Karin Slaughter - Fractured

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‘No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' – The Times
‘Without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' – Daily Express
‘Slaughter deftly turns all assumptions on their head… Her ability to make you buy into one reality, then another, means that the surprises – and the violent scenes – keep coming' – Time Out
‘A great read… crime fiction at its finest' – MICHAEL CONNELLY
‘A fast-paced and unsettling story… A compelling and fluid read' – Daily Telegraph
‘Criminally spectacular' – OK!
‘Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' – Daily Mirror
‘Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' – Guardian
‘The writing is lean and mean, and the climax will blow you away' – Independent
‘Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go… one of the boldest thriller writers working today' – Tess Gerritsen
‘Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' – The Times
‘Brilliantly chilling' – heat
‘A salutary reminder that Slaughter is one of the most riveting writers in the field today' – Sunday Express
‘Don't read this alone. Don't read this after dark. But do read it' – Daily Mirror
‘With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' – JOHN CONNOLLY
‘Brilliant plotting and subtle characterisation make for a gruesomely gripping read' – Woman Home
‘Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' – Literary Review
‘Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' – Manchester Evening News
‘It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' – Kirkus Reviews
‘Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' – DENISE MINA
‘Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified…deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' – Washington Post
‘Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' – STELLA DUFFY

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"She's safe," he said. "I just wanted to keep her safe."

"Tell me where she is. Her mother misses her so much."

He shook his head. "No," he answered. "You're never going to find her. She's going to be with me forever. There's nothing that can come between us now."

"Stop the bullshit, Warren. You didn't want Emma. You wanted her life ."

Warren looked at the file folders in front of Will as if he expected something even worse to be pulled out, some information even more damaging to be thrown into his face.

Will tried again. "Tell us where she is, and I'll tell you your mother's address."

Warren's eyes did not stray from the files, but he started whispering something so quietly that Faith could not make out what he was saying.

"I'll go get her myself. I'll drive her over to see you."

Warren kept whispering, his mouth moving in an unintelligible mantra.

Will said, "Speak up, Warren. Just tell us where she is so we can give her back to her parents who love her."

Faith finally understood his words. "Blue, red, purple, green. Blue, red, purple, green."

"Warren-"

His voice got louder. "Blue, red, purple, green." He stood up, screaming, "Blue, red, purple, green!" He started waving his hands, his tone rising to the top of his voice. "Blue! Red! Purple! Green!" He ran toward the door, trying the knob. Faith was closest to him so she tried to pull him away. Warren's elbow caught her in the mouth and she fell back against the table.

"Blue! Red! Purple! Green!" he screamed, running full on into the concrete wall. Will went after him, wrapping his arms around the man. Warren kicked, screaming, "No! Let me go! Let me go!"

"Warren!" Will let go of him, keeping his hands out wide in case he needed to grab him again.

Warren stood in the middle of the room. Blood dripped down his face where he had slammed his head into the wall. He lunged toward Will, swinging his fists wildly.

The door flew open and two cops rushed in to help. Warren tried to run out the door, but they wrestled him to the floor, where he wriggled frantically, jerking his hands away from them as they tried to cuff him, screaming all the while. His foot kicked up, catching one of the officers in the face.

The Taser came out. Thirty thousand volts screamed through his body. Almost immediately, Warren went limp on the floor.

Will sat back on his heels, his breath coming in pants. He leaned over Warren, hand on his chest. "Please," he begged. "Just tell me. Tell me where she is."

Warren's lips moved. Will leaned down to listen to him. Something passed between the two men. Will nodded once, very much like the curt affirmations Warren had given them earlier. He sat up slowly, hands in his lap, telling the cops, "Take him away."

The officers scooped up Warren like a bag of potatoes, dragging him toward the door. They would take him to his cell and let him sleep off the shock.

Faith looked at Will, trying to understand. "What did he say to you?"

