Karin Slaughter - Fractured

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‘No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' – The Times
‘Without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' – Daily Express
‘Slaughter deftly turns all assumptions on their head… Her ability to make you buy into one reality, then another, means that the surprises – and the violent scenes – keep coming' – Time Out
‘A great read… crime fiction at its finest' – MICHAEL CONNELLY
‘A fast-paced and unsettling story… A compelling and fluid read' – Daily Telegraph
‘Criminally spectacular' – OK!
‘Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' – Daily Mirror
‘Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' – Guardian
‘The writing is lean and mean, and the climax will blow you away' – Independent
‘Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go… one of the boldest thriller writers working today' – Tess Gerritsen
‘Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' – The Times
‘Brilliantly chilling' – heat
‘A salutary reminder that Slaughter is one of the most riveting writers in the field today' – Sunday Express
‘Don't read this alone. Don't read this after dark. But do read it' – Daily Mirror
‘With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' – JOHN CONNOLLY
‘Brilliant plotting and subtle characterisation make for a gruesomely gripping read' – Woman Home
‘Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' – Literary Review
‘Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' – Manchester Evening News
‘It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' – Kirkus Reviews
‘Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' – DENISE MINA
‘Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified…deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' – Washington Post
‘Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' – STELLA DUFFY

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He stood up, excitement replacing exhaustion. "We need to go to the copy center."

CHAPTER TWENTY-TWO

WILL WALKED DOWN through the cells not looking at the crimescene tape - фото 28

WILL WALKED DOWN through the cells, not looking at the crime-scene tape covering the open doorway where Warren Grier had hanged himself. He could feel the cold stares of the prisoners follow him to the end of the hall. There were the usual sounds of jail: men talking trash, other men weeping. Evan Bernard was in one of the larger holding cells. Men who raped young girls were always targeted by other prisoners. The ones who were attached to sensational cases could pretty much kiss their lives good-bye. The transgendered cell was the only safe place for a man like Bernard. The women were usually arrested for crimes of circumstance: stealing food, public vagrancy. Most of them were too feminine to get construction work and too masculine to turn tricks. Like Evan Bernard, they would have been torn apart in the general population.

The teacher had his hands hanging outside the bars, his elbows on the supports. The cell was a large one, at least fifteen feet wide. Beds were stacked three high across the space. As he walked up, Will noticed that the women were all huddled around a single bunk, as if they, too, could not stand the sight of Evan Bernard. Will had a sheet folded up under his arm. The material was thick prison issue, bleached and starched to within an inch of its life. When he propped it up between the bars, it stayed that way.

Bernard made a point of looking at the sheet. "Poor kid. The girls are crazy upset."

Will glanced into the cell. The girls looked ready to rip him apart.

Bernard said, "I'm not talking to you without my lawyer present."

"I don't want you to talk," Will said. "I want you to listen."

He shrugged. "Nothing else to pass the time."

"Do you know how he did it? How he strangled himself?"

"I assumed he was the victim of some sort of police brutality."

Will smiled. "Do you want to know or not?"

Bernard raised his eyebrow, as if to say, Go on .

Will took down the sheet, unfolding it. He explained as he worked. "It's hard to figure out, right? It doesn't make sense that you can asphyxiate yourself just sitting on the floor." He looped the sheet through his hand, wrapping the material around his arm.

"What you do is, you tie one end around the doorknob, and then you loop it around your neck like this." Will jerked the sheet tight, his skin pressing out between the folds. "You kneel down with your head close to the knob, and then you start breathing really fast and really hard until you hyperventilate."

Bernard smiled, as if he finally understood.

"And then, just before you pass out, you kick your legs out from underneath yourself." Will pulled the sheet away. "And then you wait."

"It wouldn't take long," Bernard said.

"No, just a few minutes."

"Is that why you came down here, Mr. Trent, to tell me this tragic tale?"

"I came down here to tell you that you were right about something."

