Karin Slaughter - Fractured

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‘No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' – The Times
‘Without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' – Daily Express
‘Slaughter deftly turns all assumptions on their head… Her ability to make you buy into one reality, then another, means that the surprises – and the violent scenes – keep coming' – Time Out
‘A great read… crime fiction at its finest' – MICHAEL CONNELLY
‘A fast-paced and unsettling story… A compelling and fluid read' – Daily Telegraph
‘Criminally spectacular' – OK!
‘Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' – Daily Mirror
‘Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' – Guardian
‘The writing is lean and mean, and the climax will blow you away' – Independent
‘Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go… one of the boldest thriller writers working today' – Tess Gerritsen
‘Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' – The Times
‘Brilliantly chilling' – heat
‘A salutary reminder that Slaughter is one of the most riveting writers in the field today' – Sunday Express
‘Don't read this alone. Don't read this after dark. But do read it' – Daily Mirror
‘With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' – JOHN CONNOLLY
‘Brilliant plotting and subtle characterisation make for a gruesomely gripping read' – Woman Home
‘Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' – Literary Review
‘Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' – Manchester Evening News
‘It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' – Kirkus Reviews
‘Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' – DENISE MINA
‘Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified…deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' – Washington Post
‘Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' – STELLA DUFFY

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"What kind?"

"Any kind, really. Shockrete's sprayed on the walls, the ceiling, to hold back soil."

"Would it be used in water main construction, fixing lines under the road?"

"Almost exclusively. As a matter of fact-"

There was more, but Faith was running too fast to hear him.

CHAPTER EIGHTEEN

WILL REPEATED HIS question What does the concrete powder look like Like - фото 24

WILL REPEATED HIS question. "What does the concrete powder look like?"

"Like you'd expect," Petty answered, indicating the glass door Will had just walked through. He could see it now. Light gray footprints across the blue carpet. Will glanced around the room, the furiously working copiers, the empty storefront. Anyone who had been in the Copy Right or the parking lot could have tracked through the concrete dust and deposited it anywhere, but only one of them was holding a knife that matched the one used to kill Kayla Alexander and Adam Humphrey.

He asked Petty, "Are you the only one here?" The man nodded, chewing another bite of steak. "Warren should be back soon. He's out making a delivery." "He has a van?"

"Nah, it's just down the street. We walk over the deliveries sometimes. It kind of breaks the monotony."

Outside, the jackhammer kicked in, the vibrations so hard that Will could feel the floor shaking under his feet.

Will raised his voice, asking, "Do you ever make deliveries?" He shrugged. "Sometimes."

"What?" Will asked, though he had heard the man well enough. "I can't hear you over the jackhammer."

"I said sometimes."

Will shook his head, pretending he still couldn't hear. This wasn't going to be like Evan Bernard. Will would not leave this building without a suspect in handcuffs and a solid case to back the arrest. Petty had the knife, he had the opportunity and he certainly had the motive-what better way to end his illustrious career at the Copy Right than to retire with a million dollars cold hard cash in his pocket? Having Emma Campano in the process would be icing on the cake.

Was that enough, though? Was this pathetic pothead the kind of man who could beat a girl to death and take another away for his own pleasure? Faith had said she'd be the ruler of the world if she could spot a killer from a hundred paces. Was Lionel Petty someone who hid murder in his heart, or was he just caught up in something bad-the wrong place at the wrong time?

Either way, Will wanted to get Petty away from the exit and in an enclosed space where he could talk to him. He especially wanted him to put down the knife.

He told the man, "I still can't hear you."

Petty cupped his hands to his mouth, making a joke of it. "Sometimes I make deliveries!"

Will knew the office was in back of the room. He guessed that all the paperwork would be kept there. He yelled to Petty, "I need to see who you deliver to."

Petty nodded, dropping the knife and standing up. He started to leave, then changed his mind. Will reached around to his paddle holster as Petty's fingers moved toward the knife, but the man only scooped up a handful of French fries. He ate them as he led Will to the back of the store. At the door to the office, he pulled out a ring of keys.

