Karin Slaughter - Fractured

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‘No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' – The Times
‘Without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' – Daily Express
‘Slaughter deftly turns all assumptions on their head… Her ability to make you buy into one reality, then another, means that the surprises – and the violent scenes – keep coming' – Time Out
‘A great read… crime fiction at its finest' – MICHAEL CONNELLY
‘A fast-paced and unsettling story… A compelling and fluid read' – Daily Telegraph
‘Criminally spectacular' – OK!
‘Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' – Daily Mirror
‘Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' – Guardian
‘The writing is lean and mean, and the climax will blow you away' – Independent
‘Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go… one of the boldest thriller writers working today' – Tess Gerritsen
‘Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' – The Times
‘Brilliantly chilling' – heat
‘A salutary reminder that Slaughter is one of the most riveting writers in the field today' – Sunday Express
‘Don't read this alone. Don't read this after dark. But do read it' – Daily Mirror
‘With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' – JOHN CONNOLLY
‘Brilliant plotting and subtle characterisation make for a gruesomely gripping read' – Woman Home
‘Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' – Literary Review
‘Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' – Manchester Evening News
‘It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' – Kirkus Reviews
‘Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' – DENISE MINA
‘Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified…deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' – Washington Post
‘Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' – STELLA DUFFY

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Faith leaned against the steel door but thought better of it when her flesh started to blister. "Why weren't you in the meeting this morning?"

She tucked the tissue back into her pocket. "My opinion isn't exactly valued around here."

Teaching was a profession famous for producing burnout. Faith could well imagine the old guard did not appreciate an idealistic young kid coming in to change the world.

Mary Clark said as much. "They all think it's just a matter of time before I run screaming out the door."

"You had Kayla Alexander in your class last year."

The younger woman turned around, arms crossed over her chest, and studied Faith. There was something hostile about the stance.

Faith asked, "Can you tell me what happened?"

Mary was dubious. "They didn't tell you?"

"No."

She gave another laugh. "Typical."

Faith was silent, giving the other woman space.

Mary asked, "Did they tell you that last year, Kayla was so mean to one of the other girls that she ended up leaving school?"

"No."

"Ruth Donner. She transferred to Marist in the middle of last year."

"Daniella Park said that Kayla split the school in two."

"That's a fair statement. There was the Kayla camp and the Ruth camp. It took a while, but pretty soon more and more people went over to Ruth's side. Transferring out was the smartest thing she did, really. It put Kayla center stage, and suddenly, the cracks started to show. I think it's fair to say that by the beginning of the school year, Kayla was universally reviled."

"Except for Emma."

"Except for Emma."

"I'm hardly an expert, but don't girls usually outgrow that kind of behavior in middle school?"

"Usually," the teacher confirmed. "But some of them hang on to it. The really mean ones can't stop circling once they smell blood in the water."

Faith thought the shark analogy was a good one. "Where is Ruth Donner now?"

"College, I suppose. She was a senior."

Finding her would certainly be a priority. "Kayla would have been a junior last year. What was she doing going after a senior?"

"Ruth was the most popular girl in school." She shrugged, as if that explained everything. "Of course, there weren't any ramifications for Kayla. She gets away with everything."

Faith tried to tread carefully. There was something else to this story. Mary Clark was giving off the distinct impression that she felt as if she was being asked questions that Faith already knew the answers to. "I understand that what happened with the other girl was horrible, but this feels very personal for you."

Mary's hostility seemed to ratchet up a notch. "I tried to fail Kayla Alexander last year."

Faith could guess what she meant by "tried." Parents paid a lot of money for their kids to go to Westfield. They expected them to excel in their classes, even if their work did not warrant good grades. "What happened?"

"We don't fail children here at Westfield Academy. I had to tutor the little bitch after school."

The characterization was startling considering the circumstances. "I have to admit, Mrs. Clark, that I find it strange you would talk that way about a seventeen-year-old girl who's been raped and murdered."

"Please, call me Mary."

Faith was at a loss for words.

