Alez Kava - One False Move

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From Publishers Weekly
Nebraskan suspense author Kava takes a break from her successful series featuring FBI Special Agent Maggie O'Dell (At the Stroke of Madness; Split Second) with this psychological thriller about the fallout from an abortive bank robbery. The principal players are Jared Barnett, just released by his shady attorney's machinations from a life sentence for murder; his docile sister, Melanie Starks; and her 17-year-old son, Charlie, to whom Jared is a father figure. Just as their lives seem to be approaching normalcy, Jared scopes out a bank heist and bullies his sister and nephew into helping him. Mel is designated driver in the high-risk chase that begins right after Jared and Charlie, empty-handed, flee the bank. In a remote state park cabin, Andrew Kane, a writer, happens to be alone when they appear and Mel, shocked, learns from his TV that four people were killed in the holdup. Then she remembers the childhood that she and Jared were cheated out of-a mother who washed down pills with vodka while their father mercilessly beat the children until Jared took matters into his own hands. Victims accumulate as fast as the escape route changes, while abbreviated chapters and truncated dialogue signal the approaching explosive climax. This is a one-night read with some unexplained loose ends that won't bother readers hooked on hair-raising car chases and gruesome murder scenes.
Review
"An explosive climax." – Publishers Weekly
Since the first page of her debut novel, A Perfect Evil, Alex Kava has had her fans literally on the edge of their seats. Nail-biting tension, thrilling suspense and labyrinthine twists and turns of plot are her stock in trade – and all feature strongly in her latest thriller, One False Move. Jared Barnett is out of jail after serving five years for murder, released only through the machinations of a crooked lawyer. Barnett is seething with rage for those years he spent behind bars, and he is planning the crime to end all crimes. But he needs help, and who better to be roped in as an accomplice than his loyal sister, Melanie, with whom he shares a dreadful secret? In the intervening years, Melanie has carved some sort of living as a single parent, struggling to bring up her beloved son Charlie through a mixture of odd jobs and petty crime. Jared's reappearance threatens to bring down her fragile little world, but she has no option – her loyalty to him goes way back, and some debts can never be repaid… But only hours after the attempted robbery, Jared, Melanie and Charlie are fleeing for their lives, leaving behind a trail of bodies and picking up a terrified hostage on the way. Crime writer, Andrew Kane, knows only too well what goes on inside a psychopath's head – and he knows that Jared will only keep him alive as long as he has a use for him. As the hours go by and the police close in, Kane realises he is becoming a liability; can he use his experience of the criminal mind to get Charlie and Melanie on his side before Jared decides it's just too risky keeping him alive?

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"I said it's not anybody in the system but I do have a match on file. Grace had me go back to one of the convenience stores that was robbed last week."

They were all staring at Grace now. She knew what they were thinking: was she nuts for interrupting the tech's time with a string of piddly robberies when there was a manhunt for killers going on?

"She discovered the same person was in each of the stores right before the robberies took place." Darcy pulled out black-and-white photos, and Grace recognized them as stills from the surveillance cameras, the date and time stamped in the corners. And in each photo there was the same young man.

"Look, I'm sorry, but this is ridiculous," Sanchez was at it again. "What the hell does this have to do with anything?"

"One of the videos shows him opening a door to one of the refrigerated cases," Darcy said, ignoring Sanchez. "He left his fingerprints up high and inside. I went back yesterday and after a week it was still there-no others, not that high."

"I hope you're getting to some point soon."

"He's one of our bank robbers," she said, pointing to the young man in the grainy photo. "The prints inside the refrigerated case's door match the ones on the inside window of the Saturn."

This time even Sanchez was quiet.

"But I can't give you a name because he's not in the system."

"Holy crap!" Pakula said, rubbing a hand over his face then up over his head. "You were right, Grace. It's the convenience-store robbers escalating."

"Or practicing." Grace waited for the idea to sink in. "I still think it's Bamett. You said the gas station clerk was shot. Where?"

Pakula wouldn't meet her eyes and she knew even before he said, "In her face. Her jaw was ripped open."

"Any connection to Jared and the bank teller?" Grace asked.

"None that I can find." Pakula pulled out a file and flipped it open. "She went for much older men than Bar-nett. The only connection I could make was that she used Max Kramer last spring to get her out of a DUI conviction, which he's still calling her about. She probably stiffed him for the bill. One of her roommates thinks she had a rich married guy wound around her little finger, but I have her phone records for the last several months right here and I haven't found the mysterious guy named Jay. Oh, and we have this," Pakula said, tossing a plastic bag containing a piece of jewelry onto the table. "Wes Howard found this in the mud next to the Saturn. It was Tina Cervante's. Given to her by JMK, her supposed mystery man."

