Daniel Silva - Moscow Rules

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Moscow Rules: краткое содержание, описание и аннотация

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The extraordinary new Gabriel Allon novel from the 'gold standard' (The Dallas Morning News) of thriller writers.
Over the course of ten previous novels, Daniel Silva has established himself as one of the world's finest writers of international intrigue and espionage – 'a worthy successor to such legends as Frederick Forsyth and John le Carr' (Chicago Sun-Times) – and Gabriel Allon as 'one of the most intriguing heroes of any thriller series' (The Philadelphia Inquirer).
Now the death of a journalist leads Allon to Russia, where he finds that, in terms of spycraft, even he has something to learn. He's playing by Moscow rules now.
This is not the grim, gray Moscow of Soviet times but a new Moscow, awash in oil wealth and choked with bulletproof Bentleys. A Moscow where power resides once more behind the walls of the Kremlin and where critics of the ruling class are ruthlessly silenced. A Moscow where a new generation of Stalinists is plotting to reclaim an empire lost and to challenge the global dominance of its old enemy, the United States.
One such man is Ivan Kharkov, a former KGB colonel who built a global investment empire on the rubble of the Soviet Union. Hidden within that empire, however, is a more lucrative and deadly business: Kharkov is an arms dealer – and he is about to deliver Russia 's most sophisticated weapons to al- Qaeda. Unless Allon can learn the time and place of the delivery, the world will see the deadliest terror attacks since 9/11 – and the clock is ticking fast.
Filled with rich prose and breathtaking turns of plot, Moscow Rules is at once superior entertainment and a searing cautionary tale about the new threats rising to the East – and Silva's finest novel yet.

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Leach’s star turn was to occur during a matinee performance but was no less significant because of it. For this phase of the operation, Graham Seymour insisted on using Thames House as a command post, and Gabriel, having no other choice, reluctantly agreed. The ops room was a hushed chamber of blinking monitors and twinkling lights, staffed by earnest-looking young men and women whose faces reflected the rainbow racial quilt of modern Britain. Gabriel wore a guest pass that read BLACKBURN: USA. It fooled no one.

At 2:17 P.M., he was informed by Graham Seymour that the stage was now set and the performance ready to commence. Gabriel made one final check of the video monitors and, with several MI5 officers watching expectantly, nodded his head. Seymour leaned forward into a microphone and ordered the curtain to be raised.

He was conservatively dressed and possessed a churchman’s forgiving smile. His card identified him as Jonathan Owens, associate editor of something called the Cambridge Online Journal of Contemporary Art. He claimed to have an appointment. Try as she might, the receptionist in the lobby of Christie’s could find no record of it in her logbook.

“Would it be too much trouble to actually ring him?” the handsome young man asked through a benedictory smile. “I’m sure he’s just forgotten to notify you.”

“I’m sure you’re right,” said the receptionist. “Give me a moment, please.”

She picked up the receiver of her impressive multiline telephone and punched in a four-digit extension. “Owens,” she said, repeating the name for the third time. “ Jonathan Owens… Cambridge Online Journal of Contemporary Art. Youngish chap… Yes, that’s him, Mr. Leach… Quite lovely manners.”

She hung up the phone and handed the young visitor a temporary guest identification badge, which he affixed to the lapel of his suit jacket.

“Third floor, dear. Turn left after you come off the lift.”

He stepped away from the receptionist’s desk and, after clearing a security checkpoint, boarded a waiting elevator. Alistair Leach was waiting in the doorway of his office. He regarded his visitor with a somewhat baleful expression, as though he were a debt collector, which, to some degree, he was.

“What can I do for you, Mr. Owens ?”

Nigel Whitcombe closed the door and handed Leach the script.

“Think you can do it cold, Alistair, or do you want to run through it a time or two?”

“I do this for a living. I think I can manage it on my own.”

“You’re sure, Alistair? We have a lot of time and money invested in this. It’s important you not stumble over your delivery.”

Leach lifted the receiver of his telephone and dialed the number from memory. Ten seconds later, in the opinion of young Nigel Whitcombe, Gabriel’s operation truly took flight.

“Elena, darling. It’s Alistair Leach from Christie’s. Am I catching you at a perfectly dreadful time?”

