Karin Slaughter - Fractured

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‘No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' – The Times
‘Without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' – Daily Express
‘Slaughter deftly turns all assumptions on their head… Her ability to make you buy into one reality, then another, means that the surprises – and the violent scenes – keep coming' – Time Out
‘A great read… crime fiction at its finest' – MICHAEL CONNELLY
‘A fast-paced and unsettling story… A compelling and fluid read' – Daily Telegraph
‘Criminally spectacular' – OK!
‘Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' – Daily Mirror
‘Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' – Guardian
‘The writing is lean and mean, and the climax will blow you away' – Independent
‘Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go… one of the boldest thriller writers working today' – Tess Gerritsen
‘Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' – The Times
‘Brilliantly chilling' – heat
‘A salutary reminder that Slaughter is one of the most riveting writers in the field today' – Sunday Express
‘Don't read this alone. Don't read this after dark. But do read it' – Daily Mirror
‘With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' – JOHN CONNOLLY
‘Brilliant plotting and subtle characterisation make for a gruesomely gripping read' – Woman Home
‘Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' – Literary Review
‘Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' – Manchester Evening News
‘It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' – Kirkus Reviews
‘Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' – DENISE MINA
‘Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified…deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' – Washington Post
‘Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' – STELLA DUFFY

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"Thank you," Faith said, her voice sounding thin and girlish as it echoed through the speakers. "I'm Detective Faith Mitchell. I want to assure you that the police are doing everything they can to find Emma, to find out who committed these crimes." She threw in "And the Georgia Bureau of Investigation" too late, realizing that her sentence did not make much sense. She tried again. "As I said, I'm a detective with the Atlanta Police Department. Your principal has my direct phone number. If any of you saw anything, heard anything or have any information that might help the case, then please contact me." Faith realized her lungs were out of air. She tried to take a breath without making it obvious. Briefly, she wondered if this was what it felt like to have a heart attack.

"Ma'am?" someone called.

Faith shielded her eyes against the bright stage lights. She saw that several hands were up. She pointed to the closest girl, concentrating all of her attention on the one person instead of the crowd of onlookers. "Yes?"

The student stood, and then Faith noticed her long blond hair and creamy white skin. The question came to Faith's mind before the girl got it out. "Do you think we should cut our hair?"

Faith swallowed, trying to think of the best way to answer. There were all kinds of urban legends about women with long hair being more likely to be targeted by rapists, but as far as Faith's practical experience had shown, the men who committed these crimes only cared about one thing on a woman's body, and it was not whether or not she had short or long hair. On the other hand, Kayla and Emma looked so much alike that it could certainly point to a trend.

Faith skirted the question. "You don't need to cut your hair, you don't need to change your appearance."

"How about-" someone began, then stopped, remembering protocol and raising her hand.

"Yes?" Faith asked.

The girl stood. She was tall and pretty, her dark hair hanging around her shoulders. There was a slight tremble to her voice when she asked, "Emma and Kayla were both blond. I mean, doesn't that mean that the guy has an MO?"

Faith felt caught out by the question. She thought about Jeremy and the way that he could always tell when she was not being honest with him. "I'm not going to lie to you," she told the girl, then looked up at the group as a whole, her stage fright dissipating, her voice feeling stronger. "Yes, both Emma and Kayla had long blond hair. If it makes you feel more comfortable to wear your hair up for a while, then do it. Don't let yourself believe, though, that this means you are perfectly safe. You still need to take precautions when you're out. You need to make sure your parents know where you are at all times." There were whispers of protest. Faith held up her hands, feeling like a preacher. "I know that sounds trite, but you guys aren't living in the suburbs. You know the basic rules of safety.

Don't talk to strangers. Don't go to unfamiliar places alone. Don't go off on your own without letting someone-anyone-know where you are going and when you will be back."

That seemed to mollify them. Most of the hands went down. Faith called on a boy sitting with his mother.

