Karin Slaughter - Fractured

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‘No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' – The Times
‘Without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' – Daily Express
‘Slaughter deftly turns all assumptions on their head… Her ability to make you buy into one reality, then another, means that the surprises – and the violent scenes – keep coming' – Time Out
‘A great read… crime fiction at its finest' – MICHAEL CONNELLY
‘A fast-paced and unsettling story… A compelling and fluid read' – Daily Telegraph
‘Criminally spectacular' – OK!
‘Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' – Daily Mirror
‘Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' – Guardian
‘The writing is lean and mean, and the climax will blow you away' – Independent
‘Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go… one of the boldest thriller writers working today' – Tess Gerritsen
‘Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' – The Times
‘Brilliantly chilling' – heat
‘A salutary reminder that Slaughter is one of the most riveting writers in the field today' – Sunday Express
‘Don't read this alone. Don't read this after dark. But do read it' – Daily Mirror
‘With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' – JOHN CONNOLLY
‘Brilliant plotting and subtle characterisation make for a gruesomely gripping read' – Woman Home
‘Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' – Literary Review
‘Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' – Manchester Evening News
‘It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' – Kirkus Reviews
‘Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' – DENISE MINA
‘Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified…deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' – Washington Post
‘Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' – STELLA DUFFY

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"Look," Faith said, pointing to the car Adam Humphrey had purchased from a departing grad student. The blue Chevy Impala was one car among many rusted-out heaps parked along a desolate stretch of North Avenue. There had been a priority alert out for two days to locate the vehicle. No one had reported seeing it. Had the car been sitting here the whole time, Emma Campano rotting in the trunk? Or had Warren left her alive to let nature run its course? Even at this time of night, the heat was unbearable. Inside the car would have been twenty to thirty degrees hotter. Her brain would have literally fried in the heat.

Will and Faith got out of the Mini. He shined his Maglite on the houses and vacant lots that lined the street as they walked toward the car. Most of the homes had been torn down, but three had survived. They were utilitarian, wood-frame structures that had probably been thrown up after the Second World War to accommodate Atlanta's population explosion.

Bernard's house was at the end, the street numbers still nailed to the front door. The windows and doors were boarded over. Hurricane fencing had been erected to keep out vagrants, but that hadn't stopped them from digging under in several places. Various drug paraphernalia on the sidewalk and littering the street indicated that some hadn't even bothered to do that.

One of the cops from the cruiser was checking the interior of the Impala. His partner stood beside the car, a crowbar in his hand. Will took the bar and wedged it into the trunk. Without pause, he popped the lock, the metal lid creaking open. They all gagged from the smell of feces and blood.

The trunk was empty.

"The house," Faith said, shining her flashlight back at the looming structure. It was two stories tall, the roof sagging in the middle. "There could be junkies in there. There are needles all over the place."

Wordlessly, Will walked toward the house. He dropped down, wriggling under the fence, pulling himself up on the other side. He did not stop to help Faith as he headed up the broken concrete walk to the house. The front door was nailed shut. Will thought one of the boards over the window looked loose. He pulled it free with his hands. His flashlight showed the dust on the sill had been rubbed away. Someone had been here before him.

He hesitated. Faith was right. This could be a crack house. Dealers and junkies could be conducting business inside. They could be armed, high or both. Either way, they would not exactly welcome the police into their shooting den.

One of the porch boards squeaked. Faith stood behind him, her flashlight shining on the ground.

He kept his voice low. "You don't have to do this."

Faith ignored him as she slid in between the rotted boards.

Will checked on the other cops, making sure they were guarding the front and the rear of the house, before going in after her. Inside, Faith had her gun drawn, the flashlight tucked up beside the muzzle, the same way every cop had been trained to do. The house felt claustrophobic, with its low ceilings and trash piled into the corners. There were more needles than he could count, clumps of tin foil and a few spoons-all the signs that the space was an active shooting den.

Faith pointed down, meaning she would search this level. Will drew his gun and went toward the stairs.

