Daniel Silva - The English Assassin

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Amazon.com Review
The English Assassin brings back Gabriel Allon, the appealingly melancholy art restorer with a double life as an Israeli secret agent, first introduced in 2000's The Kill Artist. Gabriel is sent to Zurich under a pseudonym to restore a Raphael belonging to a prominent Swiss banker and art collector, Augustus Rolfe, but upon arriving he finds Rolfe lying in a pool of blood. When Gabriel tries to leave Zurich, the Swiss police capture him immediately-and moreover, they know his real identity. He's released through some diplomatic string-pulling, but he soon discovers that Rolfe had requested a meeting with Israeli intelligence, for reasons unknown, just before his death.
Rolfe's daughter, Anna, is a world-class violinist attempting to rebuild her career after an accident that nearly destroyed one of her hands. But her physical scars are nothing compared to those on her psyche, left by her mother's suicide when Anna was a teenager. Temperamental and mistrustful, she nevertheless believes Gabriel's story, and reveals that Rolfe owned a secret collection of priceless French Impressionist paintings, apparently stolen by his murderers.
As Gabriel begins to put together the pieces of the puzzle, he faces two adversaries: a powerful group of men who would do anything to bury the past forever, and a hired killer who's planning a spectacular murder. Like The Kill Artist, The English Assassin balances fascinating characters, authentic-sounding historical detail, and plenty of glamorous international intrigue on the edge of a knife-keen plot. – Barrie Trinkle
From Publishers Weekly
Switzerland 's shameful behavior in WWII provides the backdrop for this superbly crafted thriller that puts Silva at the forefront of his generation of foreign intrigue specialists. Here, the former CNN correspondent also appears to have settled on a main character to propel his promising line Gabriel Allon, the art restorer and Israeli hit man who starred in last year's acclaimed The Kill Artist. Just a few pages into this sequel, Allon finds himself the apparent victim of a double cross. When he arrives to restore a Raphael owned by reclusive Swiss banker Augustus Rolfe, Allon not only discovers the banker dead but finds himself the number one suspect. The charge doesn't stick, however, and when he is released from custody, he vows to find out who tried to frame him. His first stop is Rolfe's daughter, Anna, one of the world's top violinists and a woman haunted by her family's heritage of wartime greed and cruelty. Allon catches the attention of Switzerland 's secretive power structure, which intends to stymie any further investigation into Rolfe's murder and the theft of his suspiciously acquired art collection. The so-called Council of R�tli contracts with a shadowy hit man, known only as the Englishman, to eliminate Allon and anyone else who threatens to expose Switzerland 's past. The action unfolds in tightly focused scenes played out across a spectrum of European capitals and more pastoral settings. As a historical framework, the secrets of the Bahnhofstrasse are well-trod territory, yet Silva's sophisticated treatment polished prose, an edgy mood, convincing research gives his plot a crisp, almost urgent quality. Agent, Esther Newberg of ICM. 100,000 first printing; $100,000 national advertising campaign.

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Three days after the Englishman’s return from Lyons, Don Orsati invited him to dinner. They ate in a restaurant near the square and afterward walked arm in arm through the narrow streets of the dark town. Twice, villagers appeared out of the gloom, and twice they quickly turned in the opposite direction. Everyone knew that when Don Orsati was speaking privately with the Englishman it was best to walk away. It was then that Don Orsati told him about the assignment in Venice.

“If you want me to send one of the other boys-”

“No,” the Englishman said quickly. “I’ll do it.”

“You’re sure?”

“Yes.”

“I hoped you’d say that. None of the others are truly capable of a job like this. Besides, I think you’ll enjoy the assignment. There’s a long tradition of our work in Venice. I’m sure you’ll find the setting rather inspiring.”

“I’m sure you’re right.”

“There’s a friend of mine there called Rossetti. He’ll give you all the help you require.”

“You have the dossiers?”

Only a man as powerful as Anton Orsati could leave the dossiers for two people he planned to murder on the front seat of a car, but such was the nature of life in the Corsican village. The Englishman read them by lamplight in the square. When he opened the second file, a look of recognition flashed through his eyes that even Orsati was able to detect.

“Is there something wrong?”

“I know this man-from another life.”

“Is that a problem?”

He closed the file. “Not at all.”

THE Englishman stayed up late, listening to the audiotape he had taken from the professor’s apartment in Lyons. Then he read the stack of clippings and obituaries he had collected by trolling newspaper websites on the Internet, followed by the dossiers Anton Orsati had just given him. He slept for a few hours; then, before dawn the next morning, he placed a small overnight bag in the back of his jeep and drove into the village.

He parked in a narrow street near the church and walked to the house where the signadora lived. When he knocked softly on the door, she pushed open the shutters in the second-floor window and peered down at him like a gargoyle.

