Lisa Scottoline - Lady Killer

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Lady Killer: краткое содержание, описание и аннотация

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From Publishers Weekly
Philadelphia attorney Mary DiNunzio, last seen in Killer Smile (2004), agrees to help her high school nemesis, Trish Gambone, at the start of this less than convincing thriller from bestseller Scottoline. Trish, whom Mary used to regard as the quintessential Mean Girl, has turned in desperation to the lawyer, the all-around Most Likely to Achieve Sainthood at St. Maria Goretti High School, because she wants to escape from her abusive, and possibly Mafia-connected boyfriend, Bobby Mancuso. Trish rejects Mary's practical suggestions for dealing with Bobby, but once Trish disappears, Mary finds herself under pressure from other high school classmates as well as people from her old neighborhood who blame her for not doing enough. Mary unwisely hides a connection with Bobby from the Feds, who then shut her out of the search for Trish when they learn of it. Scottoline fans will cheer Mary as she stumbles toward the solution, but others may have trouble suspending disbelief.
From The Washington Post
Most mysteries have at least two plots: the murder or heist or conspiracy that gets things going, and the quest for a solution. Merging these two lines of action isn't always easy, and bad mystery-writing is often marred by coincidences that strain credulity. In Lady Killer, Lisa Scottoline finesses this problem by setting her tale in Italian-American South Philadelphia, where her protagonist, Mary DiNunzio, grew up and where the victims and suspects still live. If someone pops up at a convenient moment, the reader doesn't wince: Everybody knows everybody else in this tightly knit neighborhood.
Mary herself is one of the nabe's success stories: a lawyer who represents injured and wronged parties from families just like her own. She may be a bit chary of standing up for herself (as her best friend at the firm points out, Mary is enough of a rainmaker to deserve a partnership, but she can't seem to persuade the boss of her worth). In the courtroom, however, she's a tiger.
Having come a long way (figuratively) from South Philly, Mary is not pleased when the Mean Girls stop by her office: first Trish Gambone and later her acolytes, Giulia, Missy and Yolanda, all of whom made life hard for nerds like Mary in their years together at St. Maria Goretti High. They're the ones who dated the Big Men on Campus and mocked the kids who studied and took part in square activities like debate and student journalism, but they're now stuck in low-paying jobs and still wearing the miniskirts and excess makeup of their youth, while Mary flourishes. Even so, seeing them makes Mary wonder if she is "the only person who had post-traumatic stress syndrome – from high school."
Trish drops in on Mary to plead for help in dealing with Bobby, one of those former Big Men, now Trish's boyfriend. Except he has grown up to be a mobster who's in the habit of belting Trish when he gets angry and jealous; he does it craftily, though, giving her blows to the body rather than the face so that she's not a walking billboard for his brutality. Trish is scared that Bobby will carry out his recent threats to kill her, and Mary recommends going to court for a restraining order. Trish vetoes that idea because Bobby has been skimming money from his drug deals, and the notoriety of a court appearance could lead to his being whacked. When Mary can't think of any other solution, Trish walks out of her office in despair.
Shortly afterward, she goes missing, and the other Mean Girls blame Mary for stiffing their friend in her time of need. To make things right, Mary neglects her law practice while chasing leads all over South Philly and beyond.
In the meantime, Mary is getting to know Anthony, a handsome bachelor whose only drawback is that he's gay. This leads to some good quips: "Mary had been on so many blind dates that it was a pleasure to be with a man who had a medical excuse for not being attracted to her." But then new information develops. As Mary and Anthony find themselves having more and more fun together, only the dimmest reader will fail to guess that Anthony's gayness, like Mark Twain's reported death, is greatly exaggerated.
Scottoline brings her characters to vivid life, the two strands of her plot mesh seamlessly, and her sharp sense of humor makes an appearance on almost every page. About the only ingredient missing from her book, however, is a crucial one: suspense. It's a given, of course, that the protagonist/detective will survive in the end, but Mary never runs into any appreciable danger, and her creator fails to impart a sense of menace to the lives of any other characters. Lady Killer ends up being funny and stylish, but almost as cozy as an Agatha Christie novel. That's a hell of a complaint to have to make about a tale of the South Philly mob.

