Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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In fact, there was so much to do, to take care of, that we didn’t remove any more clothing, and a great deal of time seemed to pass before Barley curled himself around me with a strangled sigh, murmuring, “You’re just a kid,” and put one arm possessively over my shoulders and neck.

When he said this, I suddenly knew that he, too, was just a kid-an honorable kid. I think I loved him more in that moment than at any other.

Chapter 53

“The borrowed apartment where Turgut had left Mr. Erozan was perhaps a ten-minute walk from his own-or a ten-minute run, because we all but ran, even Helen in her heeled pumps hurrying along with us. Turgut muttered (and swore, I guessed) under his breath. He had brought with him a little black bag, which I thought might contain medical supplies in case the doctor did not come, or didn’t come in time. At last we found ourselves climbing the wooden stairway in an old house. We tore up the stairs after Turgut and he threw open a door at the top.

“The house had apparently been divided into dingy little apartments; in this one a bed, chairs, and a table furnished the main room, and a single lamp lit it. Turgut’s friend lay on the floor with a blanket over him, and from beside him a stammering man of about thirty rose to greet us. The man was almost hysterical with fright and contrition; he kept wringing his hands and telling Turgut something over and over. Turgut pushed him aside and he and Selim knelt by Mr. Erozan. The poor victim’s face was ashen, his eyes were closed, and his breath came in rattling gasps. There was an ugly tear in his neck, larger than when we’d last seen it, but the more horrible because it was strangely clean, if ragged, with only a fringe of blood at the edges. It occurred to me that such a deep wound ought to bleed copiously, and the realization sent a thrill of nausea to my stomach. I put my arm around Helen and we stood staring, unable to look away.

“Turgut was examining the wound without touching it and now he glanced up at us. ‘A few minutes ago, this damnable man went for a strange doctor without consulting me, but the doctor was out. That, at least, is fortunate, because we do not want a doctor here now. But he left Erozan alone just at sunset.’ He spoke with Aksoy, who got up suddenly and-with a force I would not have predicted-struck the hapless watchman and sent him from the room. The man backed away and then we heard his terrified descent down the stairwell. Selim locked the door behind him and looked out the window to the street, as if to satisfy himself that the fellow wouldn’t be returning. Then he knelt by Turgut and they conferred in low voices.

“After a moment, Turgut reached into the bag he had brought with him. I saw him draw from it an object already familiar to me: it was a vampire-hunting kit similar to the one he had given me in his study more than a week earlier, except that this one was in a finer box, ornamented with Arabic writing and what looked like mother-of-pearl inlay. He opened it and took stock of the instruments inside. Then he looked up at us again. ‘Professors,’ he said quietly, ‘my friend has been bitten by the vampire at least three times, and he is dying. If he dies naturally in this condition, he will soon become undead.’ He wiped his forehead with a big hand. ‘This is a terrible moment now, and I must ask you to leave the room. Madam, you must not see this.’

“‘Please, let us do whatever will help you,’ I began hesitantly, but Helen stepped forward.

“‘Let me stay,’ she told Turgut in a low voice. ‘I want to know how it is done.’ For a moment, I wondered why she craved this knowledge and found myself remembering-surreal thought-that she was, after all, an anthropologist. He glared at her, then seemed to acquiesce without words, and bent again to his friend. I hoped, still, that what I had already guessed was wrong, but Turgut was murmuring something in his friend’s ear. He took Mr. Erozan’s hand and stroked it.

“Then-and this was perhaps the worst of all the awful things that followed-Turgut pressed his friend’s hand to his own heart and broke out in a keening wail, words that seemed to come to us from the depths of a history not only too ancient but too alien for me to distinguish their syllables, a howl of grief akin to the muezzin’s call to prayer, which we had heard from the minarets in the city-except that Turgut’s wail sounded more like a summons to hell-a string of horror-stricken notes that seemed to arise from the memory of a thousand Ottoman camps, a million Turkish soldiers. I saw the fluttering banners, the splashes of blood on the legs of their horses, the spear and the crescent, the glitter of sunlight on scimitars and chain mail, the beautiful and mutilated young heads, faces, bodies; heard the screams of men crossing into the hand of Allah and the cries of their faraway mothers and fathers; smelled the reek of burning houses and fresh gore, the sulfur of cannon fire, the conflagrations of tent and bridge and horseflesh.

“Most strangely, I heard in the midst of this roar a cry I could understand at will: ‘Kaziklu Bey!The Impaler!’ In the heart of the chaos I seemed to see a figure different from the rest, a dark-clad, cloaked man on horseback wheeling among the bright colors, his face drawn up in a snarl of concentration and his sword harvesting Ottoman heads, which rolled heavily in their pointed helmets.

“Turgut’s voice fell back and I found I was standing near him now, looking down at the dying man. Helen was blessedly real next to me-I opened my mouth to ask her a question and saw that she had heard the same horror in Turgut’s chant. I remembered without wanting to that the blood of the Impaler ran in her veins. She turned to me for a second, her face shocked but steady; it came to me just in time that Rossi’s heritage-mild, patrician, Tuscan, and Anglo-also ran through her, and I saw Rossi’s incomparable kindness in her eyes. In that moment, I think-not later, not at home in my parents’ stodgy brown church, not in front of any minister-I married her, I wed her in my heart, I cleaved to her for life.

“Turgut, silent now, had placed the string of prayer beads on his friend’s throat, which made the body quiver a little, and selected from the stained satin in the box a tool longer than my hand and made of bright silver. ‘I have never had to do this before, God save me, in my life,’ he said quietly. He opened Mr. Erozan’s shirt and I saw the aging skin, the curling chest hair gray as ashes, rising and falling unevenly. Selim searched the room with silent efficiency and brought Turgut a brick that had apparently been used as a door prop, and this homely object Turgut took in his hand, weighing it for a second. He put the sharp end of the stake on the left side of the man’s chest and began a low chant, in which I caught words I remembered from somewhere-book, movie, conversation?-‘Allahu akbar, Allahu akbar:Allah is great.’ I couldn’t, I knew, force Helen to leave the room any more than I could leave it myself, but I pulled her back a step as the brick descended. Turgut’s hand was large and steady. Selim held the stake upright for him and with a splintering, sucking thud it went into the body. Sluggish blood welled around the point and smeared the pale skin. Mr. Erozan’s face convulsed horribly for a second and his lips drew back from his yellowing teeth like a dog’s. Helen stared and I did not dare look away; I didn’t want her to watch anything I couldn’t see with her. The librarian’s body quivered, the stake suddenly went down to its hilt, and Turgut sat back, as if waiting. His lips trembled and sweat had sprung out all over his face.

“After a moment the body relaxed and then the face; the lips drooped peacefully over Mr. Erozan’s mouth, a sigh came up out of his chest; his feet in their pathetically worn socks twitched and were still. I kept a firm hold on Helen, and felt her shiver next to me, but she stood quiet. Turgut raised his friend’s limp hand and kissed it. I saw tears running down his ruddy face, dripping into his mustache, and he covered his eyes with one hand. Selim touched the dead librarian’s brow, then rose and pressed Turgut’s shoulder.

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