“I had a feeling it was you. The scirocco is blowing. It brings dust and evil spirits.”

“Which one am I?”

“I can see the occhju from here. Wait there, my child. I’ll just be a moment.”

The Englishman smoked a cigarette while he waited for the old woman to dress and come downstairs. She answered the door in a widow’s plain black frock and pulled him inside by the wrist, as though she feared there were wild animals about. They sat on opposite sides of the rough wooden table. He finished his cigarette while the old women tended to her oil and water.

“Three drops, though I’m certain I already know the answer.”

He dipped his finger into the oil and allowed three drops to fall into the water. When the oil shattered, the old woman embarked on her familiar routine of blessings and prayers. When he repeated the test, the oil coalesced into a single ball, floating on the surface of the water. This pleased the old woman.

“That’s a neat trick you’ve got there,” said the Englishman.

“It’s not a trick. You of all people should know that.”

“I meant no disrespect.”

“I know. Even though you are not a Corsican by birth, you have the soul of a Corsican. You are a true believer. Do you wish to have something to drink before you go? Some wine, perhaps?”

“It’s six o’clock in the morning.”

The old woman tilted her head, as if to say, So what.

“You should be at home in bed,” she said. Then she added: “With a woman. And not the whores that Don Orsati brings you. A real woman who will give you children and see to your clothes.”

“The women of Don Orsati are the only ones who will have me.”

“You think a decent woman wouldn’t have you because you are a taddunaghiu?

The Englishman folded his arms.

“I want to tell you a story.”

He opened his mouth to object, but the old woman was on her feet before he could utter a sound and shuffling into the kitchen for the wine. The bottle was dark green and had no label. Her hand shook as she poured out two glasses.

“My husband was very good with his hands,” the signadora said. “He was a cobbler and a mason. He used to work sometimes for Don Tomasi in the next valley. Have you heard of the Tomasi clan?”

The Englishman nodded and sipped his wine. They were still notorious troublemakers.

“Don Tomasi hired my husband to build a new wall around his garden. It was a thing of beauty, I assure you, but Don Tomasi said it was flawed and refused to pay my husband for his work. They quarreled violently, and the don ordered a pair of his gunmen to drag my husband off his property. It’s still there, by the way.”

“The wall around the garden?”

“Indeed!” The old woman drank some wine and gathered herself for the rest of the story. “My husband was a good worker, but he was a gentle man. An agnello. Do you know this term?”

“A lamb.”

The signadora nodded. “He was not the kind of man to fight with his fists or a knife. Word of his treatment at the hands of Don Tomasi spread through the village. My husband became a laughingstock. Two nights after the incident he was baited into a fight in the square. He suffered a stab wound in his abdomen and died.”

Something flashed behind the old woman’s eyes. Anger. Hatred.

“Clearly, blood vengeance was required,” she said calmly. “But who? The oaf who murdered my husband in the square? He was not the one who was truly responsible for his death. It was Don Tomasi who had blood on his hands. But how was I supposed to kill Don Tomasi? He lived in a large house on the top of a hill, surrounded by vicious dogs and armed men. There was no way for me to kill him! So I went to see Anton Orsati’s father, and I hired a taddunaghiu to do the deed for me. It cost me every bit of money I had, but it was worth it. The taddunaghiu slipped through Don Tomasi’s defenses and slit his throat while he slept-killed him like the pig that he was. Justice was done.”

She reached across the table and laid her palm on the back of his hand.

“Sometimes, Christopher, a taddunaghiu can do good things. Sometimes, he can right a terrible wrong. Sometimes, he can dispense justice as well as vengeance. Remember the things I’ve told you.”

“I will,” he said.

He gave her a thick roll of money. Without looking at it, the old woman said, “It’s too much. It’s always too much.”

“You give me peace. Peace is priceless.”

He stood up to leave, but she grabbed his wrist with surprising strength. “Sit with me while I drink my wine. I still miss my husband, you know. Even after all these years.”

And so he sat there, watching the candlelight flickering in the creases of her face, while she finished the last of the wine. Then her eyes closed and her chin fell forward onto her chest.

The Englishman carried her upstairs and laid her gently in her bed. She awoke briefly. Her hand reached up, and she fingered the talisman hanging from his neck: the red coral hand. Then she touched his face and drifted back to sleep.

He went downstairs and climbed into his jeep, then drove to Calvi and boarded the first ferry for Marseille. There, he collected a car Orsati had left for him near the waterfront and set out for Venice.

36

VENICE

THE ITALIAN PRESS had come alive. There was an avalanche of speculation about which pieces Anna Rolfe would perform. Would she attempt her signature piece, Giuseppe Tartini’s demonic sonata, “The Devil’s Trill?” Surely, the music writers speculated, Miss Rolfe would not try such a difficult composition after being away from the stage for so long.

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