Karin Slaughter - Kisscut

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Kisscut: краткое содержание, описание и аннотация

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"Engrossing…
[with] meticulous characterizations." – People
"Like the atmosphere of casual malevolence in Shirley Jackson's 'The Lottery' or the contagious suspicion that fuels Rod Serling's 'The Monsters Are Due on Maple Street,' creepiness spreads like kudzu in Slaughter's small-town setting." – Washington Post Book World
"Karin Slaughter deserves all the praise she gets for her razor-sharp plotting and forensic detail. But for me the hook is in her characters and relationships.
They are right on the mark." – Michael Connelly
"The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs." – Publishers Weekly
"A fast-paced thriller for those not faint of heart." – Library Journal
"It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing." – Kirkus Reviews
"With Blindsighted, Karin Slaughter left a great many thriller writers looking anxiously over their shoulders.
With Kisscut, she leaves most of them behind…
It succeeds brilliantly." – John Connolly
"A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side." – Booklist
"Impossible to put down… Slaughter hits all the buttons, providing an original and well-plotted story that doesn't let up until the final sentence." – Orlando Sentinel
"Karin Slaughter is an impressive new landmark on the thriller map." – Val McDermid
"Slaughter delivers a noir thriller complete with a brooding atmosphere that veers into Southern gothic tradition… [She] gives us an understanding about victims that only a well-constructed hard-boiled novel can. This is a novel that has staying power, because she makes us care so much about the characters." – Florida Sun-Sentinel
"Though her forensics and investigative writing place her in a league with Patricia Cornwell and Kathy Reichs, Slaughter's tweaking of the human condition is key to making her a uniquely original voice in the world of mystery and suspense." – Mississippi Clarion Ledger
"Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today." – Tess Gerritsen
***
Amazon.com Review
When police chief Jeffrey Tolliver responds to a disturbance at a local skating rink, the last thing he expects is to have to shoot a 13-year-old girl who's holding a gun on a fellow student. Then Jenny Deaver's autopsy reveals two stunning facts: she did not bear the murdered newborn discovered in the rink's restroom, and she had recently been genitally mutilated. With his ex-wife, pediatrician Sara Linton, Jeffrey uncovers a child sex and pornography ring involving Jenny, her classmates, and their mothers-a horrific enterprise that culminated in the killing that Tolliver will never be able to forget. This taut, chilling thriller showcases Karin Slaughter's skill at plotting, pace, and narrative, and will linger in the reader's mind long after the stunning denouement. This is a terrific sequel to her debut, Blindsighted, with two protagonists whose complex relationship will no doubt be a featured subplot in her next offering.
From Publishers Weekly
Aptly named novelist Slaughter (Blindsighted) brings back her horribly scarred cast of Grant County, Ga., cops and coroners for more murder, mayhem and horrific sexual violence. Pathologist Sara Linton, who has been dating her ex-husband, police chief Jeffrey Tolliver, is witness to Tolliver's fatal shooting of a teenage girl when the girl threatens to shoot a 16-year-old boy in a standoff outside the local skating rink. A search of the rink turns up a dismembered fetus in a toilet; Sara's postmortem reveals the girl had a long history of abuse most gruesomely, her vagina is sewn shut. Working the case alongside Jeffrey is Det. Lena Adams, herself the victim of a recent abduction and rape, who is also trying, with difficulty, to come to terms with the death of her gay sister. Questioning Mark, the boy who was almost shot, Lena gradually uncovers a true horror show of pedophilia, incest and kiddie porn, an inverted world where parents rape their children before peddling them to strangers for money and blackmail. Slaughter adheres to the traditional mystery format, but turns up the shock factor tenfold, demonstrating that the deepest depravity can be business as usual in small towns as well as big cities. The undertone of violence is pervasive, even at quiet moments (" Lena was able to pull her hand away, but not before she felt Grace's thumb brush across the scar… The touch was tender, almost sexual, and Lena could see the charge Grace got out of it"), amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs. (Sept.) Forecast: Slaughter's much-praised first novel, Blindsighted, put her on the thriller map. Kisscut, a featured alternate selection of the Literary Guild, Doubleday Book Club, Mystery Guild and BOMC, could make her a bestseller. 10-city author tour.

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For the rest of his life, maybe even right now, trapped in his body as he was, Mark would carry with him the knowledge that he had enjoyed it. Just for that moment in time, he had been his mother's favorite, he had experienced what he thought of as love for maybe the first time in his life. In her sick, twisted way, Grace Patterson had made her son feel wanted, and he had loved her back for it, even as he had hated her for doing something so wrong.

The room was silent but for the machines and the blood pounding in Lena 's ears. She heard a high-pitched whining noise, but knew it was only in her head. She wanted to stand up, to let go of Mark, to leave him in this bed to die because he would do that with or without her.

Still, she had come this far. There was no one stopping her, no one questioning the insanity of her revelations. There was just Lena in the room, and if Mark was there, if he was really there with her, hearing what she was saying, then he was probably the only other person in the world who could understand what she was saying.

"I was so lonely when he left me there," Lena began, her voice a hoarse whisper as she made herself go back to that horrible place. She clenched her teeth, not sure she could go on. It was this part that killed her every time, the reason she would never go into therapy or tell anyone what had really happened in that room four months ago.

"When he came back-back into the room-and I wasn't alone anymore…" Lena stopped, choking on a sob. She could not say this. She could not make herself admit this to anyone, not even Mark, not even this lifeless shell who wasn't even Mark anymore. She was not strong enough. She could not overcome this.

