Karin Slaughter - Kisscut

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Kisscut: краткое содержание, описание и аннотация

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"Engrossing…
[with] meticulous characterizations." – People
"Like the atmosphere of casual malevolence in Shirley Jackson's 'The Lottery' or the contagious suspicion that fuels Rod Serling's 'The Monsters Are Due on Maple Street,' creepiness spreads like kudzu in Slaughter's small-town setting." – Washington Post Book World
"Karin Slaughter deserves all the praise she gets for her razor-sharp plotting and forensic detail. But for me the hook is in her characters and relationships.
They are right on the mark." – Michael Connelly
"The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs." – Publishers Weekly
"A fast-paced thriller for those not faint of heart." – Library Journal
"It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing." – Kirkus Reviews
"With Blindsighted, Karin Slaughter left a great many thriller writers looking anxiously over their shoulders.
With Kisscut, she leaves most of them behind…
It succeeds brilliantly." – John Connolly
"A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side." – Booklist
"Impossible to put down… Slaughter hits all the buttons, providing an original and well-plotted story that doesn't let up until the final sentence." – Orlando Sentinel
"Karin Slaughter is an impressive new landmark on the thriller map." – Val McDermid
"Slaughter delivers a noir thriller complete with a brooding atmosphere that veers into Southern gothic tradition… [She] gives us an understanding about victims that only a well-constructed hard-boiled novel can. This is a novel that has staying power, because she makes us care so much about the characters." – Florida Sun-Sentinel
"Though her forensics and investigative writing place her in a league with Patricia Cornwell and Kathy Reichs, Slaughter's tweaking of the human condition is key to making her a uniquely original voice in the world of mystery and suspense." – Mississippi Clarion Ledger
"Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today." – Tess Gerritsen
***
Amazon.com Review
When police chief Jeffrey Tolliver responds to a disturbance at a local skating rink, the last thing he expects is to have to shoot a 13-year-old girl who's holding a gun on a fellow student. Then Jenny Deaver's autopsy reveals two stunning facts: she did not bear the murdered newborn discovered in the rink's restroom, and she had recently been genitally mutilated. With his ex-wife, pediatrician Sara Linton, Jeffrey uncovers a child sex and pornography ring involving Jenny, her classmates, and their mothers-a horrific enterprise that culminated in the killing that Tolliver will never be able to forget. This taut, chilling thriller showcases Karin Slaughter's skill at plotting, pace, and narrative, and will linger in the reader's mind long after the stunning denouement. This is a terrific sequel to her debut, Blindsighted, with two protagonists whose complex relationship will no doubt be a featured subplot in her next offering.
From Publishers Weekly
Aptly named novelist Slaughter (Blindsighted) brings back her horribly scarred cast of Grant County, Ga., cops and coroners for more murder, mayhem and horrific sexual violence. Pathologist Sara Linton, who has been dating her ex-husband, police chief Jeffrey Tolliver, is witness to Tolliver's fatal shooting of a teenage girl when the girl threatens to shoot a 16-year-old boy in a standoff outside the local skating rink. A search of the rink turns up a dismembered fetus in a toilet; Sara's postmortem reveals the girl had a long history of abuse most gruesomely, her vagina is sewn shut. Working the case alongside Jeffrey is Det. Lena Adams, herself the victim of a recent abduction and rape, who is also trying, with difficulty, to come to terms with the death of her gay sister. Questioning Mark, the boy who was almost shot, Lena gradually uncovers a true horror show of pedophilia, incest and kiddie porn, an inverted world where parents rape their children before peddling them to strangers for money and blackmail. Slaughter adheres to the traditional mystery format, but turns up the shock factor tenfold, demonstrating that the deepest depravity can be business as usual in small towns as well as big cities. The undertone of violence is pervasive, even at quiet moments (" Lena was able to pull her hand away, but not before she felt Grace's thumb brush across the scar… The touch was tender, almost sexual, and Lena could see the charge Grace got out of it"), amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs. (Sept.) Forecast: Slaughter's much-praised first novel, Blindsighted, put her on the thriller map. Kisscut, a featured alternate selection of the Literary Guild, Doubleday Book Club, Mystery Guild and BOMC, could make her a bestseller. 10-city author tour.

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Lena nodded, swallowing past the lump in her throat. "Yeah," she said, "that's probably a good idea." She had not told him that Jeffrey had given her an ultimatum: either take the time to get some help, or don't bother coming back at all. Partly, she had kept this secret because she did not want Hank to make the choice for her. He would easily take her back to Reece, give her a job in his bar, so that she could live her life under his watchful eye. That wouldn't really work, though, because one day Hank would be gone. He was an old man. He would not be there forever, and then what would Lena do?

For some reason, the thought that one day Hank would be dead brought tears to her eyes. She looked away from him, trying to gain her composure. Silently, he took his handkerchief out of his back pocket and handed it to her. The cloth was wet from his sweat, and hot, but she used it to blow her nose with anyway.

"I can postpone it," he offered.

"No," she said. "It's probably better."

"I'll sell the bar," he offered. "I can find a job here." He added, "You could come with me, back home."

She shook her head no, feeling the tears coming again. There was no way to tell Hank that she wasn't upset about his leaving so much as about knowing that one day he would be dead. It was all too morbid, and what she really wanted from him, needed from him, was to know that she could always pick up the phone and he would be there. That was all Lena had ever wanted from Hank. That was actually the one thing he had always given her.

