Daniel Silva - The English Assassin

Здесь есть возможность читать онлайн «Daniel Silva - The English Assassin» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Триллер, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The English Assassin: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The English Assassin»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Amazon.com Review
The English Assassin brings back Gabriel Allon, the appealingly melancholy art restorer with a double life as an Israeli secret agent, first introduced in 2000's The Kill Artist. Gabriel is sent to Zurich under a pseudonym to restore a Raphael belonging to a prominent Swiss banker and art collector, Augustus Rolfe, but upon arriving he finds Rolfe lying in a pool of blood. When Gabriel tries to leave Zurich, the Swiss police capture him immediately-and moreover, they know his real identity. He's released through some diplomatic string-pulling, but he soon discovers that Rolfe had requested a meeting with Israeli intelligence, for reasons unknown, just before his death.
Rolfe's daughter, Anna, is a world-class violinist attempting to rebuild her career after an accident that nearly destroyed one of her hands. But her physical scars are nothing compared to those on her psyche, left by her mother's suicide when Anna was a teenager. Temperamental and mistrustful, she nevertheless believes Gabriel's story, and reveals that Rolfe owned a secret collection of priceless French Impressionist paintings, apparently stolen by his murderers.
As Gabriel begins to put together the pieces of the puzzle, he faces two adversaries: a powerful group of men who would do anything to bury the past forever, and a hired killer who's planning a spectacular murder. Like The Kill Artist, The English Assassin balances fascinating characters, authentic-sounding historical detail, and plenty of glamorous international intrigue on the edge of a knife-keen plot. – Barrie Trinkle
From Publishers Weekly
Switzerland 's shameful behavior in WWII provides the backdrop for this superbly crafted thriller that puts Silva at the forefront of his generation of foreign intrigue specialists. Here, the former CNN correspondent also appears to have settled on a main character to propel his promising line Gabriel Allon, the art restorer and Israeli hit man who starred in last year's acclaimed The Kill Artist. Just a few pages into this sequel, Allon finds himself the apparent victim of a double cross. When he arrives to restore a Raphael owned by reclusive Swiss banker Augustus Rolfe, Allon not only discovers the banker dead but finds himself the number one suspect. The charge doesn't stick, however, and when he is released from custody, he vows to find out who tried to frame him. His first stop is Rolfe's daughter, Anna, one of the world's top violinists and a woman haunted by her family's heritage of wartime greed and cruelty. Allon catches the attention of Switzerland 's secretive power structure, which intends to stymie any further investigation into Rolfe's murder and the theft of his suspiciously acquired art collection. The so-called Council of R�tli contracts with a shadowy hit man, known only as the Englishman, to eliminate Allon and anyone else who threatens to expose Switzerland 's past. The action unfolds in tightly focused scenes played out across a spectrum of European capitals and more pastoral settings. As a historical framework, the secrets of the Bahnhofstrasse are well-trod territory, yet Silva's sophisticated treatment polished prose, an edgy mood, convincing research gives his plot a crisp, almost urgent quality. Agent, Esther Newberg of ICM. 100,000 first printing; $100,000 national advertising campaign.

The English Assassin — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The English Assassin», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

“He’s in Geneva tonight. I’m just staying at his flat.”

He wondered who her boyfriend was and which flat she was staying in. He allowed himself to picture a brief and all-too-hurried sexual encounter. Then his fatigue crept up on him and chased away all thoughts of conquest. This time it was Peterson who pressed the call button and Peterson who muttered a curse.

“It’s never going to come.” She pulled a pack of cigarettes from her coat pocket. Removing one, she placed it between her lips and flicked her lighter. When no flame appeared, she flicked it several more times, then said, “Shit. I guess this isn’t my night.”

“Here, let me.” Peterson’s lighter expelled a tongue of blue and yellow flame. He held it in place and allowed the woman to take it as she saw fit. As she inserted the end of her cigarette into the fire, her fingers lightly caressed the back of his hand. It was a deliberately intimate gesture, one that sent a charge of current up the length of his arm.

So powerful was the effect of her touch that Peterson failed to notice that she had raised her cigarette lighter very close to his face. Then she squeezed the hammer, and a cloud of sweet-smelling chemical filled his lungs. His head snapped back and he stared at the woman, eyes wide, barely comprehending. She tossed her cigarette to the floor and pulled a gun from her handbag.

The gun wasn’t necessary, because the chemical had its intended effect. Peterson’s legs turned to water, the room started to spin, and he could feel the floor rushing up to embrace him. He feared he was going to strike his head, but before his legs buckled completely, a man appeared in the vestibule and Peterson folded into his arms.

Peterson had a glimpse of his savior’s face as he was dragged from the vestibule and hurled into the back of a paneled van. It was rabbinical and studious and strangely gentle. Peterson tried to thank him, but when he opened his mouth to speak he blacked out.

41

MALLES VENOSTA, ITALY

GERHARDT PETERSON FELT as though he were rising from the depths of an Alpine lake. Upward he came, through layers of consciousness, pockets of warm water and cold, until his face broke the surface and he filled his lungs with air.

He found himself not in the Alpine lake of his dreams but in a cold cellar with a terra-cotta floor and rough whitewashed stucco walls. Above his head was a small window, set in an alcove at ground level, and through it streamed a weak sienna light. For a moment he struggled to orient himself in time and space. Then he remembered the dark-haired woman at the elevator; the ruse with the cigarette; her hand touching his as she sprayed a sedative into his face. He felt suddenly embarrassed. How could he have been so weak? So vulnerable? What signals had he given off that made them come after him with a woman?