"Shit," Lena cried, trying to keep herself from breaking down. Her body shook, and soon she was wracked with sobbing. If Mark could still feel things, he would be able to feel her hands shaking, sense the fear that held her body like a steel trap. He would understand the pain that touched her deep inside the way no one ever would be able to again. No pills would take this away. Even a bullet passing through her brain would not push out the knowledge, and Lena knew that even if she did manage to do it, to pull that trigger or take all of those pills, her last thoughts would still be of him .

"No," Lena said, shaking her head violently side to side. "No, no, no," she insisted, thinking about what Nan had said, knowing what Sibyl would say if she were here.

"Be strong," Lena said, speaking for Sibyl. "Be stronger than this."

Lena thought of Hank, too, sitting on the floor in her bathroom, weeping openly, just as she wept now.

"When he came back into the room with me," Lena began, forcing herself to speak, pushing herself to say his name. "When he came back to me," she repeated, "part of me was relieved." She stopped, knowing that was still not right. She could tell Mark this, because Mark understood. He knew what it was like to be so empty that you took whatever people gave you. She knew the loneliness of being locked in a pitch-black room with nothing to do but wait. She knew that there came a point when your mind told you everything was wrong, but your body betrayed you anyway, reaching out for whatever comfort was offered.

She swallowed, starting again. "When he came back into the room," she began, "part of me was… happy."

Chapter Twenty-Two

Sara sat on the floor across from Lacey Patterson in the back room of the children's clinic. Just a few days ago, Lacey had come here seeking help. Now she was back, having gone through unspeakable things, and all Sara could do was wait for the girl to talk.

"Dottie just left you at Wayne 's house?" Sara asked.

"Yeah," Lacey said, looking down at her shoes. She had asked to sit on the floor for some reason, and Sara had obliged, wanting to make the girl as comfortable as possible. She did not want Sara close, and so they had decided Sara would sit a foot away with her back against the closed door. Lacey sat in the middle of the room.

Lacey said, "The pills made me sleepy."

"And you don't remember anything that went on until you woke up in the hospital?"

She nodded, then started to bite her fingernails. Time passed, and the little girl was down to the cuticle on her thumb, and working on her pinky finger when Sara reached out and stopped her.

"You'll hurt yourself," Sara said, then realized from Lacey's expression how silly the warning was.

Lacey chewed at her cuticle, asking, "Is Mark going to be okay?"

"I don't know, sweetie."

Lacey teared up, but she did not cry. "I didn't mean to hurt him," she said.

"How did you hurt him?"

"He was coming after me again, and I just grabbed the knife."

"You're the one who cut him?"

She nodded, chewing another nail. "They were at Dot-tie's, taking things out of the house and painting. I was hiding, but Mark found me. I kicked him in the head with my foot." She took her fingers out of her mouth. "Mark didn't want me to come here to see you. I wanted to say goodbye, and then I was so scared I got sick. I'm sorry."

"That's okay," Sara assured her. "So you came here and then Mark showed up? And then you ran and Dottie picked you up in the black car?"

Lacey nodded, but she still would not say who had been driving the car. She asked, "You don't think that's why he tried to kill himself, do you? Because I hit him?"

"No," Sara assured her. "I think that Mark had a lot of other problems that led him to think that was his only choice."

"Can I see him?" she asked in a small voice.

"If you want to."

"I want to."

Sara sat back, watching the girl chew her fingers. Lacey's hair had been cut almost in a buzz cut. Dottie had probably planned to disguise her as a boy until she could sell her off to the highest bidder.

"Is my daddy coming back soon?" Lacey asked.

"Do you want to see him?"

"He didn't know," she said, as if she could read Sara's mind. "I knew about Mark and Mama, but Daddy didn't know."

"Are you sure?"

She nodded. "If he found out, he would've killed Mark."

"How about you, honey?" Sara asked. "Did Mark ever touch you?"

She looked away.

"Lacey?"

She shook her head vehemently, but Sara did not believe her. She was still torn on the subject of Mark Patterson. On the one hand, he had been a victim, and on the other, he had obviously been an abuser.

Lacey said, "Mark was nice to me."

Sara let this pass. "Did Dottie ever make you sit for pictures?"

"No," she said. "Mark and Jenny did, though. They got their pictures taken, and sometimes they were in movies. I saw them doing it."

"But you never did?"

Lacey put her hand back in her mouth. "Mark said if he ever caught me doing any of that he would tell Daddy."

"Mark didn't want you to do it?"

"I wanted to," she countered, taking on a petulant child's tone. "Jenny was doing it, and she went to a party and did it with lots of boys."

"Do you think Jenny enjoyed doing that?"

"I tried it once, and Mark found out." She dropped her hand into her lap. "That's when he hit me."

Sara let this sink in. She had never even dreamed that Mark was trying to protect his sister.

"This was when Mark got arrested, right?"

Lacey seemed surprised that Sara knew this. "Yeah."

"But, he didn't tell your father?"

"I told him if he did that I would tell about him and Mama."

She said "him and Mama" in a singsong way, as if the phrase had been practiced over and over. Sara imagined that Lacey had used this as a threat on more than one occasion. She was still a child at heart, and most children would do anything they could to get their way.

"I didn't like it anyway," Lacey said. "I told him I wouldn't do it anymore. I didn't like it." She frowned. "Dottie was mean when she was like that. Not like she was when we were playing."

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