Daniel Silva - The English Assassin

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Amazon.com Review
The English Assassin brings back Gabriel Allon, the appealingly melancholy art restorer with a double life as an Israeli secret agent, first introduced in 2000's The Kill Artist. Gabriel is sent to Zurich under a pseudonym to restore a Raphael belonging to a prominent Swiss banker and art collector, Augustus Rolfe, but upon arriving he finds Rolfe lying in a pool of blood. When Gabriel tries to leave Zurich, the Swiss police capture him immediately-and moreover, they know his real identity. He's released through some diplomatic string-pulling, but he soon discovers that Rolfe had requested a meeting with Israeli intelligence, for reasons unknown, just before his death.
Rolfe's daughter, Anna, is a world-class violinist attempting to rebuild her career after an accident that nearly destroyed one of her hands. But her physical scars are nothing compared to those on her psyche, left by her mother's suicide when Anna was a teenager. Temperamental and mistrustful, she nevertheless believes Gabriel's story, and reveals that Rolfe owned a secret collection of priceless French Impressionist paintings, apparently stolen by his murderers.
As Gabriel begins to put together the pieces of the puzzle, he faces two adversaries: a powerful group of men who would do anything to bury the past forever, and a hired killer who's planning a spectacular murder. Like The Kill Artist, The English Assassin balances fascinating characters, authentic-sounding historical detail, and plenty of glamorous international intrigue on the edge of a knife-keen plot. – Barrie Trinkle
From Publishers Weekly
Switzerland 's shameful behavior in WWII provides the backdrop for this superbly crafted thriller that puts Silva at the forefront of his generation of foreign intrigue specialists. Here, the former CNN correspondent also appears to have settled on a main character to propel his promising line Gabriel Allon, the art restorer and Israeli hit man who starred in last year's acclaimed The Kill Artist. Just a few pages into this sequel, Allon finds himself the apparent victim of a double cross. When he arrives to restore a Raphael owned by reclusive Swiss banker Augustus Rolfe, Allon not only discovers the banker dead but finds himself the number one suspect. The charge doesn't stick, however, and when he is released from custody, he vows to find out who tried to frame him. His first stop is Rolfe's daughter, Anna, one of the world's top violinists and a woman haunted by her family's heritage of wartime greed and cruelty. Allon catches the attention of Switzerland 's secretive power structure, which intends to stymie any further investigation into Rolfe's murder and the theft of his suspiciously acquired art collection. The so-called Council of R�tli contracts with a shadowy hit man, known only as the Englishman, to eliminate Allon and anyone else who threatens to expose Switzerland 's past. The action unfolds in tightly focused scenes played out across a spectrum of European capitals and more pastoral settings. As a historical framework, the secrets of the Bahnhofstrasse are well-trod territory, yet Silva's sophisticated treatment polished prose, an edgy mood, convincing research gives his plot a crisp, almost urgent quality. Agent, Esther Newberg of ICM. 100,000 first printing; $100,000 national advertising campaign.

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There were Shimon and Ilana. Playing the parts of French newlyweds, they had driven to Venice from the Cote d’Azur. They were dark-eyed and olive-skinned, equal in height and nearly equal in physical beauty. They had trained together at the Academy, and their relationship was strained when Ilana bested Shimon on the shooting range and broke his collarbone during a session on the foam-rubber mats in the gymnasium.

There were Yitzhak and Moshe. In an accommodation to the realities of relationships in the modern world, they posed as a gay couple from Notting Hill, even though both were quite the other thing, Yitzhak aggressively so.

There was Deborah from the Ottawa station. Gabriel had worked with her on the Tariq operation and was so impressed with her performance that he had insisted she be a part of the Venice team. Shamron had balked at first, but when Gabriel refused to back down, he put her on the next plane from Ottawa and concocted a compelling lie for her section chief.

Seated next to her on the sofa, his leg hanging suggestively over the armrest, was Jonathan. Taciturn and bored, he had the air of a man kept waiting in a doctor’s office for a routine physical he did not need. He was a younger version of Gabriel-Gabriel before Vienna perhaps. “He takes his killing seriously,” Shamron had said. “But he’s no gunslinger. He has a conscience, like you. When it’s over, and everyone’s safe, he’ll find a nice quiet toilet where he can throw up his guts.” Gabriel found this element of Jonathan’s character reassuring, as Shamron knew he would.

The session lasted one hour and fifteen minutes, though why Gabriel made a note of this fact he did not know. He had chosen to conduct that day’s run in Castello, the sestiere which lay just to the east of the Basilica San Marco and the Doge’s Palace. He had lived in Castello when he was serving his apprenticeship and knew the tangled streets well. Using a hotel pencil as a pointer, he plotted his route and choreographed the movements of the team.