Hank cleared his throat and said, "You've always been the strong one, Lee."

She laughed, because she had never felt so weak and helpless in her life.

"With Sibby, I knew I had to be there, had to hold her hand every step of the way." He paused, staring back at the tent from the recent funeral. "With you, it was harder. You didn't want me. Need me."

"I don't know if that's true."

"Hell, yes, it is," he countered. "You always did everything on your own. Skipped college, joined the police academy, moved here, didn't tell me about it until after it was all done."

Lena felt there was something she should say, but could not think what.

"Anyway," he said, taking back the handkerchief. She watched as he folded it. "I guess I'll take off tomorrow."

"Okay," she nodded, turning back to Sibyl's grave.

"They'll probably need you here for a while, anyway," Hank said. "What with that girl being found. I'm sure there's a lot more kids around here who went through the same thing. Those people don't tend to be as isolated as you'd think."

"No," Lena agreed. "They don't."

"Good that girl's back, though," Hank added. "That your chief found her."

"Yes," Lena said, but she wondered about that. What kind of things had been done to Lacey Patterson in that house? What memories would she carry with her for the rest of her life? Would she even be able to carry them, or would she take the easy way out, like her brother? Lena knew from her own experience that the lure of not having to think about the things that happened was seductive. Even after all she had been through, she was not sure that tomorrow she might decide that it wasn't worth it to keep on going.

Hank said, "I'm sorry about pushing Preacher Fine on you. I guess it's hard to see something like that."

Lena took the apology in stride. "Brad's a cop and he didn't see it either," she told him, though if Hank knew Brad, he would know that wasn't much of a consolation.

Hank tucked the handkerchief back into his pocket. He dropped his hands to his sides, the back of his hand brushing against hers for just a moment. Like Lena, he was sweaty, and she could feel the heat coming off his skin.

After a while, he said, "You know if you need me you can call me, right? You know I'll be there."

Lena smiled, and she really felt it this time. "Yeah, Hank," she said. "I know."

Lena walked through the hospice, trying to breathe through her mouth so that the smell didn't overwhelm her. The building had a certain odor that reminded her of piss and alcohol. It kind of reminded her of Hank's bar.

She jabbed at the button on the elevator, feeling claustrophobic as it slowly climbed to the third floor. Her neck felt gritty, and she used her hand to wipe it. After her run with Hank, she had taken a long shower, but she was already sweating again from the heat.

Lena sighed with relief as the doors opened and the smell of urine did not assault her nostrils. Most of the residents on Mark's floor were catheterized and somewhat sterile compared to their more active counterparts on the lower floors. The stench was controlled because of this.

She stepped into the hall, looking out the window across from the elevator. The clouds were dark and fluffy, filled with rain that seemed on the verge of falling. She was reminded of the morning Grace Patterson had died, and how she had stood behind Teddy Patterson while he slept, watching the sun come up and relishing the thought that the monster lying in the bed would never be able to feel the sun on her face again. Lena never questioned herself about making sure Grace did not go peacefully. She knew she had done the right thing. There was no doubt in her mind.

"Can I help you?" a woman asked as she walked in front of the nurses' station.

"I'm looking for Mark Patterson's room," Lena told her.

"Oh," the woman said, obviously surprised. "He hasn't had any visitors."

Lena could have guessed that Teddy Patterson would not want to see his son, but she still felt surprised.

Even though Lena knew the answer, she had to ask, "Has he regained consciousness?"

The woman shook her head, saying, "No," as she pointed down the hallway. "Three-ten," she told Lena. "Right, then left, across from the linen storage."

Lena thanked her and followed the directions. She traced her fingers along the railing lining the hall as she walked, purposely taking her time. There was no reason for Lena to see Mark. She wasn't working the case. Hell, she wasn't even sure if she was a cop anymore.

Even though Mark was not about to tell her to come in, Lena knocked on the door marked 310. She waited outside, then pushed the door open. The lights were out, and no one had opened the blinds to let the sun in. Mark lay in bed, tubes running in and out of him, looking paler than she had ever seen him. Machines beat softly in the background, and a bag filled with urine hung off the railing around the bed. The room was stark and institutional. There were no flowers on the bed table, and the single chair pushed against the wall had not been used. The television was off, the dark screen looking almost sinister.

"Let's let some light in," Lena said, not knowing what else to do. She twisted the wand on the blinds and the slats opened, pouring in light. She turned back to Mark, and adjusted the blinds so that he wasn't getting the full force of the sun.

There was a tube in his mouth helping him breathe, and saliva had built up around it. Lena went into the bathroom and wet a washcloth with warm water. At the bed, she wiped Mark's mouth. Then, because she had appreciated this when she was in the hospital, she folded the cloth and ran it along his face and neck, then along his arms. Next, she got some lotion out of the unopened patient-care kit in the stand beside the bed. She warmed it in her hands before rubbing it on his arms and neck, then patting some on his face. Lena wasn't sure, but his skin seemed to have more color to it when she was finished.

"Looks like they're treating you okay here," Lena said, though she didn't think that was necessarily true. "I, uh…" Lena began, then stopped. She looked at the door, feeling foolish for talking to Mark when he obviously could not hear her, thinking this was about as stupid as Hank talking to Sibyl's grave.

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