Mary seemed just as nonplussed. "They really didn't tell you what happened?"

Faith shook her head.

"I almost lost my job over her. I have student loans, two babies at home, my husband's trying to start his own business. I'm twenty-eight years old and the only thing I'm qualified to do is teach."

"Hold up," Faith stopped her. "Tell me what happened."

"Kayla showed up for tutoring, but short of me physically taking her hand and writing her papers for her, there was no way she was going to do the work she needed to do to pass the class." Mary's neck showed a slight blush. "We had an argument. I let my anger get the better part of me." She paused, and Faith was expecting the woman to admit to some sort of physical altercation, but what she said was far more shocking. "The next day, Olivia called me into her office. Kayla was there with her parents. She accused me of making a sexual pass at her."

Faith's surprise must have registered on her face.

"Oh, don't be fooled by the schoolmarm before you," Mary said. "I used to dress a lot better than this-like a human being, almost. I dressed too sexy, according to our illustrious principal. I suppose that's her way of saying I asked for it."

"Back up," Faith said. "I don't understand."

"Kayla Alexander said that I told her she would pass my class if she had sex with me." She was smiling, but there was nothing funny about what was coming out of her mouth. "I suppose I should have been flattered. I was three months out from giving birth to twins. I barely fit into any of my clothes and I couldn't afford new ones because teaching is supposed to be its own reward. I started lactating during the meeting. The parents were screaming at me. Olivia just sat there, letting it all play out like her own personal movie." Angry tears streamed down her cheeks. "I've wanted to be a teacher since I was a little girl. I wanted to help people. Nobody does this for the money and it's certainly not for the respect. I tried to get through to her. I thought I was getting through to her. And all she did was turn around and stab me in the back."

"Is this what Daniella Park really meant when she said Kayla had split the school?"

"Danni was one of the few teachers on staff who believed me."

"Why wouldn't they believe you?"

"Kayla is extremely good at manipulating people. Men especially."

Faith remembered Evan Bernard, the easy way he had dismissed Mary Clark. "What happened?"

"There was an investigation. Thank God those stupid cameras are everywhere. She had no proof because it didn't happen, and she's not the brightest bulb to begin with. First she said I propositioned her in my room, then she said it was in the parking lot, then it was behind the school. Her story kept changing every day. In the end, it was my word against hers." She gave a tight grin. "I ran into her in the hallway a few days later. Do you know what she said? ‘Can't blame a girl for trying.' "

"Why was she allowed to stay in school?"

Mary did a perfect imitation of Olivia McFaden. "Here at Westfield, we pride ourselves on nurturing the special needs of what society labels more difficult children-at fourteen thousand a year, plus athletic fees, student activity fees and uniforms."

Except for the ending, these were the exact same words the principal had used less than an hour ago. "The parents didn't have a problem with that?"

"Kayla's been kicked out of every other school in town. It was Westfield or the Atlanta Public School System. Trust me, I've met the parents. The Alexanders were much more horrified by the prospect of their precious daughter mixing with the great unwashed than they were about sending her to school with a woman who allegedly tried to molest her."

"I'm so sorry."

"Yeah." Her tone had a bitter clip. "Me, too."

"I have to ask you, Mary, do you know of anyone who would want to kill Kayla?"

"Other than me?" she asked, no humor at the question. "My planning period is at the end of the day," she said, referring to her time off to grade papers and prepare lesson plans. "I had a classroom full of kids from eight o'clock on."

"Anyone else?"

She chewed her lip, really thinking about it. "No," she finally said. "I can't think of anyone who would do something so horrible, even to a monster like Kayla Alexander."

CHAPTER EIGHT

WILL SAT OUTSIDE the Campano house listening to Evan Bernards tinny voice - фото 13

WILL SAT OUTSIDE the Campano house, listening to Evan Bernard's tinny voice coming out of the digital recorder. The sound quality was horrible, and Will had to hold the machine against his ear, the volume at the highest level, to make out the man's words.

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