Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“‘Is this a typical gathering at a conference here?’ I wasn’t sure what I meant, but it was something to say while I took my eyes off Helen.

“‘Yes,’ said my companion proudly. He was a short man of about sixty in a gray jacket and gray tie. ‘We have many international gatherings at the university, especially now.’

“I wanted to ask what he meant byespecially now, but Professor Sándor had materialized again and was guiding me toward a handsome man who seemed very eager to meet me. ‘This is Professor Géza József,’ he told me. ‘He would like to make your acquaintance.’ Helen turned at the same moment, and to my utter surprise I saw a look of displeasure-was it even disgust?-flash over her face. She made her way toward us immediately, as if to intervene.

“‘How are you, Géza?’ She was shaking hands with him, formally and a little coldly, before I’d even had time to greet the man.

“‘How good to see you, Elena,’ Professor József said, bowing a little to her, and I caught something strange in his voice, too, which could have been mockery but could have been some other emotion. I wondered if they were speaking English only for my benefit.

“‘And you,’ she said flatly. ‘Allow me to introduce my colleague with whom I have been working in America -’

“‘What a pleasure to meet you,’ he said, giving me a smile that illuminated his fine features. He was taller than I, with thick brown hair and the confident posture of a man who loves his own virility-he would have been magnificent on horseback, riding across the plains with herds of sheep, I thought. His handshake was warm, and he gave me a welcoming cudgel on the shoulder with his other hand. I failed to see why Helen would find him repulsive, although I couldn’t shake the impression that she did. ‘And you will honor us with a lecture tomorrow? That is splendid,’ he said. Then he paused for a second. ‘But my English is not so good. Would you prefer we speak in French? German?’

“‘Your English is far better than either my French or German, I’m sure,’ I responded promptly.

“‘You are very kind.’ His smile was a meadow of flowers. ‘I understand your field is the Ottoman domination of the Carpathians?’

“News certainly traveled fast here, I thought; it was just like home. ‘Ah, yes,’ I concurred. ‘Although I am sure I will have much to learn from your faculty on that subject.’

“‘Surely no,’ he murmured kindly. ‘But I have done a little research on it myself and would be pleased to discuss it with you.’

“‘Professor József has a great range of interests,’ Helen put in. Her tone would have frozen hot water. This was all very puzzling, but I reminded myself that every academic department suffers from civil unrest, if not outright war, and that this one was probably no exception. Before I could think of anything conciliatory to say, Helen turned to me abruptly. ‘Professor, we must go to our next meeting,’ she said. For a second, I didn’t know whom she was addressing, but she put her hand firmly under my arm.

“‘Oh, I see you are very busy.’ Professor József was all regret. ‘Perhaps we can discuss the Ottoman question another time? I would be pleased to show you a little of our city, Professor, or take you for lunch -’

“‘The professor will be fully engaged throughout the conference,’ Helen told him. I shook hands with the man as warmly as her icy gaze would permit, and then he took her free hand in his.

“‘It is a delight to see you back in your homeland,’ he told her, and bowing over her hand, he kissed it. Helen snatched it away, but a strange look crossed her face. She was somehow moved by the gesture, I decided, and for the first time I disliked the charming Hungarian historian. Helen steered me back to Professor Sándor, where we made our apologies and expressed our eagerness to hear the next day’s lectures.

“‘And we will expect your lecture with all the pleasure.’ He pressed my hand in both of his. Hungarians were tremendously warm people, I thought with a glow that was only partly the effect of the drink in my bloodstream. As long as I postponed all real thought of that lecture myself, I felt adrift in satisfaction. Helen took my arm, and I thought she searched the room with a quick glance before we made our exit.

“‘What was that all about?’ The evening air was refreshingly cool, and I felt more aglow than ever. ‘Your compatriots are the most cordial people I think I’ve ever met, but I had the impression you were ready to behead Professor József.’

“‘I was,’ she said shortly. ‘He is unsufferable.’

“‘Insufferable, more likely,’ I pointed out. ‘What makes you treat him like that? He greeted you as an old friend.’

“‘Oh, there’s nothing wrong with him, really, except that he is a flesh-eating vulture. A vampire, actually.’ She stopped short and stared at me, her eyes large. ‘I didn’t mean -’

“‘Of course you didn’t,’ I said. ‘I checked his canines.’

“‘You are unsufferable, too,’ she said, taking her arm from mine.

“I looked regretfully at her. ‘I don’t mind your holding my arm,’ I said lightly, ‘but is that a good idea in front of your entire university?’

“She stood gazing at me, and I couldn’t decipher the darkness in her eyes. ‘Don’t worry. There was not anyone present from anthropology.’

“‘But you knew many of the historians, and people talk,’ I persisted.

“‘Oh, not here.’ She gave her dry snort of laughter. ‘We are all workers-in-arms together here. No gossip or conflict-only comradely dialectic. You will see tomorrow. It is really quite a little utopia.’

“‘Helen,’ I groaned. ‘Would you be serious, for once? I’m simply worried about your reputation here-your political reputation. After all, you must come back here someday and face all these people.’

“‘Must I?’ She took my arm again, and we walked on. I made no move to pull away; there was little I could have valued more at that moment than the brush of her black jacket against my elbow. ‘Anyway, it was worth it. I did it only to make Géza gnash his teeth. His fangs, that is.’

“‘Well, thank you,’ I muttered, but I didn’t trust myself to say anything more. If she had intended to make anyone jealous, it had certainly worked with me. I suddenly saw her in Géza’s strong arms. Had they been involved before Helen had left Budapest? They would have been a striking match, I thought-both were so handsomely confident, so tall and graceful, so dark haired and broad shouldered. I felt, suddenly, puny and Anglo, no match for the horsemen of the steppe. Helen’s face prohibited further questions, however, and I had to content myself with the silent weight of her arm.

“All too soon, we turned in at the gilded doors of the hotel and were in the hushed lobby. As soon as we entered, a lone figure stood up among the black upholstered chairs and potted palms, waiting quietly for us to approach. Helen gave a little cry and ran forward, her hands outstretched. ‘Éva!’”

Chapter 39

“Since my meeting with her-I saw her only three times-I have often thought of Helen’s aunt Éva. There are people who stick in one’s memory much more clearly after a brief acquaintance than others whom one sees day after day over a long period. Aunt Éva was certainly one of those vivid people, someone my memory and imagination have conspired to preserve in living color for twenty years. I have sometimes used Aunt Éva to fill the shoes of characters in books, or figures in history; for example, she stepped in automatically when I encountered Madame Merle, the personable schemer in Henry James’sPortrait of a Lady.

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