The throbbing pain in Peterson’s head was uncharted territory, something between trauma and a torrential hangover. His mouth seemed filled with sand, and he was violently thirsty. He was stripped to his briefs, bound by packing tape at the ankles and wrists, his bare back propped against the wall. The fragile appearance of his own body shocked him. His pale hairless legs stretched before him, toes pointed inward, like the legs of a dying man. A layer of flab hung over the waistband of his briefs. He was painfully cold.

They had permitted him to retain his watch, but the crystal was smashed and it no longer kept time. He studied the light leaking through his window and decided it was the light of sunset. He worked out the time, though even this simple problem caused his head to pound. They had taken him shortly before midnight. He guessed it was now five or six in the afternoon of the following day. Eighteen hours. Had he been unconscious for eighteen hours? That would explain his thirst and the unbearable stiffness in his back and joints.

He wondered where they had taken him. The quality of light and air was no longer Swiss. For a moment he feared they had spirited him to Israel. No, he’d be in a proper cell in Israel, not a cellar. He was still close to Switzerland. France, maybe. Perhaps Italy. The Jews liked the south of Europe. They blended in well.

There was another scent that took him a few moments to place: incense and sandalwood, a woman’s fragrance. And then he remembered: outside the elevator in Zurich; the hand of the woman who had sedated him. But why was her scent on him? He looked down at the skin covering his rib cage and saw four red lines: scratches. His underwear was stained, and there was a cracking stickiness at his crotch. What had they done to him? Eighteen hours, powerful drugs…

Peterson fell sideways and his cheek struck the cold terra-cotta floor. He retched. Nothing came up, but his nausea was intense. He was sickened by his own weakness. He felt suddenly like a rich man who gets into trouble in a poor neighborhood. All his money, all his culture and superiority-his Swissness -meant nothing now. He was beyond the protective walls of his Alpine Redoubt. He was in the hands of people who played the game by very different rules.

He heard footsteps on the staircase. A man entered, small and dark, with a quickness that suggested hidden strength. He seemed annoyed that Peterson had regained consciousness. In his hand was a silver pail. He lifted it with both hands and showered Peterson with ice-cold water.

The pain was intense, and Peterson screamed in spite of himself. The little man knelt beside him and rammed a hypodermic needle into Peterson’s thigh, so deep it seemed to strike bone, and once more Peterson slid benevolently below the surface of his lake.

WHEN Gerhardt Peterson was a boy, he had heard a story about some Jews who had come to his family’s village during the war. Now, in his drug-induced coma, he dreamed of the Jews again. According to the story, a family of Jews, two adults and three children, had crossed into Switzerland from unoccupied France. A farmer took pity on them and gave them shelter in a tiny outbuilding on his property. An officer from the cantonal police learned there were Jews hiding in the village but agreed to keep their presence a secret. But someone in the village contacted the federal police, who descended on the farm the next day and took the Jews into custody. It was the policy of the government to expel illegal immigrants back into the country from which they had made their unlawful border crossing. These Jews had crossed into Switzerland from the unoccupied south of France, but they were taken to the border of occupied France and driven into the waiting arms of a German patrol. The Jews were arrested, placed on a train to Auschwitz, and gassed.

At first, Gerhardt Peterson had refused to believe the story. In school he had been taught that Switzerland, a neutral country during the war, had opened its borders to refugees and to wounded soldiers-that it been Europe ’s Sister of Mercy, a motherly bosom in the heart of a continent in turmoil. He went to his father and asked him whether the story about the Jews was true. At first his father refused to discuss it. But when young Gerhardt persisted, his father relented. Yes, he said, the story was true.

“Why does no one talk about it?”

“Why should we talk about it? It’s in the past. Nothing can be done to change it.”

“But they were killed. They died because of someone in this village.”

“They were here illegally. They came without permission. And besides, Gerhardt, we didn’t kill them. It was the Nazis who murdered them. Not us!”

“But Papa-”

“Enough, Gerhardt! You asked me if it was true, and I gave you an answer. You are never to discuss it again.”

“Why, Papa?”

His father did not answer him. But even then Gerhardt Peterson knew the answer. He was not to discuss the matter further because in Switzerland, one doesn’t discuss unpleasant matters from the past.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The English Assassin»

Представляем Вашему вниманию похожие книги на «The English Assassin» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Daniel Silva - The Fallen Angel
Daniel Silva
Daniel Silva - The Unlikely Spy
Daniel Silva
Daniel Silva - The Rembrandt Affair
Daniel Silva
Daniel Silva - The defector
Daniel Silva
libcat.ru: книга без обложки
Daniel Silva
Daniel Silva - The Secret Servant
Daniel Silva
Daniel Silva - The Messenger
Daniel Silva
Daniel Silva - The Kill Artist
Daniel Silva
Daniel Silva - The Heist
Daniel Silva
Daniel Silva - The English Spy
Daniel Silva
Daniel Silva - The Black Widow
Daniel Silva
Daniel Silva - The English Girl
Daniel Silva
Отзывы о книге «The English Assassin»

Обсуждение, отзывы о книге «The English Assassin» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x