He tested his foot on each tread, hoping he would not step on rotted wood and end up in the basement. There was a tingling at the base of his spine. He reached the top of the stairs, keeping his flashlight aimed low. There was a sliver of moonlight coming through the boarded windows, just enough to see by. Will turned off the light and gently placed it on the floor. He stood there, listening for sounds of life. All he heard was Faith walking downstairs, the house groaning as the heat soaked into the wood.

Will smelled pot, chemicals. They could be in a meth lab. There could be a junkie hiding behind one of the doors, waiting to stick Will with a needle. He stepped forward, his foot crunching broken glass. There were four bedrooms upstairs with one bathroom between them. The door at the end of the hall was closed. All the other doors had been taken off their hinges, probably stolen for scrap. In the bathroom, the fixtures were gone, the copper pipe pulled out of the wall. Holes had been punched into the ceiling. The plaster walls were broken along the light switches where someone had checked for copper wire in the wall. It was aluminum, Will saw, the kind that he had ripped out of his own house because building codes had outlawed its use many years ago.

Faith whispered, "Will?" She was making her way up the stairs. He waited until she was with him, then indicated the closed door at the end of the hallway.

Will stopped in front of the only door. He tried the knob, but it was locked. He indicated that Faith should step back, then lifted his foot and kicked open the door. Will knelt, pointing his gun blindly into the room. Faith's flashlight cut through the dark like a knife, searching corners, the open closet.

The room was empty.

They both holstered their weapons.

"It's just like the other one." Faith shone her flashlight over the faded pink walls, the dirty white trim. There was a bare double mattress on the floor, dark stains flowering at the center. A tripod with a camera was mounted in front of it.

Will took the flashlight and checked the slot for the memory stick. "It's empty."

"We should call Charlie," Faith said, probably thinking about the evidence that needed to be collected, the DNA on the mattress.

"He knows better than to leave traces of himself," Will said. He could not get Evan Bernard's smug face out of his mind. The man was so certain that he wouldn't get caught. He was right. At the moment, all they could charge Bernard with was having sex with Kayla Alexander. Will did not know what the statute of limitations were for Mary Clark, nor was he certain that the woman would testify against a man whom she still considered in many ways to have been her first lover.

There was a scraping noise. Will turned around to see what Faith was doing, but she was standing completely still in the middle of the room. He heard the scrape again, and, this time, he realized it was coming from the ceiling.

Faith mouthed, Junkie?

Will skimmed the low ceiling with his flashlight, checking every corner of the room. Like the rest of the house, the plaster had been busted out around the light switch. Will saw a dark stain around the hole, what might be a footprint. There was a hole above his head, insulation and Sheetrock hanging down in pieces.

"Emma?" He almost choked on the girl's name, afraid to say the word, to give himself hope. "Emma Campano?" He slammed his hand into the ceiling. "It's the police, Emma."

There was more scraping, the distinctive sound of rats.

"Emma?" Will reached up, tearing chunks of Sheetrock down from the low ceiling. His hands did not work fast enough, so he used the flashlight to make the opening larger. "Emma, it's the police." He dug his foot into the hole in the wall, propelling himself up into the attic.

Will stopped, halfway in the attic, his foot firmly supported by the lath in the wall. Hot air enveloped him, so intense that his lungs hurt from breathing it. The girl lay in a heap up against the eaves. Her skin was covered in a fine, white powder from the Sheetrock. Her eyes were open, her lips together. A large rat was inches from her hand, his retinas flashing like mirrors in the beam of the flashlight. Will pulled himself the rest of the way into the attic. Rats scrambled everywhere. One darted across the girl's arm. He saw scratch marks where the animals had dug into her skin.

"No," Will whispered, crawling on his hands and knees across the supports. Blood congealed on her abdomen and thighs. Welts strangled her neck. Will swung the flashlight at a greedy rat, his heart aching at the sight of the girl. How could he tell Paul that this was how he had found his daughter? There was no smell of decay, no flies burrowing into her flesh. How could any of them go on knowing that only a few hours had separated the girl from life and death?

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