He hadn’t, of course. In fact, at the moment her mobile rang, Elena Kharkov was having tea with her seven-year-old twins, Anna and Nikolai, at the café atop Harrods department store. She had arrived there after taking the children for a boat ride on the Serpentine in Hyde Park-an idyllic scene that might have been painted by Mary Cassatt herself were it not for the fact that Mrs. Kharkov and her children were shadowed the entire time by two additional boats filled with Russian bodyguards. They were with her now, seated at an adjacent table, next to several veiled Saudi women and their African servants. The telephone itself was in a rather smart Italian leather handbag; withdrawing it, she appeared to recognize the number in the caller ID screen and was already smiling when she lifted the phone to her ear. The conversation that followed was forty-nine seconds in length and was intercepted at multiple transmission points and by multiple services, including the U.S. National Security Agency, Britain’s GCHQ, and even by the Russian eavesdropping service, which made nothing of it. Gabriel and Graham Seymour listened to it live by means of a direct tap on Leach’s line at Christie’s. When the connection went dead, Gabriel looked at one of the technicians-Marlowe or Mapes, he could never be certain which was which-and asked him to play it again.

Elena, darling, it’s Alistair Leach. Am I catching you at a perfectly dreadful time?”

"Of course not, Alistair. What can I do for you?”

"Actually, darling, it’s what I can do for you. I’m pleased to say that I have some extremely interesting news about our mutual friend, Madame Cassatt.”

“What sort of news?”

“It seems our man may have had a change of heart. He rang me this morning to say he’s interested in discussing a sale. Shall I call you later or would you like to hear the rest now?”

“Don’t be a tease, Alistair! Tell me everything.”

“He says he’s had a chance to reconsider. He’s says if the price is right, he’ll let it go.”

“How much does he want for it?”

“In the neighborhood of two and a half, but you might be able to do a bit better than that. Between us, Elena, his finances aren’t what they once were.”

“I’m not going to take advantage of him.”

“Of course you are, darling. You’re the one with the money.”

“Are you sure about the attribution and the provenance?”

“Signed, dated, and airtight.”

“When can I see it?”

“That’s completely up to you.”

“Tomorrow, Alistair. Definitely tomorrow.”

“I’ll have to check to see if he’s free, but I suspect he’ll be able to squeeze you in. His funds aren’t unlimited, but time is something he has in plentiful supply.”

“Can you reach him now?”

“I’ll try, love. Shall I call you back this afternoon or would you rather it wait till morning?”

“Call me right away! Ciao, Alistair!”

The technician clicked the PAUSE icon. Graham Seymour looked at Gabriel and smiled.

“Congratulations, Gabriel. Looks like you’ve managed to get your hooks in her.”

“How long is it going to take her to get from Knightsbridge to Havermore?”

“The way those Russians drive? No more than two hours door to door.”

“And you’re sure about Ivan’s schedule?”

“You’ve heard the intercepts yourself.”

“Humor me, Graham.”

“He’s got a delegation of City investment bankers coming to Rutland Gate for lunch at one. Then he’s got a four o’clock conference call with Zurich. He’ll be tied up all afternoon.”

A voice crackled over the monitors. It was one of the watchers at Harrods. Elena had asked for the check. The bodyguards were setting a perimeter. Departure imminent.

“Call her back,” Gabriel said. “Tell her to come at four. Tell her not to be late.”

“Shall we do it now or should we make her wait?”

“She has enough stress in her life, don’t you think?”

Seymour snatched up the phone and dialed.

Whitcombe’s mobile purred. He listened in silence for a moment, then looked at Alistair Leach.

"The reviews are in, Alistair. Looks like we’ve got a smash hit on our hands.”

“What now?”

Whitcombe answered. Leach pressed the REDIAL button and waited for Elena’s voice to come back on the line.

It was 5:30 that same evening when Mrs. Devlin entered the library at Havermore, bearing a silver tray with a glass of whiskey in the center of it. Sir John was reading the Telegraph . He always read the Telegraph at this time of day; like most idle men, he kept to a strict regime. He took a single sip of the whiskey and watched while Mrs. Devlin began straightening the books and papers on his desk. “ Leave it, Lillian,” he said. “Whenever you clean my library, I spend the next week searching for my things.”

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