Karin Slaughter - Fractured

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‘No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' – The Times
‘Without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' – Daily Express
‘Slaughter deftly turns all assumptions on their head… Her ability to make you buy into one reality, then another, means that the surprises – and the violent scenes – keep coming' – Time Out
‘A great read… crime fiction at its finest' – MICHAEL CONNELLY
‘A fast-paced and unsettling story… A compelling and fluid read' – Daily Telegraph
‘Criminally spectacular' – OK!
‘Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' – Daily Mirror
‘Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' – Guardian
‘The writing is lean and mean, and the climax will blow you away' – Independent
‘Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go… one of the boldest thriller writers working today' – Tess Gerritsen
‘Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' – The Times
‘Brilliantly chilling' – heat
‘A salutary reminder that Slaughter is one of the most riveting writers in the field today' – Sunday Express
‘Don't read this alone. Don't read this after dark. But do read it' – Daily Mirror
‘With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' – JOHN CONNOLLY
‘Brilliant plotting and subtle characterisation make for a gruesomely gripping read' – Woman Home
‘Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' – Literary Review
‘Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' – Manchester Evening News
‘It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' – Kirkus Reviews
‘Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' – DENISE MINA
‘Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified…deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' – Washington Post
‘Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' – STELLA DUFFY

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So where was he keeping Emma Campano?

As if he could read her mind, Warren said, "You won't find her."

Faith did not respond, did not try to read any sense of hope in his words. Warren had tried several times to engage her in conversation. She had taken the bait the first few times, but quickly learned that he was playing her. He wanted to talk about the weather, the news story about the drought-anything to engage her in meaningless conversation. Faith had learned a long time ago that you never gave suspects what they wanted. It put the relationship on the wrong foot if they thought that they were the ones in control.

There was a knock at the door, then Will came into the room. He had several neon-colored file folders in his hand. He nodded at Faith as he checked the camera, making sure everything was working properly.

Warren said, "I'm sorry I tried to kill you."

Will smiled at him. "I'm glad you didn't succeed."

It showed remarkable restraint, and Faith was again struck by how very little Will Trent acted like a cop. He straightened his vest, making sure his tie was tightly tucked in, as he sat down beside Faith. The man looked more like an accountant who was about to start an audit than a cop.

Will told Warren, "Your fingerprint matches the note that was slipped under Adam Humphrey's door last week."

Warren nodded his head once. He stayed hunched over the table, his hands between his knees. His chest was pressed into the metal top the way babies do when they're trying to stand.

Will asked, "Did you try to warn Adam away?"

Warren gave a single nod again.

"May I tell you what I think happened?"

He seem to be waiting for just that.

"I think that you planned this out well ahead of time. Evan Bernard needed money to pursue his legal case against Georgia Tech. He lost his pension, his retirement benefits, everything," Will told Faith. "We found out that he sold his house last summer to pay his legal bills." He shook his head, indicating they had checked the house and found nothing.

Faith wondered what other information he had unearthed while she had been sitting on Warren. She glanced at the colored file folders, and Will gave her an uncharacteristic wink.

Warren asked, "Did you get adopted out?"

Faith didn't understand the question, but Will obviously did.

"No," he answered. "I left when I was eighteen."

Warren smiled, a kindred spirit. "Me, too."

"Did you meet Bernard when you got fostered out? Did he teach at your school?"

Warren's face was placid.

"I think that Evan Bernard introduced you to Kayla Alexander. He needed Kayla to open the front door for you, to make sure that Emma was at home. Maybe she was supposed to keep Adam calm while you took her away." Warren did not confirm anything. "Was Kayla the one who told Emma to start parking in the garage?"

Warren said, "Kayla told Emma to park there last year so her parents wouldn't find out they were skipping."

"Let's go back three days ago, the day of the crime. Did you use the path in the woods behind the Copy Right to walk to the Campanos?"

"Yes."

"Did you have the knife and the gloves with you?"

"Yes."

