Karin Slaughter - Kisscut

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Kisscut: краткое содержание, описание и аннотация

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"Engrossing…
[with] meticulous characterizations." – People
"Like the atmosphere of casual malevolence in Shirley Jackson's 'The Lottery' or the contagious suspicion that fuels Rod Serling's 'The Monsters Are Due on Maple Street,' creepiness spreads like kudzu in Slaughter's small-town setting." – Washington Post Book World
"Karin Slaughter deserves all the praise she gets for her razor-sharp plotting and forensic detail. But for me the hook is in her characters and relationships.
They are right on the mark." – Michael Connelly
"The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs." – Publishers Weekly
"A fast-paced thriller for those not faint of heart." – Library Journal
"It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing." – Kirkus Reviews
"With Blindsighted, Karin Slaughter left a great many thriller writers looking anxiously over their shoulders.
With Kisscut, she leaves most of them behind…
It succeeds brilliantly." – John Connolly
"A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side." – Booklist
"Impossible to put down… Slaughter hits all the buttons, providing an original and well-plotted story that doesn't let up until the final sentence." – Orlando Sentinel
"Karin Slaughter is an impressive new landmark on the thriller map." – Val McDermid
"Slaughter delivers a noir thriller complete with a brooding atmosphere that veers into Southern gothic tradition… [She] gives us an understanding about victims that only a well-constructed hard-boiled novel can. This is a novel that has staying power, because she makes us care so much about the characters." – Florida Sun-Sentinel
"Though her forensics and investigative writing place her in a league with Patricia Cornwell and Kathy Reichs, Slaughter's tweaking of the human condition is key to making her a uniquely original voice in the world of mystery and suspense." – Mississippi Clarion Ledger
"Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today." – Tess Gerritsen
***
Amazon.com Review
When police chief Jeffrey Tolliver responds to a disturbance at a local skating rink, the last thing he expects is to have to shoot a 13-year-old girl who's holding a gun on a fellow student. Then Jenny Deaver's autopsy reveals two stunning facts: she did not bear the murdered newborn discovered in the rink's restroom, and she had recently been genitally mutilated. With his ex-wife, pediatrician Sara Linton, Jeffrey uncovers a child sex and pornography ring involving Jenny, her classmates, and their mothers-a horrific enterprise that culminated in the killing that Tolliver will never be able to forget. This taut, chilling thriller showcases Karin Slaughter's skill at plotting, pace, and narrative, and will linger in the reader's mind long after the stunning denouement. This is a terrific sequel to her debut, Blindsighted, with two protagonists whose complex relationship will no doubt be a featured subplot in her next offering.
From Publishers Weekly
Aptly named novelist Slaughter (Blindsighted) brings back her horribly scarred cast of Grant County, Ga., cops and coroners for more murder, mayhem and horrific sexual violence. Pathologist Sara Linton, who has been dating her ex-husband, police chief Jeffrey Tolliver, is witness to Tolliver's fatal shooting of a teenage girl when the girl threatens to shoot a 16-year-old boy in a standoff outside the local skating rink. A search of the rink turns up a dismembered fetus in a toilet; Sara's postmortem reveals the girl had a long history of abuse most gruesomely, her vagina is sewn shut. Working the case alongside Jeffrey is Det. Lena Adams, herself the victim of a recent abduction and rape, who is also trying, with difficulty, to come to terms with the death of her gay sister. Questioning Mark, the boy who was almost shot, Lena gradually uncovers a true horror show of pedophilia, incest and kiddie porn, an inverted world where parents rape their children before peddling them to strangers for money and blackmail. Slaughter adheres to the traditional mystery format, but turns up the shock factor tenfold, demonstrating that the deepest depravity can be business as usual in small towns as well as big cities. The undertone of violence is pervasive, even at quiet moments (" Lena was able to pull her hand away, but not before she felt Grace's thumb brush across the scar… The touch was tender, almost sexual, and Lena could see the charge Grace got out of it"), amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs. (Sept.) Forecast: Slaughter's much-praised first novel, Blindsighted, put her on the thriller map. Kisscut, a featured alternate selection of the Literary Guild, Doubleday Book Club, Mystery Guild and BOMC, could make her a bestseller. 10-city author tour.

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Despite this, she took his hand. "Lacey's okay," she told him. "Well, she's back. They found her over in Macon and she's…"

Lena looked around the room not knowing how to do this.

"They're watching the post office," she told him. "The chief thinks Dottie will show up soon." Lena took a deep breath and held it awhile before exhaling. "We'll catch her, Mark. She won't get away with this."

She was silent, listening to the in and out of his breath as the machine pushed air into his lungs. Of course Mark did not respond to her, and again she felt foolish. Why did Hank do this with Sibyl? What did it accomplish, telling her things? It was like talking to the wind. It was really just talking to yourself.

Lena laughed, realizing that of course this was why Hank did it. Talking to someone who could not answer you, who could not voice concern or disapproval or anger or hatred, was the ultimate freedom. You could say anything you wanted without fear of repercussion.

"I'm not sure I'm going to be a cop anymore," she told Mark, feeling a little giddy as she spoke the words aloud. Her mind had been playing around with this thought for a while, like a marble spinning through a maze in a child's game, but she had not let herself accept the possibility until just this moment.