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“What happened?” Trish asked, with a frown, and Mary’s heart leaped up.

Giulia continued, “Yo was over my house, sometime last year, and she saw your ring in my jewelry box, and she knew it was yours, so she asked could she borrow it. I forget why.” She thought a minute. “It was Halloween, that’s right, and she wanted to be a gypsy for that party at Rock Lobster. Remember when we all went to that party?”

Trish nodded. “Sure, and we got so wasted on the appletinis?”

“Yeah, and I said that’s a good gypsy ring because opals are like crystal balls kinda, and I lent it to Yo without askin’ you.”

Mary almost cried with relief. “So Yolanda has it? Not you?”

“Yeah.” Giulia nodded, her dark curls bouncing. “Now can we go out? Or are you too mad at me, T?”

“I’m not mad, honey,” Trish told her with a soft smile.

So Yolanda did it. But why? The same reason? Loyalty to a girlfriend? Then Mary remembered that Yolanda was always the unhappy one, and she had a gun, too.

“We can ask Yo for it, in a minute.” Giulia gestured behind her. “She’s meetin’ us here, with Missy. I came separate because Joe and me went out to dinner.”

In the next minute, there was the sound of singing in the stairway, and the door opened. Yolanda stuck her head inside, her long hair swinging and a crooked grin on her face. “You guys decent?” she asked, guffawing, then burst unsteadily into the room, her leather coat barely covering a supershort black dress with black suede boots.

Giulia rolled her eyes. “You started drinkin’ already?”

“Okay, so I had a lil’ somethin’ somethin’.” Yolanda grinned. “Don’t worry, Missy’s drivin’. She’s outside, she hadda park.”

“Yo.” Giulia touched her arm. “Can you hear me?”

“Gimme a break. I’m not that out of it.”

“Listen, remember that opal ring?”

“What oval ring?”

“The opal ring I lent you, Trish’s ring. You wore it to the party, last Halloween.”

“At Rock Lobster? When I was the gypsy?”

“Yeah.”

“Told you I’m not that drunk.”

“Whatev. Trish wants her ring back.”

Yolanda blinked, confused.

“Do you have it?”

“No.”

“Did you lose it, you idiot?”

“No.”

“What happened to it?”

“I’m trying to remember.” Yolanda squinted hard. “That was the night with the appletinis, and it was so cold out, and we came back here, right?”

Giulia nodded. “Right, Yo. We came back here because we drank too much and we all crashed in T’s room, right here. We didn’t go back to T’s house because we knew Bobby would throw a fit.” She turned to Trish. “Remember, T? You, me, and Missy slep’ on the floor, and we let Yo have the bed because she passed out and we couldn’t move her?”

Trish kept frowning. “Yeah, I guess. But what happened to my ring, Yo?”

“I took it off in here,” Yolanda answered, pointing at the table. “I put it right under the lamp. I figured you’d see it in the morning. Didn’t you?”

Mary felt stricken, thinking of the implications.

Trish seemed to freeze. “You’re wrong. You didn’t do that.”

“Did, too,” Yolanda said.

“You’re too drunk to remember.”

“I’m not that drunk, and I remember.” Yolanda pointed again at the night table. “I put it right there. I was sure you’d see it. Anybody comin’ into the room woulda seen it. Ask your mom. I’m sure she saw it.”

Giulia looked over, nodding. “Yeah, T, your mom probably found it. I’m sure it’s safe.”

Trish looked stricken, and Mary didn’t know what to say. Suddenly Missy stuck her head in the doorway and called out, “Let’s get this party started!”

Trish scrambled off the bed and onto her feet. “Everybody, go. Now. I don’t wanna go out partyin’. I don’t feel good. I need to just chill, by myself.”