"You'll have to narrow that down for me. I've been right about so many things."

Will looped the sheet through the bars, letting the material hang down either side. "You told me that dyslexics were good at developing tricks so that they can blend in with everybody else. True?"

"True."

"It got me to thinking about Warren, because that day he went to Emma Campano's house, there were lots of things for him to remember." Will listed them out. "What time Kayla was going to let him into the house. Where Emma's room was. How many pairs of gloves to bring. Where to transfer her from one car to the other."

Bernard shook his head. "This is fascinating, Mr. Trent, but what on earth does it have to do with me?"

"Well," Will began, digging in his jacket pocket for his digital recorder. "Since Warren couldn't write down lists, he made recordings."

Bernard shook his head again. He wouldn't have recognized the recorder because it belonged to Will. "Warren used his cell phone to make recordings," Will explained. "He transferred them to compact discs that he kept filed along with customer artwork at the copy store."

Bernard seemed less sure of himself.

"Blue, red, purple, green," Will repeated. "That was the sequence he used for his discs." He clicked on the player. Evan Bernard's voice was easily distinguishable. "No, Warren, the rope and tape will be in the trunk. Kayla will give you the keys."

Warren mumbled, "I know, I know."

On the tape, Bernard was obviously agitated. "No, you don't know. You need to listen to what I'm saying. If you do this right, none of us will get caught."

A girl's voice they had verified was Kayla Alexander's, said, "You want me to write it down for you, Warren? You want me to make a list?"

Will clicked off the recorder. "You can hear the rest in court."

"I'm going free in an hour," Bernard said. "My lawyer told me-"

"Your lawyer doesn't know about the DVDs." Charlie Reed had been wrong about the cables in back of Bernard's home computer. They had been attached to a recordable DVD drive.

Will told the man, "We have at least a dozen videos showing you in your special room, Evan. My partner is at Westfield Academy with Olivia McFaden right now. We made stills from the videos-pictures that show the girls' faces right alongside yours. So far, they've identified six students from the school." Will asked, "How many more do you think we'll find? How many women do you think are going to come forward?"

"I want my lawyer. Now."

"Oh, he's coming. He seemed really eager to talk to you when I told him about the new charges." Will put his hand on the sheet, pushing it into the cell. "Here you go, Evan. I don't want you to ever think that I didn't leave you enough rope to hang yourself with."

*

BETTY WAS ON the couch when Will came home, which meant that Angie wasn't there. He took off his jacket and loosened his tie as he adjusted the thermostat. He had been in the house less than a minute andhewas already annoyed. Angie knewhelikedtokeep the air on for Betty. She tended to get nasty heat rashes in the summer.

The answering machine was flashing. There was one message. Will pressed the button and heard Paul Campano's voice come out of the speaker.

"Hey, Will," he said, and that was enough. Will stopped the tape, not wanting to know what the rest of the message said. He didn't want to hear Paul humbled or grateful. The man had said his name instead of calling him Trash. That was all that Will had ever wanted to hear.

He scooped the dog off the couch and took her to the kitchen, where he was surprised to find her water bowl was filled. He examined Betty's bug-eyed face, as if he could tell whether or not she had stopped drinking just by looking at her. He was fairly certain Angie hadn't bothered to fill up the bowl during the day. Betty licked Will's face and he gave her a pet before putting her down on the floor. He scooped some kibble in her food bowl, then tossed her a piece of her favorite cheese, before going into the bedroom.

It was like an oven in the back of the house. He stripped out of his vest, shirt and pants as he walked to the bed, tossing them all on a chair. Will wasn't sure what time it was, but he was so tired that it didn't make a difference. The fact that Angie never made the bed actually seemed like a good thing as he slid between the sheets.

Unbidden, a long, heavy sigh came out of his chest as he closed his eyes. He put his hands on his chest, then he put them down at his sides. He rolled over. He kicked the sheets off. Finally, he ended up on his back again, staring up at the ceiling.

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