Will asked, "Does Warren always leave those with you?"

"Never, man." He jammed a key into the lock, pushed open the door and sat down in front of the desk. The noise was somewhat buffered in the small room, and Petty spoke in a normal tone. "Warren forgot his keys last night. I don't know what's up with him. He keeps forgetting things." He opened a desk drawer and started to riffle the files. "It's hilarious, because he really hates to fuck up."

Will stood in the doorway, feeling the breeze of the air-conditioning freeze the sweat on his back, gluing his shirt and vest together. He leaned into the door frame, reaching his hand around to his back, finding his gun snugly tucked into the paddle holster.

Petty mumbled to himself as he searched the files. "Sorry, man, Warren has his own system for filing things."

"Take your time," Will said. He looked at the CDs lining the walls, the way the colored jewel cases were stacked together in their own particular order. It reminded him of his own CD collection at home, the way he identified certain albums not by their words, but by their colors, their recording logos, their artwork.

Will felt a prickling sensation work its way up his spine. "What about the customer files on the shelves? Does Warren have a system for those, too?"

"The CDs?" Petty laughed. "Shit, man, I can't even begin to tell you how he's got those filed. I'm not even allowed to touch them."

"But Warren knows where everything is, right?"

"He can find it with his eyes closed."

Will doubted that. Warren would need to see the colors, the patterns, before he could find the disc he needed. "Were you working here the day Emma was abducted?"

"I was off, man. Total headache."

"Is Warren left-handed?"

Petty held up his hand in response. Will couldn't tell which one it was; discerning between left and right was something his brain could not easily manage.

"Here we go," Petty said, pulling out a file. "Ignore the typos. Warren's such a freaktard. He's, like, incapable of spelling anything but he won't admit it."

"What do you mean?" Will asked, though he already knew the answer. Warren color-coded the CDs, relying on visual cues to help him find the right file. The evidence had been staring Will in the face the first time he'd come into the manager's office to look at the security tape. Warren used the color-coding system for the same reason as Will: he could not read.

Petty said, "Warren's all right most of the time, but the dude won't admit he's wrong about anything. It's like working in the fucking White House around here."

"I meant the typos. You said he can't spell. What do you mean?"

Petty shrugged, handing him a sheet of paper. "Like that, man. I mean, it's like he's in kindergarten, right?"

Will glanced down at the sheet. His stomach roiled. He couldn't see anything but lines.

"Wait till you see this." Petty opened another drawer, and between the hanging files, Will saw several knives like the one Petty had been gripping.

"Where did you get those?"

Petty leaned down, stretching his hand to the back of the drawer. "Uh, the cafeteria down the street. Are you going to report us?"

"Warren steals them, too?"

"We both do, man. The Steakery only gives you those cheap-ass plastic knives." He sat up, holding a book in his lap. "I'll take 'em back, dude. I know it's stealing."

Will motioned toward the book. "Let me have that."

Petty handed it over. "Pathetic, man. He's always acting like he's perfect, right, that he's some kind of mental genius, and then he sneaks in with this? Classic Warren. What a loser."

Will stared at the front cover. He couldn't read the title, but he instantly recognized the multicolored triangles and squares. Evan Bernard had shown him a similar book this morning. It was the same kind that Emma Campano used.

"Open it up," Petty said. " ‘See spot run.' ‘See Jill wet her pants.' I mean, it's, like, a book for retarded one-year-olds. Cracks me up, man."

Will didn't open the book. "Where did he get this?"

Petty shrugged, leaning back in the chair. "I go through his stuff sometimes when I get bored. I found it shoved in the back of the drawer about a week, two weeks ago." He didn't seem ashamed of the habit, but he offered another piece of information to redeem himself. "Warren's got these weekly reports that he's supposed to send to corporate. I go through his computer and make it look less like a moron did it."

"He doesn't use spell-check?"

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