"Wait a minute," Grace said. "I've just seen those initials somewhere." And she started riffling through the papers she had received yesterday for Carrie Ann Comstock's drug case. "Here it is." She pulled out a document and threw it down on the table next to the locket with the initials JMK. At the bottom of the document was the stamped initials JMK next to the signature-J. Maxwell Kramer. "Is it possible Tina Cervante was having an affair with her attorney?" she asked.

CHAPTER 61

8:53 a.m.

Andrew didn't know what was going on. He had heard Jared yelling, car doors slamming and then a car screeching away. Now Charlie sat on the end of the bed, staring at the TV and flipping the channels, though he didn't appear to be watching or looking for anything in particular. Mel-anie paced the length of the room, taking quick glances when she passed the window. Neither one of them seemed to be aware that he was even in the room.

He had asked Jared earlier to untie him and had gotten, instead, a look of contempt, hollow-eyed with just enough of a smirk to know he was no longer a novelty to the madman. He was no longer the fascinating author who had captured his interest. Not only had he betrayed the psychopath's trust but now he was excess baggage. Andrew didn't need to rely on research to guess-to know-his time was limited. He also knew his chances with these two would be better than with Jared.

"What happened?" he tried again. Before when he asked he caught a glimpse of Melanie's eyes, enough to realize it was something bad. There was panic there. And there was panic in her short explosive steps. Her entire body seemed to move with a nervous energy that she didn't quite have complete control over. "Did Jared do something?"

"No, I did," Charlie said without blinking, finally settling on the Cartoon Network and a Road Runner and Wyle E. Coyote episode.

"What did you do, Charlie?" He asked it as softly as he could, keeping his own panic from his voice. He tried to ignore the phone cord digging into his wrists. He tried to avoid shifting to a more comfortable position, though he hadn't found one yet. "Charlie, what is it you think you did?" he asked again, trying to duplicate the tone he imagined his friend Tommy Pakula would use, the one that got drug dealers and wife beaters to confess to him. "I'm sure it couldn't have been anything to deserve the way Jared yelled at you."

"No, I screwed up really, really bad." He sounded like a little boy, more like a seven-year-old than a seventeen-year-old. His eyes never left Wyle E. Coyote who'd just blown himself up with a stack of dynamite. "I screwed up again. It's all my fault."

"Stop it!" Melanie's voice made both Andrew and Charlie jump, though Charlie's eyes still didn't leave the TV screen. "I don't want to hear it." She didn't miss a stride of her pacing.

"It's not your fault, Charlie." Andrew had nothing to lose. "All along you've only done what Jared told you to do. You did what Jared wanted you to. But you don't have to do everything he says. You're a good kid. I can tell. You want to do the right thing." He noticed that Melanie had stopped and was now watching him. When she didn't try to stop him, he continued, "You don't have it in you to do the kind of stuff Jared does. You're not like him, Charlie." No response. Charlie didn't even flinch. The Road Runner had just whizzed through one of Coyote's barricades without a scratch and Charlie didn't even blink.

Andrew looked up at Melanie, waiting until she met his eyes. He had her attention now. But did he have her anywhere close to being on his side? Was she strong enough to go against her brother? Would she see that she needed to choose between her brother and her son in order to save her son, if not herself? Andrew knew there was a bond between her and Charlie. He had witnessed the panic in her eyes earlier when she realized Charlie was gone, and seemed to be comforted only when she noticed his beat-up backpack hadn't left with him. But was the bond between mother and son stronger than the bond between sister and brother?

"You know he's going to kill me," Andrew told her in that same soft voice, keeping out the emotion despite the lump that threatened to bring it on without warning. She didn't look away and his eyes held hers. "Hasn't there been enough killing already?" He couldn't read her eyes. Couldn't tell whether or not he was getting to her. "I can help you. Both you and Charlie. But it has to stop, Melanie. It has to stop now. Can you make it stop?"

It wasn't Melanie who answered. It was Charlie with his knees up against his chest again, hugging them and rocking back and forth. "I couldn't stop," he said. "I screwed up bad, really bad. Jared said nobody can help me. I did it. I screwed up. I wasn't supposed to do anything. I was supposed to wait. Just scare everybody and hold them up while

Jared did what he had to do. I was supposed to just scare them. I screwed up." It was like a floodgate had been opened, the words coming almost without him taking a breath except to wipe at his nose with his shoulder, never stopping his rocking rhythm. "I saw her and I lost it. I lost it. I forgot that she couldn't recognize me. I forgot. And I panicked. I thought she'd tell. I didn't mean to shoot her. I just didn't want her to tell. The gun went off. Just like that. It just went off and there was blood. There was a hole in her and she was bleeding and I knew I did it. I didn't want the others to tell everybody that I did that. They saw it. They saw what I did. So I shot them, too. One, two, three. Just like that. The woman at the front desk. Bam! The guy in the doorway. Bam! The old man. Bam! I screwed up. I fucking screwed up."

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