Daniel Silva - The English Assassin

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Amazon.com Review
The English Assassin brings back Gabriel Allon, the appealingly melancholy art restorer with a double life as an Israeli secret agent, first introduced in 2000's The Kill Artist. Gabriel is sent to Zurich under a pseudonym to restore a Raphael belonging to a prominent Swiss banker and art collector, Augustus Rolfe, but upon arriving he finds Rolfe lying in a pool of blood. When Gabriel tries to leave Zurich, the Swiss police capture him immediately-and moreover, they know his real identity. He's released through some diplomatic string-pulling, but he soon discovers that Rolfe had requested a meeting with Israeli intelligence, for reasons unknown, just before his death.
Rolfe's daughter, Anna, is a world-class violinist attempting to rebuild her career after an accident that nearly destroyed one of her hands. But her physical scars are nothing compared to those on her psyche, left by her mother's suicide when Anna was a teenager. Temperamental and mistrustful, she nevertheless believes Gabriel's story, and reveals that Rolfe owned a secret collection of priceless French Impressionist paintings, apparently stolen by his murderers.
As Gabriel begins to put together the pieces of the puzzle, he faces two adversaries: a powerful group of men who would do anything to bury the past forever, and a hired killer who's planning a spectacular murder. Like The Kill Artist, The English Assassin balances fascinating characters, authentic-sounding historical detail, and plenty of glamorous international intrigue on the edge of a knife-keen plot. – Barrie Trinkle
From Publishers Weekly
Switzerland 's shameful behavior in WWII provides the backdrop for this superbly crafted thriller that puts Silva at the forefront of his generation of foreign intrigue specialists. Here, the former CNN correspondent also appears to have settled on a main character to propel his promising line Gabriel Allon, the art restorer and Israeli hit man who starred in last year's acclaimed The Kill Artist. Just a few pages into this sequel, Allon finds himself the apparent victim of a double cross. When he arrives to restore a Raphael owned by reclusive Swiss banker Augustus Rolfe, Allon not only discovers the banker dead but finds himself the number one suspect. The charge doesn't stick, however, and when he is released from custody, he vows to find out who tried to frame him. His first stop is Rolfe's daughter, Anna, one of the world's top violinists and a woman haunted by her family's heritage of wartime greed and cruelty. Allon catches the attention of Switzerland 's secretive power structure, which intends to stymie any further investigation into Rolfe's murder and the theft of his suspiciously acquired art collection. The so-called Council of R�tli contracts with a shadowy hit man, known only as the Englishman, to eliminate Allon and anyone else who threatens to expose Switzerland 's past. The action unfolds in tightly focused scenes played out across a spectrum of European capitals and more pastoral settings. As a historical framework, the secrets of the Bahnhofstrasse are well-trod territory, yet Silva's sophisticated treatment polished prose, an edgy mood, convincing research gives his plot a crisp, almost urgent quality. Agent, Esther Newberg of ICM. 100,000 first printing; $100,000 national advertising campaign.

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Drawing his Beretta, he opened the door to the dressing room and looked out. Zaccaria Cordoni spotted him and hurried down the corridor to see what was the matter. Gabriel slipped the Beretta back into his pocket.

“Where’s the man who was outside this door before the recital?”

“What man?”

“The security guard in the burgundy-colored jacket. Where is he now?”

“I have no idea. Why?”

“Because someone came into this room while Anna was onstage.”

“Was any harm done?”

“He left a note.” Gabriel held up the coral charm. “And this.”

“May I see that?”

Gabriel handed the necklace to Cordoni, who turned it over in his hand and smiled.

“You know what that is?”

“Yes, I think I do. It’s harmless.”

“What is it?”

“A long time ago, we Cordonis used to be Corsicans. My great-grandfather came to Italy and started the Venetian branch of the family, but I still have distant relatives living in a valley on the southern end of the island.”

“What does that have to do with the pendant?”

“It’s a talisman, a Corsican good-luck charm. Corsican men wear them. They believe it wards off the evil eye-the occhju, as Corsicans refer to it.” Cordoni handed it back to Gabriel. “Like I said, it’s harmless. Someone was just giving Miss Rolfe a gift.”

“I wish it was that simple.” Gabriel slipped the talisman into his pocket next to the Beretta, then looked at Cordoni. “Where’s the man who was standing outside this door?”

THE Englishman spotted the water taxi bobbing in the Rio di San Polo beneath the shelter of a footbridge. Rossetti’s man sat behind the wheel wearing a hooded anorak. The Englishman boarded the taxi and ducked into the cabin.

Rossetti’s man opened the throttle. The boat grumbled and shuddered, then got under way. A moment later, they were cruising along the Grand Canal at speed. The Englishman rubbed a clear spot in the condensation and looked out at the passing scenery for a few moments. Then he drew the curtains.

