Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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It was a short list, a casual graffito, an ancient doodle on the reverse of Sarajevo and Skopje ’s official paperwork for the sultan. I read it curiously. It appeared to be a record of expenses-the objects purchased had been noted down on the left and the cost, in an unspecified currency, noted neatly down on the right. “Five young mountain lions for his Gloriousness the Sultan, 45,” I read with interest. “Two golden belts with precious stones for the Sultan, 290. Two hundred sheepskins for the Sultan, 89.” And then the final entry, which made the hair rise along my arm as I held that aging parchment up: “Maps and military records from the Order of the Dragon, 12.”

How, you ask, could I take all this in at a glance, when my knowledge of Arabic is as crude as I’ve already confessed? My quick-minded reader, you are staying awake for me, following my lucubrations with care, and I bless you for it. This scrawl, this mediaeval memorandum, was written out in Latin. Below it, a faintly scratched date seared the thing into my brain: 1490.

In 1490, I recalled, the Order of the Dragon lay in ruins, crushed by Ottoman might; Vlad Dracula was fourteen years’ dead and buried, according to legend, in the monastery at Lake Snagov. The Order’s maps, records, secrets-whatever this elusive phrase referred to-had been bought cheap, very cheap, compared to the bejewelled belts and the loads of stinking sheep wool. Perhaps they’d been thrown into this merchant’s purchase at the last minute, as a curiosity, a sample of the bureaucracy of conquest to flatter and amuse an erudite sultan whose father or grandfather had expressed grudging admiration for the barbaric Order of the Dragon that harassed him at the edge of the Empire. Was my merchant a Balkan traveller, Latin writing, speaking some Slav or Latinate dialect? Certainly he was highly educated, since he could write at all, perhaps a Jewish merchant with three or four languages at his command. Whoever he was, I blessed his dust for jotting down those expenses. If he had sent off the caravan of spoils without incident, and if it had reached the sultan safely, and if-least likely of all-it had survived in the sultan’s treasure-house of jewels, beaten copper, Byzantine glass, barbarous church relics, works of Persian poetry, books of cabala, atlases, astronomical charts -

I went to the desk, where the librarian was checking through a drawer. “Excuse me,” I said. “Do you have a listing of historical archives by country? Archives in-in Turkey, for example?”

“I know what you’re looking for, sir. There is such a listing, for universities and museums, although it’s by no means complete. We don’t have it here-the central library desk can show it to you. They open tomorrow at nine o’clock in the morning.”

My train to London, I remembered, didn’t leave until 10:14. It would take only ten minutes or so to glance through the possibilities. And if Sultan Mehmed II’s name, or the names of his immediate successors, appeared among any of the possibilities-well, I hadn’t wanted to see Rhodes so very badly after all.

Yours in profoundest grief, Bartholomew Rossi

Time seemed to have stopped in the high-vaulted library hall, despite the activity all around me. I had read one whole letter, but there were at least four more in the pile beneath it. I noticed, looking up, that a blue depth had opened behind the upper windows: twilight. I would have to walk home in it alone, I thought like a frightened child. Again I felt the urge to rush to Rossi’s office door and knock briskly on it. Surely I’d find him sitting there turning over pages of manuscript in the pool of yellow light on his desk. I was perplexed, all over again, the way one is after a friend’s death, by the unreality of the situation, the impossibility it presented to the mind. In fact, I was as much puzzled as I was afraid, and my bewilderment increased my fear because I couldn’t recognize my usual self in that state.

As I pondered this, I glanced down at the neat piles of papers on my table. I had taken up a great deal of the surface with this spread. As a consequence, probably, no one had tried to sit down opposite me or to occupy any of the other chairs at the table. I was just wondering if I should gather up all of this work and walk home to continue there later when a young woman approached and seated herself at one end of the table. I saw, looking around, that the surrounding catalog tables were full to capacity and strewn with other people’s books, typescripts, card-catalog drawers, and notepads. She had no other place to sit, I realized, but I felt suddenly protective of Rossi’s documents; I dreaded the involuntary glance of a stranger’s eye on them. Did they look obviously mad? Or did I?

I was just about to gather the papers together, carefully, preserving their original order, and pack them away, just about to make those slow and polite movements with which you try falsely to assure the other person who has just sat down apologetically at the cafeteria table that you really were leaving anyway-when I suddenly noticed the book the young woman had propped up in front of her. She was already flipping through the center section of it, a notebook and pen lying ready at her elbow. I glanced from the book’s title to her face, in astonishment, and then at the other book she had set down nearby. Then I looked back at her face.

It was a young face but already aging very slightly and handsomely, with the light crinkling of skin I recognized around my own eyes in the mirror every morning, a barely veiled fatigue, so I knew she must be a graduate student. It was also an elegant, angular face that wouldn’t have been out of place in a medieval altar painting, saved from a pinched look by the delicate widening of cheekbones. Her complexion was pale but could have turned olive after a week in the sun. Her lashes were lowered toward the book, her firm mouth and spreading eyebrows somehow made alert by whatever her eyes followed on the page. Her dark, almost sooty hair sprang away from her forehead with more vigor than was fashionable in those tightly groomed days. The title of her reading, in this place of myriad inquiry-I looked again, again astonished-wasThe Carpathians. Under her dark-sweatered elbow rested Bram Stoker’sDracula.

At that moment, the young woman glanced up and met my gaze, and I realized I’d been staring directly at her, which must have been offensive. In fact, the dark, deep stare I got back-although her eyes also had a curious amber in their depths, like honey-was extremely hostile. I wasn’t what people still called then a ladies’ man; in fact I was something of a recluse. But I knew enough to feel ashamed, and I hurried to explain. Later I realized that her hostility was the defense of the striking-looking woman who is stared at again and again. “Excuse me,” I said quickly. “I couldn’t help noticing your books-I mean, what you’re reading.”

She stared unhelpfully back at me, keeping her book open in front of her, and raised the dark sweep of her eyebrows.

“You see, I’m actually studying the same subject,” I persisted. Her eyebrows rose a little higher, but I indicated the papers in front of me. “No, really. I’ve just been reading about -” I looked at the piles of Rossi’s documents in front of me and stopped abruptly. The contemptuous slant of her eyelids made my face grow warm.

“Dracula?” she said sarcastically. “Those appear to be primary sources you have got there.” She had a rich accent I couldn’t place, and her voice was soft, but library soft, as if it could spring into real strength when uncoiled.

I tried a different tactic. “Are you reading those for fun? I mean, for enjoyment? Or are you doing research?”

“Fun?” She kept the book open, still, maybe to discourage me with every possible weapon.

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