"I've got to talk to my boss in a couple of days." She paused, looking at the tattoo on Mark's hand. She wondered briefly what she could do to have the tattoo removed. There were procedures that could take them off. She had seen them advertised on television.

"I don't know what I'm going to tell Jeffrey," Lena said, still feeling silly. "I talked to Hank, and I know I could move back to Reece with him." She stopped. "I don't know, though. I don't know if I can go back."

Lena noticed that his blanket had come undone, and she walked around the bed to tuck it back in. She smoothed the material with her hand, saying, "Anyway, I don't want to leave Sibyl here alone. I know she's got Nan to look after her, but, still…"

Lena walked around the room, trying to think of what to say. The sound of her voice in the room was making her self-conscious, but it felt better to say these things, to speak the words that had been jumbled up in her head for so long.

The chair screeched across the floor as she moved it to the bed. She sat, and took Mark's hand again. "I wanted to say," she began, but could not go on. She finally forced herself to speak. "I wanted to say that I'm sorry for the way I reacted when you told me what happened…" She paused, as if waiting for a response, then clarified, "About you and your mom."

Lena looked at his face, wondering if he could hear any of this.

She said, "I wanted to let you know that I understand. I mean, I understand as much as I can." She shook her head. "I mean…" she began, then stopped again. "I know what it took, Mark. I know what it took for you to tell me your secret." She paused, trying to remember to breathe. "You were right when you said I'd been through the same thing, that I knew what you were talking about."

She looked at him again, and still he was mute. His chest rose and fell with the pump that forced him to breathe. The heart monitor beeped with his heart.

"I didn't think this would be so hard," she whispered. "I thought I was being strong…" She stopped again. "You were right, though. I was a coward, lama coward."

Lena took a deep breath, holding it in until she thought her lungs might burst. She felt the room closing in on her, and suddenly, she was back in that dark place, splayed to the floor, with him somewhere in the house, ignoring her. The worst part was when the drugs started to wear off, and she realized where she was and what was being done to her, and that she was powerless. She would feel a pressure in her chest, as if someone had carved her out and filled her with a liquid-black loneliness. When she got to this place, this stripped-down, empty place, the light under the door became her salvation, and she would find herself wanting to see him, wanting to hear his voice, no matter what the cost.

"I was so scared," she told Mark. "I didn't know where I was, or how much time had passed, or what was going on."

She felt her throat tighten as the memory overwhelmed her. "He nailed me down to the floor," she told him, though surely Mark knew this. "He nailed me down, and I couldn't move away. I didn't have a choice. There was nothing I could do except wait, and let him do to me what he did."

Lena 's breath came in pants, and she could feel herself going back to that room again, feeling trapped and helpless. "The drugs…" she said, then stopped herself. Mark had obviously used drugs to dull his pain, too. Only, Lena had not been given a choice about what she would take, or when.

"He gave me these drugs," she said. "They made me feel…" She tried to find words. "Free," she said. "Like I was floating, like I was above everything. And Greg, my boyfriend-ex-boyfriend-was there." She stopped again, thinking about the Greg from her drugged dreams, not the Greg she had actually known. In her dreams, Greg was much more sure of himself, more in control of their love-making. He pushed her in her dreams, pushed her to the edge where she did not know the difference between pain and pleasure, and did not want to know. All she wanted when she was in this state was to have him inside of her, to have him touching her, and filling her up from the inside, pushing deeper into her, until she thought she might explode. Then, when he took her to this point, the release was almost ethereal. She had never known such pleasure in her life as her body opened up to him completely.

She told Mark, "Greg was never like that. I knew that. I knew that in my mind." She squeezed Mark's hand. "I knew it somewhere, and I didn't care. I just wanted to be with him. I wanted to feel him."

She put her hand to her mouth, but there was no turning back now. "Then, the drugs would wear off," she said, feeling like she was describing something that had happened to someone else. "And I would start to feel things. I would start to realize what was going on, who I really was." She swallowed hard. "What I had done with him." Lena felt her stomach turn in disgust. "The noises I had made," she whispered, remembering them now, how she had talked back to him, how she had pleaded with him the way she would plead with a lover.

Her hand dropped to her chest, and she could feel her heart pounding. "And then I would cry," she said, tears streaming down her face. "I would cry, because I was so disgusted with myself, and then I would cry because I felt so alone." She wiped her eyes with the back of her hand. "I would cry because I didn't want to be alone, didn't want to know what had happened."

"And when he came to me…" she whispered. "When he came back into the room, and I wasn't alone anymore…"

Lena had to stop, because she was going to hyperventilate if she did not get her breathing under control. She looked at Mark's hand, rubbing her fingers across the tattoo.

Mark's confession came back to Lena in a flood, and she could hear now what she could not let herself hear in that trailer. He had talked about the crime against him like a lover recalling a particularly passionate moment. As Lena played his words in her head over and over again, she finally knew why he had branded himself with the tattoo. She knew the guilt Mark carried around with him like an anvil tied to his heart. Part of him would always be his mother's son. Part of him would always be back in that trailer, listening to a CD, when his mother came into his room and raped him. Part of him would always remember how good it felt, if only for the moment, to be inside of her, to fuck her. No matter where he went or what he did, Mark would carry that brand inside of him. The tattoo only made it so that other people could see. The tattoo was Mark's way of telling people that he did not belong to them, that he would always belong to his mother. What she had done had marked him inside the way no needle and ink could ever mark his skin.

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