Daniel Silva - The English Assassin

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Amazon.com Review
The English Assassin brings back Gabriel Allon, the appealingly melancholy art restorer with a double life as an Israeli secret agent, first introduced in 2000's The Kill Artist. Gabriel is sent to Zurich under a pseudonym to restore a Raphael belonging to a prominent Swiss banker and art collector, Augustus Rolfe, but upon arriving he finds Rolfe lying in a pool of blood. When Gabriel tries to leave Zurich, the Swiss police capture him immediately-and moreover, they know his real identity. He's released through some diplomatic string-pulling, but he soon discovers that Rolfe had requested a meeting with Israeli intelligence, for reasons unknown, just before his death.
Rolfe's daughter, Anna, is a world-class violinist attempting to rebuild her career after an accident that nearly destroyed one of her hands. But her physical scars are nothing compared to those on her psyche, left by her mother's suicide when Anna was a teenager. Temperamental and mistrustful, she nevertheless believes Gabriel's story, and reveals that Rolfe owned a secret collection of priceless French Impressionist paintings, apparently stolen by his murderers.
As Gabriel begins to put together the pieces of the puzzle, he faces two adversaries: a powerful group of men who would do anything to bury the past forever, and a hired killer who's planning a spectacular murder. Like The Kill Artist, The English Assassin balances fascinating characters, authentic-sounding historical detail, and plenty of glamorous international intrigue on the edge of a knife-keen plot. – Barrie Trinkle
From Publishers Weekly
Switzerland 's shameful behavior in WWII provides the backdrop for this superbly crafted thriller that puts Silva at the forefront of his generation of foreign intrigue specialists. Here, the former CNN correspondent also appears to have settled on a main character to propel his promising line Gabriel Allon, the art restorer and Israeli hit man who starred in last year's acclaimed The Kill Artist. Just a few pages into this sequel, Allon finds himself the apparent victim of a double cross. When he arrives to restore a Raphael owned by reclusive Swiss banker Augustus Rolfe, Allon not only discovers the banker dead but finds himself the number one suspect. The charge doesn't stick, however, and when he is released from custody, he vows to find out who tried to frame him. His first stop is Rolfe's daughter, Anna, one of the world's top violinists and a woman haunted by her family's heritage of wartime greed and cruelty. Allon catches the attention of Switzerland 's secretive power structure, which intends to stymie any further investigation into Rolfe's murder and the theft of his suspiciously acquired art collection. The so-called Council of R�tli contracts with a shadowy hit man, known only as the Englishman, to eliminate Allon and anyone else who threatens to expose Switzerland 's past. The action unfolds in tightly focused scenes played out across a spectrum of European capitals and more pastoral settings. As a historical framework, the secrets of the Bahnhofstrasse are well-trod territory, yet Silva's sophisticated treatment polished prose, an edgy mood, convincing research gives his plot a crisp, almost urgent quality. Agent, Esther Newberg of ICM. 100,000 first printing; $100,000 national advertising campaign.

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This new alliance took its inspiration from the fiercely independent forest dwellers who gathered along Lake Lucerne in 1291. Like their ancestors, they swore to fight anyone who “may plot evil against their persons or goods.” They saw the events raging beyond their Alpine Redoubt as a gathering storm that could wipe away the institutions that had given Switzerland, a tiny, landlocked country with few natural resources, the second-highest standard of living in the world. They called themselves the Council of Rütli, and their leader was Otto Gessler.

PETERSON had expected to be shown, as usual, to Otto Gessler’s makeshift television studio. Instead, the guard escorted him along a lamplit footpath to a single-level wing of the chateau. Passing through an unusually heavy set of French doors, Peterson was greeted by a sweltering tropical heat and an opaque cloud of vapor that reeked of chlorine. Ornate lamps glowed through the mist like storm lanterns, and turquoise water made wavelike patterns on the soaring open-beamed ceiling. The room was quiet except for the ripple of Otto Gessler’s laborious crawl. Peterson removed his overcoat and scarf and waited for Gessler to complete his lap. The snow that had collected on his leather city loafers quickly melted, soaking his socks.

“Gerhardt?” A pause for air, another stroke. “Is that you?”

“Yes, Herr Gessler.”

“I hope-the snow-didn’t make-your drive-too difficult.”

“Not at all, Herr Gessler.”

Peterson hoped the old man would take a break; otherwise they were going to be at it all night. A bodyguard appeared at the edge of the pool, then receded behind a veil of mist.

“You wished to speak to me about the Rolfe case, Gerhardt?”

“Yes, Herr Gessler. I’m afraid we may have a problem.”

“I’m listening.”

For the next ten minutes, Peterson brought Gessler up to date on the case. Gessler swam while Peterson spoke. Splash, silence, splash, silence…

“What conclusion do you draw from these developments?”

“That they know more about what happened to Augustus Rolfe and the collection than we would wish.”

“An obstinate people, don’t you agree, Gerhardt?”

“The Jews?”

“Never can seem to leave well enough alone. Always looking for trouble. I won’t be beaten by them, Gerhardt.”