No. Mary rose, facing her. She wasn’t about to leave. “It’s not that easy.”

“Don’t tell me,” Trish shot back, nervous. Her gaze shifted to the girls. “Get out, all of you.”

“What’s goin’ on?” Missy asked, entering the bedroom.

“Get out!” Trish shouted, and Giulia recoiled.

“What’sa matter, T?”

Yolanda shook her head, her expression muzzy. “No way, girl. Time to party.”

“Get out, all of you!” Trish exploded, and the girls jumped, confused. Missy fled outside, followed by Yolanda.

“Jeez, T.” Giulia was bewildered. “All this, ’cause of a ring? What’d I do?”

“Just go, G. You and Mary, get outta my house.” Trish stepped forward suddenly and pushed her.

“What the-” Giulia stumbled back, hurt.

“Go!” Trish screamed, and Giulia’s lined eyes flew wide open.

“Giulia, please go.” Mary gave her the nod, and Giulia headed out the door.

Trish turned on Mary. “You, too. Go.”

“No, Trish.” Mary set her jaw. “I’m not going. This ends here and now.”

“Get out.” Trish shoved Mary against the desk, pushing her off balance, and her arms pinwheeled, knocking the bulletin board off the wall with a loud clunk.

“Trish?” Mrs. Gambone called from downstairs. “What’s goin’ on up there?”

“Ma, don’t come up!” Trish shouted, but Mary grabbed her arm.

“She talks to me or I tell the cops. Which is it?”

“You wouldn’t do that,” Trish shot back, her teeth clenched.

“Come up, Mrs. Gambone,” Mary shouted, going to the door with Trish on her heels.

CHAPTER FORTY-THREE

“W hat’s going on here?” Mrs. Gambone appeared in the doorway. She looked down at the bulletin board on the floor, then up at Trish and Mary in surprise. “Are you fighting?”

“Ma, don’t tell her anything,” Trish said, frantic. “Don’t say anything.”

Mary ignored her. “Mrs. Gambone,” she said, “where is Trish’s opal ring? You had it and the cops found it in the alley, beside Bobby’s-”

“No, Ma, it’s not true,” Trish interrupted, but Mrs. Gambone only blinked in response.

Mary said, “It is true, Mrs. Gambone. Tell me how it got there, in the alley.”

“Ma, no.” Trish wailed and threw her arms around her mother. But Mrs. Gambone stood oddly still, her lined face a mask, and in the next second, her features seemed to surrender, her eyebrows sloping down, her eyelids sagging, and her thin lips drawn at the corners of her mouth.

“I need to sit down,” she said, wearily, and when Trish released her, she walked to the bed.

“Tell me what happened.” Mary pulled up the desk chair, and Mrs. Gambone eased onto the edge of the bed like a much older woman. She folded her hands in her lap, and her shoulders slumped, her chest almost concave in the pink sweatshirt.

Trish sat beside her, her arms around her. “Ma, you don’t have to tell her anything, you know that. They can’t prove anything.”

“Yes, they can.” Mary looked directly at Mrs. Gambone. “They know about the ring. All the girls know Trish didn’t have it. Sooner or later, the truth’s going to come out.”

“No, Ma-,” Trish began, but her mother cut her off with a wave.

“I want to…I just don’t know where to start.”

“Start at the beginning,” Mary answered, her heart beginning to hammer. “That night. Trish’s birthday.”

“No, that’s not the beginning.” Mrs. Gambone shook her head, and Trish seemed to grow still at her side. “The beginning was a long time ago, when Bobby turned on Trish, yellin’ at her, makin’ her miserable. Abusin’ her. That was the beginning.”

“Okay.”

“I couldn’t do anything. Trish couldn’t do anything.” Mrs. Gambone stopped and looked at her daughter with love, then reached out and brushed a stray tendril from her forehead. “Right, baby?”

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