He spoke timidly. "Is there anything we can do for Emma?"

The room went completely silent. The fear started to creep back in. "As I said…" She had to stop to clear her throat. "As I said before, any information you can think of that might help us would be appreciated. Suspicious characters around school. Unusual things Emma or Kayla might have said-or even usual things, something that maybe you are now thinking might be connected to what happened to them. All of that, no matter how trivial it may seem, is very valuable to us." She cleared her throat, wishing she had some water. "As for anything you can personally do, I would ask again that you remember safety. Make sure that your parents know where you are at all times. Make sure that you take basic precautions. The fact is, we have no idea how this connects to your school, or even if it connects at all. I think vigilance is the key word here." She felt slightly idiotic saying the words, thinking she sounded like a bad rip-off of Olivia McFaden, but the nods from both parents and students in the audience made Faith think that she had actually done some good here.

She scanned the crowd. No more hands were up that she could see. With a nod toward the principal, Faith walked back across the stage and took her place in the wings.

"Thank you, Detective Mitchell." McFaden was back at the podium. She told the students, "In a few minutes, Coach Bob is going to do a ten-minute presentation, followed by an instructional film on personal safety."

Faith suppressed a groan, only to hear it echo around the auditorium.

McFaden continued, "After Coach Bob, Dr. Madison, who is, as you know, our school counselor, will have some remarks to make about dealing with tragedy. He will also be taking questions, so please remember, any questions you have should be saved up until Dr. Madison is finished speaking. Now, if we could all just take a moment to quietly reflect on our fellow students-those among us and those who are gone." She waited a few seconds, then, when no one reacted, she said, "Bow your heads, please."

Faith had never been a fan of the moment of silence, especially when it required head bowing. She liked it almost as much as public speaking, which took a close second to eating live cockroaches.

Faith scanned the crowd, looking past the bowed heads to Mary Clark, who was staring blankly at the stage. As quietly as possible, Faith made her way down the stage stairs. She could almost feel Olivia McFaden's disapproval as she sneaked down the side aisle, but Faith wasn't one of the woman's students and, frankly, she had more important things to do than stand in the wings listening to Coach Bob drill students about their safety for the next ten minutes.

Mary Clark stood straighter as she realized Faith was heading her way. If the teacher was surprised to find herself singled out, she didn't show it. As a matter of fact, she seemed relieved when Faith nodded toward the door.

Mary didn't stop in the hallway, but pushed on through the exit before Faith could stop her. She went outside and stood on the concrete pad, hands on her hips as she took deep breaths of fresh air.

She told Faith, "I saw McFaden pointing me out before you started and I was sure she was telling you that she was going to fire me."

Faith thought this was a strange way to open up a conversation, but it seemed like the sort of inappropriate remark she was capable of making herself. "Why would she fire you?"

"My class is too noisy. I'm not strict enough. I don't adhere to the curriculum." Mary Clark gave a forced laugh. "We have very different educational philosophies."

"I need to talk to you about Kayla Alexander."

She looked over her shoulder. "Not Emma?" Her face fell. "Oh, no. Is she-"

"No," Faith assured her. "We haven't found her yet."

Her hands covered her mouth. "I thought…" She wiped away her tears. They both knew what she had thought, and Faith felt like an ass for not being more clear to begin with.

She said, "I'm sorry."

Mary pulled a tissue out of her jacket pocket and blew her nose. "God, I thought I was finished crying."

"Did you know Emma?"

"Not really, but she's a student here. They all feel like they're your responsibility." She blew her nose. "You were terrified up there, weren't you?"

"Yes," Faith admitted, because lying about something so simple would make it harder to lie about bigger things later on. "I hate public speaking."

"I do, too." Mary amended, "Well, not in front of kids-they don't really matter-but in faculty meetings, parent-teacher conferences…" She shook her head. "God, what does any of that matter to you, right? Why don't I say something about the weather?"

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