To cover the sound of his instructions, he played a recording of German dances by Mozart. This seemed to darken Jonathan’s mood. Jonathan reviled all things German. Indeed, the only people he hated more than the Germans were the Swiss. During the war, his grandfather had tried to preserve his money and heirlooms by entrusting them to a Swiss banker. Fifty years later, Jonathan had tried to gain access to the account but was told by an officious clerk that the bank first required proof that Jonathan’s grandfather was indeed dead. Jonathan explained that his grandfather had been murdered at Treblinka-with gas manufactured by a Swiss chemical company, he had been tempted to say-and that the Nazis, while sticklers for paperwork, had not been thoughtful enough to provide a death certificate. Sorry, the clerk had said. No death certificate, no money.

When Gabriel finished his instructions, he opened a large stainless-steel suitcase and gave a secure cell phone and a nine-millimeter Beretta to each member of the team. When the guns were out of sight again, he walked upstairs, collected Anna from the bedroom, and brought her down to meet Team Giorgione for the first time. Shimon and Ilana stood and applauded quietly. Slipping into character, Yitzhak and Moshe commented on the cut of her fashionable leather boots. Deborah eyed her jealously. Only Jonathan seemed to have no interest in her, but Jonathan was to be forgiven, for by then he had eyes only for the assassin known as the Englishman.

TEN minutes later, Gabriel and Anna were walking along the Calle dell’Ascencione. The other members of the team had gone before them and taken up their positions-Jonathan to the San Marco vaporetto stop, Shimon and Ilana to look at shoes in the shop windows of the Calle Frezzeria, Yitzhak and Moshe to a table at Caffé Quadri in the Piazza San Marco. Deborah, the baby of the group, was given the unenviable assignment of feeding cracked corn to the pigeons in the shadow of the campanile tower. With admirable forbearance, she allowed the beasts to climb onto her shoulders and roost in her hair. She even found a handsome carabiniere to take her photograph with the disposable camera she’d purchased from a kiosk in the center of the square.

As Gabriel and Anna entered the piazza, a thin rain was falling, like mist from a room vaporizer. The forecast called for more heavy weather in the next two days, and there were fears of a severe acqua alta. Work crews were erecting a network of elevated duckboards, so that the tourist trade could continue when the lagoon tide turned San Marco into a shallow lake.

Anna wore a car-length quilted jacket, chunky enough to conceal the Kevlar vest beneath. Her hood was up, and she wore sunglasses in spite of the sunless afternoon sky. Gabriel was vaguely aware of Jonathan at his heels, a tourist guidebook open in his palms, his eyes flickering about the square. He glanced to his left and saw Shimon and Ilana strolling beneath the arcade. Hundreds of café tables receded into the distance like the ranks of an army on parade. The basilica floated before them, the great domes etched against the leaden sky.

Anna threaded her arm through Gabriel’s. It was a wholly spontaneous gesture, neither too intimate nor too detached. They might have been friends or professional colleagues; they might have just completed the act of love. No one would have been able to tell how she felt by the way she touched him. Only Gabriel could, and that was only because he could feel a slight tremor in her body and the powerful fingers of her left hand digging into the tendons of his arm.

They took a table at Caffé Florian beneath the shelter of the arcade. A quartet played Vivaldi rather poorly, which drove Anna to distraction. Shimon and Ilana had walked the length of the square and were pretending to gaze upon the lions in the Piazzetta dei Leoncini. Yitzhak and Moshe remained at their table on the opposite side of the piazza, while Deborah continued to be mauled by the pigeons. Jonathan sat down a few feet from Gabriel.

Anna ordered the coffees. Gabriel pulled out his telephone and checked in with each component of his team, beginning with Yitzhak and ending with a distraught Deborah. Then he pocketed the phone, caught Jonathan’s eye, and shook his head once.

They remained in place while Anna finished her coffee. Then Gabriel asked for the check, a signal to the rest of the team that the second act was about to begin. Jonathan did the same. Even though he was on Shamron’s expense account, his face revealed his disgust at the outrageous sum they were asking for a cappuccino and a bottle of mineral water.

Five minutes later, Team Giorgione was drifting in formation over the Ponte della Paglia into the sestiere of Castello-first Shimon and Ilana, then Yitzhak and Moshe, then Gabriel and Anna. Jonathan hovered a few feet from Gabriel’s back, though by now he had put away his tourist guide and had his fingers wrapped tightly around the butt of his Beretta.

AND forty yards behind them all was the Englishman. Two questions played in his thoughts. Why was the girl who had been feeding the pigeons in San Marco now walking five paces behind Gabriel Allon? And why was the man who had been seated near Allon at Caffé Florian walking five paces ahead of her?

The Englishman was well-versed in the art of countersurveillance. Anna Rolfe was under the protection of a skilled and professional service. But then that’s the way Allon would play it. The Englishman had studied at his feet; knew the way he thought. The Gabriel Allon that the Englishman met in Tel Aviv would never go out for a stroll without a purpose, and the purpose of this one was to expose the Englishman.

On the Riva degli Schiavoni, the Englishman bought a postcard from a tourist kiosk and watched Allon and Anna Rolfe disappear into the streets of Castello. Then he turned in the other direction and spent the next two hours walking slowly back to his hotel.

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