“No, of course not, Herr Gessler.”

Through the curtain of mist, Peterson glimpsed Gessler rising slowly up the steps of the shallow end of the pool; a pale figure, shockingly frail. A bodyguard covered his shoulders in a toweling robe. Then the curtain of mist closed once more, and Gessler was gone.

“She needs to be eliminated,” came the dry, disembodied voice. “So does the Israeli.”

Peterson frowned. “There will be consequences. Anna Rolfe is a national treasure. If she is murdered so soon after her father, there are bound to be uncomfortable questions, especially in the press.”

“You may rest assured that there will be no outpouring of national grief if Anna Rolfe is killed. She refuses even to live in Switzerland, and she’s almost done herself in any number of times. And as for the press, they can ask all the questions they want. Without facts, their stories will read like conspiratorial gossip. I only care whether the authorities ask questions. And that’s what we pay you for, Gerhardt-to make certain the authorities don’t ask questions.”

“I should also warn you that the Israeli secret service does not play by the usual rules. If we target one of their agents for assassination, they’ll come after us.”

“I’m not afraid of the Jews, Gerhardt, and you shouldn’t be, either. Contact Anton Orsati right away. I’ll move some additional funds into your operational account, as well as something extra into your personal account. Consider it an incentive to make certain that this affair is resolved quickly and quietly.”

“That’s not necessary, Herr Gessler.”

“I know it’s not necessary, but you’ve earned it.”

Peterson hastily changed the subject. He didn’t like to think about the money too much. It made him feel like a whore. “I really should be getting back to Zurich, Herr Gessler. The weather.”

“You’re welcome to spend the night here.”

“No, I really should be getting back.”

“Suit yourself, Gerhardt.”

“May I ask you a question, Herr Gessler?”

“Certainly.”

“Did you know Herr Rolfe?”

“Yes, I knew him well. He and I were quite close once. In fact, I was there the morning his wife committed suicide. She dug her own grave and shot herself. It was young Anna who discovered the body. A terrible thing. Herr Rolfe’s death was unfortunate but necessary. It wasn’t personal, it was business. You do understand the difference, don’t you, Gerhardt?”

33

LONDON

JULIA NISHERWOOD was seated at his desk, leafing through a stack of paperwork, when he heard the sound of a delivery truck rumbling across the bricks of Mason’s Yard. He walked to his window and peered out. A man in blue coveralls was climbing out the front passenger side and making his way to the door. A moment later came the howl of the buzzer.

“Irina? Did you schedule any deliveries for today?”

“No, Mr. Isherwood.”

Oh, Christ, thought Isherwood. Not again.

“Irina?”

“Yes, Mr. Isherwood?”

“I’m feeling a bit hungry, petal. Would you be a love and bring me a panini from that marvelous shop in Piccadilly?”

“I’d like nothing better, Mr. Isherwood. May I perform any other meaningless and degrading tasks for you?”

“No need to be snotty, Irina. Cuppa tea as well. And take your time.”

THERE was something about the man in blue coveralls that reminded Isherwood of the fellow who had searched his house for termites. He wore rubber-soled shoes and worked with the quiet efficiency of a night nurse. In one hand was a device about the size of a cigar box with meters and dials; in the other was a long wand, like a flyswatter. He began in the basement storerooms, then moved to Irina’s office, then Isherwood’s, then the exposition room. Lastly, he tore apart the telephones, the computers, and the fax machine. After forty-five minutes, he returned to Isherwood’s office and laid two tiny objects on the desk.

“You had bugs,” he said. “Now they’re dead.”

“Who in God’s name put them in here?”

“That’s not my job. I’m just the exterminator.” He smiled. “There’s someone downstairs who’d like a word with you.”

Isherwood led the way through the cluttered storerooms to the loading bay. He opened the outer door, and the delivery truck pulled inside.

“Close the door,” said the man in the blue coveralls.

Isherwood did as he was told. The man opened the back door of the truck and a cloud of dense smoke billowed forth. Crouched in the back, a picture of misery, was Ari Shamron.

THE man in the Rover sedan had moved from Jermyn Street to King Street, which was still well within the one-mile range of the transmitters he had placed in the gallery, but it had been some time since he had heard any sound at all. Indeed, the last thing he had monitored was the art dealer asking his secretary to get him lunch. It had struck him as odd, since the dealer had eaten lunch out every day since the man had been watching him. So odd, in fact, that he had made a notation of the time in his logbook. Forty-five minutes after that, a burst of raw static came over his car radio. Someone had just found his transmitters. He swore softly and quickly started the car. As he drove away, he picked up his mobile phone and dialed Zurich.

THE Hoek van Holland-to-Harwich ferry was delayed several hours by heavy weather in the North Sea, and so it was late afternoon by the time Gabriel and Anna Rolfe pulled into Mason’s Yard. Gabriel gave two short blasts of the horn, and the door of the loading bay slowly rose. Once inside, he shut down the engine and waited for the door to close again before getting out of the car. He removed the large safe-deposit box from the backseat and led Anna through the storeroom to the lift. Isherwood was waiting there.

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