Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“‘And then you were born?’ I asked quietly.

“‘Then I was born, at a hospital in Budapest, and my aunt and uncle helped to raise and educate me. We lived with them until I was in high school. Éva took us into the countryside during the war and found food for all of us somehow. My mother was educated here, too, and learned Hungarian. She always refused to teach me any Romanian, although I sometimes heard her speaking it in her sleep.’ She gave me a bitter glance. ‘You see what your beloved Rossi reduced our lives to,’ she said, her mouth twisting. ‘If it had not been for my aunt and uncle, my mother might have died alone in some mountain forest and been eaten by the wolves. Both of us, actually.’

“‘I’m thankful to your aunt and uncle, too,’ I said, and then, fearing her sardonic glance, busied myself pouring more coffee from the metal pot at my elbow.

“Helen made no reply, and after a minute she pulled some papers from her purse. ‘Shall we go over the lecture once more?’”

“The morning sunshine and cool air outside were full of menace for me; all I could think about as we walked toward the university was the moment, rapidly approaching now, when I would have to deliver my lecture. I had given only one lecture before this, a joint presentation with Rossi the previous year when he had organized a conference on Dutch colonialism. Each of us had written half of the lecture; my half had been a miserable attempt to distill into twenty minutes what I thought my dissertation was going to be about before I had written a word of it; Rossi’s had been a brilliant, wide-ranging treatise on the cultural heritage of the Netherlands, the strategic might of the Dutch navy, and the nature of colonialism. Despite my general sense of inadequacy about the whole thing, I’d been flattered by his including me. I’d also been sustained throughout the experience by his compact and confident presence beside me at the podium, his friendly thump on my shoulder as I relinquished the audience to him. Today I would be on my own. The prospect was dismal, if not terrifying, and only the thought of how Rossi would have handled it steadied me a little.

“Elegant Pest lay all around us, and now, in broad daylight, I could see that its magnificence was under construction-reconstruction, rather-where it had been damaged in the war. Many houses were still missing walls or windows in their upper floors, or even the whole upper floor, for that matter, and if you looked closely, nearly every surface, whatever it was made of, was pockmarked with bullet holes. I wished we had time to walk farther, so that I could see more of Pest, but we had agreed between us that we would attend all the morning sessions of the conference that day to make our presence there as legitimate as possible. ‘And there is something I want to do later, too, in the afternoon,’ Helen said thoughtfully. ‘We will go to the university library before it closes.’

“When we reached the large building where the reception had been held the night before, she paused. ‘Do me a favor.’

“‘Certainly. What?’

“‘Don’t talk with Géza József about our travels or the fact that we are looking for someone.’

“‘I’m not likely to do that,’ I said indignantly.

“‘I’m just warning you. He can be very charming.’ She raised her gloved hand in a conciliatory gesture.

“‘All right.’ I held the great baroque door for her and we went in.

“In a lecture room on the second floor, many of the people I’d seen the night before were already seated in rows of chairs, talking with animation or shuffling through papers. ‘My God,’ Helen muttered. ‘The anthropology department is here, too.’ A moment later she was engulfed in greetings and conversation. I saw her smiling, presumably at old friends, colleagues from years of work in her own field, and a wave of loneliness broke over me. She seemed to be indicating me, trying to introduce me from a distance, but the torrent of voices and their meaningless Hungarian made an almost palpable barrier between us.

“Just then I felt a tap on my arm and the formidable Géza was before me. His handshake and smile were warm. ‘How do you enjoy our city?’ he asked. ‘Is everything to your liking?’

“‘Everything,’ I said with equal warmth. I had Helen’s warning firmly in mind, but it was difficult not to like the man.

“‘Ah, I am delighted,’ he said. ‘And you will be giving your lecture this afternoon?’

“I coughed. ‘Yes,’ I said. ‘Yes, exactly. And you? Will you be lecturing today?’

“‘Oh, no, not I,’ he said. ‘Actually, I am researching a topic of great interest to me these days. But I am not ready to give a lecture about it.’

“‘What is your topic?’ I couldn’t help asking, but at that moment Professor Sándor of the towering white pompadour called the session to order from a podium. The crowd settled into the seats like birds on telephone wires and grew quiet. I sat in the back next to Helen, glancing at my watch. It was only nine-thirty, so I could relax for a while. Géza József had taken a seat in the front; I could see the back of his handsome head in the first row. Looking around, I could also see several other faces familiar from last night’s introductions. It was an earnest, slightly scruffy crowd, everyone gazing at Professor Sándor.

“‘Guten Morgen,’he boomed, and the microphone screeched until a student in a blue shirt and black tie came up to fix it. ‘Good morning, honored visitors.Guten Morgen, bonjour, welcome to the University of Budapest. We are proud to introduce you to the first European convention of historians of -’ Here the microphone began to screech again, and we lost several phrases. Professor Sándor had apparently run out of English, too, for the time being, and he continued for some minutes in a mixture of Hungarian, French, and German. I gathered from the French and German that lunch would be served at twelve o’clock, and then-to my horror-that I would be the keynote speaker, the apex of the conference, the highlight of the proceedings, that I was a distinguished American scholar, a specialist not only in the history of the Netherlands but also in the economics of the Ottoman Empire and the labor movements of the United States of America (had Aunt Éva invented that one on her own?), that my book on the Dutch merchant guilds in the era of Rembrandt would be appearing the following year, and that they were deeply fortunate to have been able to add me to their program only this week.

“This was all worse than my wildest dreams, and I vowed that Helen would pay if she had had a hand in it. Many of the scholars in the audience were turning to look at me, smiling graciously, nodding, even pointing me out to one another. Helen sat regal and serious beside me, but something about the curve of her black-jacketed shoulder suggested-only to me, I hoped-the almost perfectly hidden desire to laugh. I tried to look dignified, too, and to remember that this, even all this, was for Rossi.

“When Professor Sándor had finished booming, a little bald man gave a lecture that seemed to be about the Hanseatic League. He was followed by a gray-haired woman in a blue dress whose subject concerned the history of Budapest, although I could follow none of it. The remaining speaker before lunch was a young scholar from the University of London-he looked about my own age-and to my great relief he spoke in English, while a Hungarian philology student read a translation of his lecture into German. (It was strange, I thought, to hear all this German here only a decade after the Germans had nearly destroyed Budapest, but I reminded myself that it had been the lingua franca of the Austro-Hungarian Empire.) Professor Sándor introduced the Englishman as Hugh James, a professor of East European history.

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