Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“The officer finally hung up with a flourish, helped reunite us with our dusty suitcases, and led us to a bar inside the airport, where he bought us little shots of a head-emptying brandy calledrakiya, partaking thoroughly himself. He asked us in his several broken languages how long we’d been committed to the revolution, when we had joined the Party, and so on, none of which made me feel any more comfortable. It all set me to pondering more than ever the possible inaccuracies of our letter of introduction, but I followed Helen’s lead and merely smiled, or made neutral remarks. He toasted friendship among the workers of every nation, refilling our glasses and his own. If one of us said something-some platitude about visiting his beautiful country, for example-he shook his head with a broad smile, as if contradicting our statements. I was unnerved by this until Helen whispered to me that she’d read about this cultural idiosyncrasy: Bulgarians shook their heads in agreement and nodded in disagreement.

“When we’d had exactly as muchrakiya as I could tolerate with impunity, we were saved by the appearance of a dour-faced man in a dark suit and hat. He looked only a little older than I was and would have been handsome if any expression of pleasure had ever flitted across his countenance. As it was, his dark mustache barely hid disapprovingly pursed lips, and the fall of black hair over his forehead concealed none of his frown. The officer greeted him with deference and introduced him as our assigned guide to Bulgaria, explaining that we were privileged in this, because Krassimir Ranov was highly respected in the Bulgarian government, associated with the University of Sofia, and knew as well as anyone the interesting sights of their ancient and glorious country.

“Through a haze of brandy I shook the man’s fish-cold hand and wished to heaven we could see Bulgaria without a guide. Helen seemed less surprised by all this and greeted him, I thought, with just the right mixture of boredom and disdain. Mr. Ranov still hadn’t uttered a word to us, but he appeared to take a hearty dislike to Helen even before the officer reported too loudly that she was Hungarian and was studying in the United States. This explanation made his mustache twitch over a grim smile. ‘Professor, madam,’ he said-his first words-and turned his back on us. The customs officer beamed, shook our hands, pounded me on the shoulders as if we were old friends already, and then indicated with a gesture that we must follow Ranov.

“Outside the airport, Ranov hailed a cab, which had the most antiquated interior I’d ever seen in a vehicle, black fabric stuffed with something that could have been horsehair, and told us from the front seat that hotel rooms had been arranged for us at a hotel of the best reputation. ‘I believe you will find it comfortable, and it has an excellent restaurant. Tomorrow we shall meet for breakfast there, and you may explain to me the nature of your research and how I can help you make arrangements to complete it. You will no doubt wish to meet with your colleagues at the University of Sofia and with the appropriate ministries. Then we shall arrange for you a short tour of some of Bulgaria ’s historic places.’ He smiled sourly and I stared at him in growing horror. His English was too good; despite his marked accent, it had the tonelessly correct sound of one of those records from which you can learn a language in thirty days.

“His face had something familiar in it, too. I’d certainly never seen him before, but it made me think of someone I knew, with the accompanying frustration of my not being able to remember who on earth it was. This feeling persisted for me during that first day in Sofia, dogging me on our all-too-guided tour of the city. Sofia was strangely beautiful, however-a blend of nineteenth-century elegance, medieval splendor, and shining new monuments in the socialist style. At the city’s center, we toured a grim mausoleum that held the embalmed body of the Stalinist dictator Georgi Dimitrov, who’d died five years before. Ranov took off his hat before entering the building and ushered me and Helen ahead of him. We joined a line of silent Bulgarians filing past Dimitrov’s open coffin. The dictator’s face was waxen, with a heavy dark mustache like Ranov’s. I thought of Stalin, whose body had reportedly joined Lenin’s the year before, in a similar shrine on Red Square. These atheist cultures were certainly diligent in preserving the relics of their saints.

“My sense of foreboding about our guide increased when I asked him if he could put us in touch with an Anton Stoichev and saw him recoil. ‘Mr. Stoichev is an enemy of the people,’ he assured us in his irritable voice. ‘Why do you wish to see him?’ And then, strangely, ‘Of course, if you desire it, I can arrange this. He does not teach at the university anymore-with his religious views he could not be trusted with our youth. But he is famous and perhaps you would like to see him for that reason?’”

“‘’Ranov has been told to give us whatever we want,‘ Helen remarked quietly when we had a moment alone, outside the hotel. ’Why is that? Why does someone think that is a good idea?‘ We looked fearfully at each other.

“‘I wish I knew,’ I said.

“‘We are going to have to be very careful here.’ Helen’s face was grave, her voice low, and I didn’t dare to kiss her in public. ‘Let us have an agreement from this moment that we will never reveal anything but our scholarly interests, and those as little as possible, if we have to discuss our work in front of him.’

“‘Agreed.’”

Chapter 55

“In these last years, I’ve found myself remembering over and over my first sight of Anton Stoichev’s house. Perhaps it made such a deep impression on me because of the contrast between urban Sofia and his haven just outside it, or perhaps I remember it so often because of Stoichev himself-the particular and subtle nature of his presence. I think, however, that I feel a keen, almost breathless anticipation when I recall the sight of Stoichev’s front gate because our meeting with him was the turning point in our search for Rossi.

“Much later, when I read aloud about the monasteries that lay outside the walls of Byzantine Constantinople, sanctuaries where their inhabitants sometimes escaped citywide edicts about one point of church ritual or another, where they were not protected by the great walls of the city but were a degree removed from the state’s tyrannical reach, I thought of Stoichev-his garden, its leaning apple and cherry trees starred with white, the house settled into a deep yard, its new leaves and blue beehives, the old double wooden gate with the portal above it that kept us out, the air of quiet over the place, the air of devotion, of deliberate retreat.

“We stood before that gate while the dust settled around Ranov’s car. Helen was the first to press the handle of one of the old latches; Ranov hung sullenly back as if he hated being seen there, even by us, and I felt strangely rooted to the ground. For a moment I was hypnotized by the midmorning vibration of leaves and bees, and by an unexpected, sickening feeling of dread. Stoichev, I thought, might well prove no help, a final dead end, in which case we would return home having walked a long path to nowhere. I’d imagined it a hundred times already: the silent flight back to New York from Sofia or Istanbul-I would like to see Turgut one more time, I thought-and the reorganization of my life at home without Rossi, the questions about where I had been, the problems with the department over my long absence, the resumption of my writing about those Dutch merchants-placid, prosaic people-under the guidance of some vastly inferior new adviser, and the closed door to Rossi’s office. Above all, I dreaded that closed door, and the ongoing investigation, the inadequate questioning of the police-‘So-Mr.-er-Paul, is it? You took a trip two days after your adviser disappeared?’-the small and puzzled gathering at a memorial service of sorts, eventually the question of Rossi’s works, his copyrights, his estate.

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