He pointed to his file folders on the table, leaning over as if he was still too breathless to speak. Faith looked at the files. They were in the wrong order, but she could see it now: blue, red, purple, green.

Warren had been yelling out the colors of the folders.

*

THE HOMICIDE SQUAD room had not improved during Faith's three-day absence. Robertson's jockstrap still dangled from the top drawer of his desk. A blow-up doll marked as "evidence" during the last birthday party sat on top of the filing cabinet, her mouth still opened in a suggestive O even as the air slowly drained out of her once curvaceous body. Leo Donnelly's desk was cleared but for a famous old photograph of Farrah Fawcett that he had obviously cut out of a magazine. Over the years, the margins of the photo had been embellished with graffiti and artwork that was more suitable for a middle school boys' bathroom.

Adding to the overall masculine effect, the shift was changing, an event Faith always likened to a football locker room during half-time. The noise was deafening, the smells alarming. Someone had turned on the television that hung from the ceiling. Someone else was trying to find a station on the ancient radio. A burrito heated in the microwave, the odor of burned cheese wafting through the air. Baritone bellows filled the room as detectives tromped in and out, turning over cases, giving each other the business about whose dick was bigger, who would solve a case first, who was turning over a dog of an investigation that would never be solved. In short, the whole room was filling with testosterone the way a cloth diaper filled with shit.

Faith glanced at the television set as she recognized Amanda's voice saying, "…proud to announce that an arrest has been made in the Campano kidnapping."

Someone yelled, "Thanks to APD, you cunt."

There were more words tossed Amanda's way-bitch, snatch, whatever base and degrading terms other cops could conjure to denigrate a woman who would have them all pissing in their pants if she got them alone in a room for more than five minutes.

The handful of detectives closest to Faith's desk gave her curious glances-not because she was working the case, but because of the language. Faith shrugged, looking back at the television set, watching Amanda expertly handle the reporters. She could still feel their eyes on her, though.

This sort of testing took place almost on a daily basis. If Faith told them to shut up, she was a ballbuster who couldn't take a joke. If she ignored it, they took her silence for tacit approval. It didn't stop there. If she spurned their sexual advances, she was a lesbian. If she dated any of them, she would be labeled a whore. Faith couldn't win either way, and striking back in similar terms took up too much of her time. The pouting, the passive-aggressive whining-Faith had already raised one child, she wasn't ready to take on twenty more.

And yet, she had always loved working here, loved feeling like she was part of a brotherhood. This was why Will Trent did not act or talk like a cop. He didn't sit in a squad room. He didn't bullshit over beers with Charlie Reed and Hamish Patel. He was certainly part of a team, but working with him was like working in a bubble. There was never the hum of people in the background, the jostling of egos and assignments. His was a more focused way of doing the job, but it was so different from what Faith was used to that, now that she was back among her fellow detectives, she felt like she no longer belonged. She had to admit that for all Will's faults, at least he listened to what she had to say. It was nice to have a discussion with a colleague who didn't ask "What're you, on the rag?" every time she disagreed with him.

Faith looked back at the television. Amanda was nodding as a reporter asked about Westfield Academy, the arrest of Evan Bernard. She looked absolutely radiant, and Faith had to admit she was in her element on camera. The reporters were eating out of the palm of her hand. "Mr. Bernard is certainly a person of interest."

"You interested in this?" one of the detectives yelled. Faith did not have to glance over to know the man was probably cupping his genitals.

Amanda answered another question. "The suspect is a twenty-eight-year-old man with a storied past."

Off camera, a reporter asked, "Why aren't you releasing his name?"

"The arraignment in the morning will make it part of the public record," she said, sidestepping the obvious, which was that they were keeping Warren's name out of the press as long as they could in order to keep some helpful do-gooder from offering him legal advice. The fact that Lionel Petty had already submitted an I-Report to CNN.com of him and Warren Grier standing beside one of the copy machines at work would soon work against them.

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