Karin Slaughter - Fractured

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‘No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' – The Times
‘Without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' – Daily Express
‘Slaughter deftly turns all assumptions on their head… Her ability to make you buy into one reality, then another, means that the surprises – and the violent scenes – keep coming' – Time Out
‘A great read… crime fiction at its finest' – MICHAEL CONNELLY
‘A fast-paced and unsettling story… A compelling and fluid read' – Daily Telegraph
‘Criminally spectacular' – OK!
‘Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' – Daily Mirror
‘Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' – Guardian
‘The writing is lean and mean, and the climax will blow you away' – Independent
‘Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go… one of the boldest thriller writers working today' – Tess Gerritsen
‘Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' – The Times
‘Brilliantly chilling' – heat
‘A salutary reminder that Slaughter is one of the most riveting writers in the field today' – Sunday Express
‘Don't read this alone. Don't read this after dark. But do read it' – Daily Mirror
‘With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' – JOHN CONNOLLY
‘Brilliant plotting and subtle characterisation make for a gruesomely gripping read' – Woman Home
‘Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' – Literary Review
‘Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' – Manchester Evening News
‘It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' – Kirkus Reviews
‘Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' – DENISE MINA
‘Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified…deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' – Washington Post
‘Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' – STELLA DUFFY

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Considering Evan Bernard's sex tapes, it would be many hours before he could think about porn again. "Where were you?"

"I went to see Leo Donnelly in the hospital."

"You hate him."

"He's a cop. Cops go to see cops when they're in the hospital."

Will would never understand that code, the secret language that came with wearing a uniform.

Angie said, "I heard you got your guy."

"Did you hear my prisoner killed himself while he was in my custody?"

"It wasn't your fault." Automatic, the cop's gesundheit of absolution.

"He was one of us," Will told her, not wanting to say Warren Grier's name aloud, to make him a living person again. "He was in and out of foster homes all his life. He finally left at eighteen. He was all alone."

Angie's eyes softened for just a moment. "Were you with him when he died?"

Will nodded. He had to believe that he had been there for Warren, even as the man took his last breath.

She said, "Then he wasn't alone, was he?"

Will rolled over on his side so that he could look at her. She was wearing shorts and a white blouse that was so thin it showed the black bra she was wearing underneath. Leo Donnelly must have loved that. He was probably telling half the squad room about it right now.

Will said, "I know you know you're not pregnant."

"I know you know."

There was nothing much more that he could say on the topic.

She asked, "Do you want a sandwich?"

"You let the mayonnaise go bad."

She gave a sly smile. "I bought a new jar at the store."

Will felt himself smiling back. It was, he thought, the nicest thing she had done for him in a really long while.

She started to leave, then stopped. "I'm glad you solved your case, Will. No one else would've gotten that girl back alive."

"I'm not so sure about that," he admitted. "You know a lot of this stuff is just chance."

"Be sure to tell that to your asshole teacher."

Evan Bernard. Was the reading teacher's impending prosecution the product of chance, or was that all down to Will's insight? Eventually, whoever was leading the investigation would have checked all of the CDs in Warren's office. Evan Bernard might have been in the wind by then, but they would have found the evidence.

She said, "Maybe if you're good, we can buff the coffee table again."

"Maybe the chair. My knees are hurting."

"I'm not going to marry an old man."

He didn't say the obvious, which was that she wasn't going to marry anybody. Angie hadn't put her house on the market, she wore her engagement ring only when it suited her and as long as Will had known her, the only commitment she had ever stuck to was one to never stick to commitments. The only promise she had ever kept was that she kept popping back up in his life no matter how many times she told him she was not going to.

She had bought him mayonnaise, though. There was some kind of love in the gesture.

Angie leaned over the bed and gave him an uncharacteristic kiss on the forehead. "I'll let you know when your sandwich is ready."