He pulled off the black quilted jacket, then removed the burgundy blazer and rolled it into a ball. Ten minutes later, he opened the cabin window and cast the blazer upon the black water of the lagoon.

He stretched out on the bench seat, thinking of the story he would concoct for Anton Orsati. He reached up to his throat for his talisman. He felt naked without it. In the morning, when he was back on Corsica, he would visit the old signadora and she would give him a new one.

40

ZURICH

GERHARDT PETERSON’S OFFICE was in darkness except for the small halogen lamp that cast a disk of light over his desk. He had stayed late because he had been expecting a telephone call. He was not sure who would place the call-perhaps the Venice municipal police; perhaps the carabiniere -but he had been quite certain it would come. Sorry to bother you so late, Herr Peterson, but I’m afraid there’s been a terrible tragedy in Venice tonight concerning the violinist Anna Rolfe…

Peterson looked up from his files. Across the room, a television flickered silently. The late national newscast was nearly over. The important stories from Bern and Zurich had been covered, and the program had deteriorated into the mindless features and lighter fare that Peterson usually ignored. Tonight, though, he turned up the volume. As expected, there was a story about Anna Rolfe’s triumphant return to the stage that evening in Venice.

When it was over, Peterson switched off the television and locked his files away in his personal safe. Perhaps Anton Orsati’s assassin had been unable to carry out his assignment because Anna Rolfe was too heavily protected. Perhaps he’d gotten cold feet. Or perhaps they were dead and the bodies simply hadn’t been discovered yet. His instincts told him that this was not the case; that something had gone wrong in Venice. In the morning, he would contact Orsati through the usual channels and find out what had happened.

He slipped some papers into his briefcase, extinguished the desk lamp, and went out. Peterson’s seniority permitted him to park his Mercedes in the cobblestone courtyard instead of the distant staff lot adjacent to the rail yard. He had instructed the security staff to keep a special watch on his car. He had not told them why.

He drove south along the Sihl River. The streets were nearly deserted: here a lone taxi; here a trio of guest workers waiting for a streetcar to take them back to their crowded flats in Aussersihl or the Industrie-Quartier. It was the responsibility of Peterson’s staff to make certain they didn’t make trouble there. No plots against the despot back home. No protests against the Swiss government. Just do your job, collect your check, and keep your mouth shut. Peterson considered the guest workers a necessary evil. The economy couldn’t survive without them, but it sometimes seemed the Swiss were outnumbered in Zurich by the damned Portuguese and Pakistanis.

He glanced again into his rearview mirror. It seemed he was not being tailed, though he could not be certain. He knew how to follow a man, but his training in the detection and evasion of surveillance had been rudimentary.

He drove through the streets of Wiedikon for twenty minutes, then over to the Zürichsee to the garage of his apartment house. After passing through the metal security gate, he waited just on the other side to make certain no one came after him on foot. Down the twisting passage he drove to his reserved parking space. His flat number, 6C, was stenciled onto the wall. He pulled into the space and shut down the lights, then the motor. And there he sat for a long moment, hands choking the wheel, heart beating a little too quickly for a man of his age. A very large drink was in order.

He walked slowly across the garage, suddenly bone-weary. He passed through a doorway and entered the vestibule where a lift would carry him up to his flat. Standing before the closed stainless-steel doors, head craning to watch the progress of the glowing floor numbers, was a woman.

She pressed the call button several times and cursed loudly. Then, taking note of Peterson’s presence, she turned and smiled apologetically. “I’m sorry, but I’ve been waiting for the damned lift for five minutes. I think there must be something wrong with the fucking thing.”

Perfect Züridütsch, thought Peterson. She was no foreigner. Peterson quickly assessed her with his practiced eye. She was dark-haired and pale-skinned, a combination that he had always found terribly attractive. She wore a pair of blue jeans that accentuated her long legs. Beneath her leather jacket was a black blouse, unbuttoned just enough to reveal the lace of her brassiere. Attractive, fine-boned, but not the kind of beauty that would turn heads on the Bahnhofstrasse. Young but not inappropriately so. Early thirties. Thirty-five at the outside.

She seemed to sense Peterson’s careful appraisal, because she held his gaze with a pair of mischievous gray eyes. It had been six months since his last affair, and it was time for another. His last mistress had been the wife of a distant colleague, a man from the fraud division. Peterson had managed it well. It had been rewarding and pleasant for a time, and when it was time for it to end, it dissolved without rancor or remorse.

He managed a smile in spite of his fatigue. “I’m sure it’ll be along in a moment.”

“I don’t think so. I think we’re going to be trapped here all night.”

The suggestiveness of her remark could not be missed. Peterson decided to play along to see how far it would go. “Do you live in this building?”

“Boyfriend.”

“Surely your boyfriend will send help eventually, don’t you think?”

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