a second helping of crow.

“I would like to have my job back, if that’s possible.”

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