"So you went there intending to kill somebody."

He hesitated, then shrugged in answer.

Will thumbed through the files in his hand and opened the green one. "We found this in your desk at the copy center." He showed Faith the photograph before sliding it toward Warren. The picture showed Emma Campano walking with Adam Humphrey. The two teenagers had their arms around each other. Emma's head was tilted back as she laughed.

Will said, "You liked watching her."

Warren did not respond, but then Will hadn't really asked a question.

"Did you think that Adam wasn't good enough for her?"

He remained silent.

"You knew Emma was special. Who told you she had a reading problem like you?"

"I don't have a reading problem." His tone was defensive, a radical change from the conversational manner he had adopted before.

Will opened another folder, this one blue, and showed Faith an official-looking form. "This is an evaluation from a clinical psychologist who interviewed Warren when he was released from the state's care." Will put the sheet of paper down on the table, turning it toward Warren. Faith saw that there were colored dots on the page. Will put his finger on the blue one. " ‘Antisocial,' " he read, moving down to the red dot. " ‘Sociopathic tendencies.' " He moved his finger down to the next dot, then the next, calling out, " ‘Anger control issues.' ‘Poor aptitude.' ‘Poor reading skills.' Do you see this, Warren? Do you see what they said about you?" He paused, though obviously he didn't expect an answer. Will tucked the form back into the folder, and the tone of the interview suddenly changed when he said, "Well, I guess it doesn't matter if you can see it because it clearly says that you can't read it."

Pain flashed in the other man's eyes as if he had been betrayed.

Will kept chipping away, his tone soft, as if he could be both the good and the bad cop rolled into one. "Is that why you dropped out of school when you were sixteen?"

Warren shook his head.

"I guess school wasn't that fun since they stuck you with the stupid kids." For Faith's benefit, Will explained, "Warren was put into special education classes when he was fifteen, even though his IQ tested within the normal range."

Warren looked down at the table, his eyes still glistening.

Will said, "It's kind of sad when the short bus pulls up in front of the orphanage."

Warren cleared his throat, struggling to speak. "You're never going to find her."

"And you're never going to see her again."

"I have her up here," he insisted, pressing his finger to his temple. "I have her with me all the time."

"I know she's alive," Will said, sounding so certain of himself that Faith almost believed him. "You wouldn't kill her, Warren. She's special to you."

"She loves me."

"She's terrified of you."

He shook his head. "She understands why I had to do it. I had to save her."

"What does she understand?"

"That I'm protecting her."

"Protecting her from Bernard?"

He shook his head, biting his lip, refusing to give up the teacher.

Will opened a red file folder and took out yet another sheet of paper, which he slid Warren's way. " ‘It is my opinion that Warren Grier has an undiagnosed reading and written language disability. This, combined with his average IQ and antisocial behavior-' "

Warren whispered, "She's going to die, and it's all going to be on you."

"I'm not the one who took her from her family. I'm not the one who killed her best friend."

"Kayla wasn't her friend," Warren said. "She hated her. She couldn't stand her."

"Why?"

"Kayla made fun of her all the time," Warren said. "She said she was stupid because she had to have special help after school."

"Was Kayla mean to you, too?"

He shrugged, but the answer to that question was lying dead down in the morgue right now.

"Tell me what happened that day, Warren. Did Kayla let you into the house?"

"She was just supposed to let me into the house and shut up, but she wouldn't stop. She was pissed about Adam, that he was upstairs having sex with Emma. She kept going on and on about how stupid Emma is, and how she doesn't deserve to have a boyfriend. She said Emma is stupid like me."

"Did Kayla start yelling?"

"When I hit her." Warren amended, "Not hard, though. Only to get her to shut up."

"Then what happened?"

"She ran up the stairs. She kept screaming. I told her to stop, but she wouldn't. She was supposed to help with Adam. I was supposed to hold the knife to her neck so he wouldn't try anything, but she just went crazy. I had to hit her."

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