Will fell onto his back and stared up at the ceiling. He tried to remember what it felt like to be alone. As far back as he could remember, there had never been that sense of complete isolation you got when there was no one else out there in the world who even knew your name. Angie had always been a phone call away. Even when she was seeing other men, she would drop everything to come to Will's side. Not that he had ever asked her to, but he knew that she would, just as he knew that he would do the same for her.

Did having Angie in his life mean that Will would never be as alone as Warren Grier? He thought about the scene he had described to the younger man during the interrogation, the picture Will had painted of domestic bliss: Warren would come home to find Emma cooking dinner for him. They would share a bottle of wine and talk about their day. Emma would wash the dishes. Warren would dry. Describing the scenario had been so easy for Will because he knew in his heart that Warren's dreams would closely parallel his own.

Until recently, Will's house had looked like Warren's tiny room on Ashby Street-everything neat, everything in its place. Now Angie's stuff was strewn about, the imprint of her daily existence firmly melding into Will's. Was that a bad thing? Was the inconvenience, the disruption, the price that human beings paid for companionship? Will had told Warren that guys like them didn't know how to be in normal relationships. Maybe Will had landed himself right in the middle of one without having the capacity to recognize the signs.

Clicking announced Betty's entrance in the bedroom as her toenails struck the wood floor. It was as if the dog had been waiting for Angie to leave. She jumped onto the bed and looked at him expectantly. Will covered himself with the sheet, thinking it was mildly inappropriate to be undressed in front of the dog. Betty seemed to have her own issues. He saw what looked like potting soil on her snout.

Will closed his eyes, listening to the creaks and groans of the old house, the compressor kicking in as the air-conditioner whirred to life. Betty crawled onto his chest and took three turns before settling down. She had a little wheeze when she breathed. Maybe her hay fever was back. Will would have to take her to the doctor for some antihistamine tomorrow.

He heard Angie cursing in the kitchen. There was the sound of a knife hitting the floor, probably covered in mayonnaise. He could picture her wiping it up with her foot, tracking it across the tile. Betty would probably find the spots and lick the greasy residue. Will wondered if dogs could get food poisoning and decided the risk was too great.

Carefully, he scooped Betty off his chest, then put on his pants and went to help Angie in the kitchen.

EPILOGUE

THE ANSLEY PARK house sat vacant The furniture had been auctioned The walls - фото 29

THE ANSLEY PARK house sat vacant. The furniture had been auctioned. The walls and floors had been stripped. Special cleaning crews had erased the blood, the scenes of crime. Yet everything was still exactly the same in Abigail Campano's head. Sometimes she would be in the kitchen of their new house or walking up the staircase and remember Adam Humphrey's face, the dark red of his eyes as she squeezed the life out of him.

Despite-or maybe because of-the objection of their lawyers, Abby had written his parents a letter. She had told them what Emma had said about their boy, how he was kind and good and gentle. She had apologized. She had freely admitted her guilt. She offered them everything she had and was fully prepared to give it. Abigail had herself been a lawyer and she knew full well what she was doing. Two weeks later, a note had arrived in the mailbox among the various detritus strangers send strangers in times of catastrophe. There was no return address, but the postmark showed a rural town in Oregon. Two short sentences were on the card inside: Thank you for your letter. We pray that we all find the strength to carry on.

It seemed like such a trite statement, the sort of thing Jay Gatsby would say, or the parting line at the end of an old black and white war movie: Carry on, old sport! Carry on to freedom!

Two months later, life continued around them, but there was still the underlying threat of menace, as if they all expected it to be taken away from them. And how much they had to lose! The new house in Druid Hills was spectacular, even larger than the Ansley one. There were eight bedrooms and nine bathrooms. There was an office, a gym, a sauna, a wine cellar, a screening room, a keeping room, a mudroom. The carriage house offered two full baths and two more bedrooms. Walking around the apartment over the garage, Abigail had wryly commented that should tragedy ever befall their family again, at least she and Paul would have more space to get away from each other.

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