Karin Slaughter - Fractured

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‘No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' – The Times
‘Without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' – Daily Express
‘Slaughter deftly turns all assumptions on their head… Her ability to make you buy into one reality, then another, means that the surprises – and the violent scenes – keep coming' – Time Out
‘A great read… crime fiction at its finest' – MICHAEL CONNELLY
‘A fast-paced and unsettling story… A compelling and fluid read' – Daily Telegraph
‘Criminally spectacular' – OK!
‘Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' – Daily Mirror
‘Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' – Guardian
‘The writing is lean and mean, and the climax will blow you away' – Independent
‘Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go… one of the boldest thriller writers working today' – Tess Gerritsen
‘Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' – The Times
‘Brilliantly chilling' – heat
‘A salutary reminder that Slaughter is one of the most riveting writers in the field today' – Sunday Express
‘Don't read this alone. Don't read this after dark. But do read it' – Daily Mirror
‘With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' – JOHN CONNOLLY
‘Brilliant plotting and subtle characterisation make for a gruesomely gripping read' – Woman Home
‘Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' – Literary Review
‘Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' – Manchester Evening News
‘It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' – Kirkus Reviews
‘Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' – DENISE MINA
‘Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified…deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' – Washington Post
‘Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' – STELLA DUFFY

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"I really need to talk to Mary Clark."

There was just a second of equivocation before McFaden gave a bright smile that would rival the world record for fakeness. "I'd be happy to point her out to you."

*

FAITH WALKED ACROSS the courtyard behind the main school building, following Olivia McFaden and the other teachers to the auditorium. Oddly, they were all in a single line, as were all the students following their respective teachers to the assembly. The building was the most modern looking of all the structures on the Westfield campus, probably built on the backs of hapless parents shilling candy bars, magazine subscriptions and wrapping paper to unsuspecting neighbors and grandparents.

One line of students in particular was getting a bit too rowdy. McFaden's head swiveled around as if it was on a turret, her gaze pinpointing the loudest culprits. The noise quickly drained like water down a sink.

Faith should not have been surprised by the auditorium, which was really more like what you would find housing a small community theatre in a wealthy suburb. Rows of plush velvet red seats led to a large stage with state-of-the-art lighting hanging overhead. The barrel-vaulted ceiling was painted in a very convincing homage to the Sistine Chapel. Intricate bas-relief around the stage depicted the gods in various states of excitement. The carpet underfoot was thick enough to make Faith glance down every few steps for fear of falling.

McFaden gave the tour as she walked, students hushing in her wake. "We built the auditorium in 1995 with an eye toward hosting overflow events during the Olympics."

So, the parents had hustled their candy, then the school had charged the state to rent the auditorium.

"Daphne, no gum," McFaden told one of the girls as she passed. She directed her words back to Faith. "Our art director, Mrs. Meyers, suggested the ceiling motif."

Faith glanced up, mumbling, "Nice."

There was more about the building, but Faith tuned out

McFaden's voice as she walked down the steps toward the stage. There was a certain frisson that overtook the auditorium as it began filling with students. Some were crying, some were simply staring at the stage, a look of expectancy in their eyes. A handful were with their parents, which somehow made the situation even more tense. Faith saw more than one child with a mother's arm around his or her shoulders. She could not help but think about Abigail Campano when she saw them, remember the way the mother had so fiercely fought the man she assumed had killed her daughter. The hair on the back of her neck rose, an ancient genetic response to the sense of collective fear that permeated the room.

Doing a quick count with some multiplication, Faith figured that, including the empty balcony, there were around a thousand seats in the auditorium. The bottom level was almost completely full. Most of the Westfield students were young girls. The majority of them were very thin, very well-heeled and very pretty. They ate organic produce and wore organic cotton and drove their BMWs and Minis to Pilates after school. Their parents weren't stopping at McDonald's on the way home to pick up dinner before they went to do their second job on the night shift. These girls probably lived a life very similar to Emma Campano's: shiny iPhones, new cars, beach vacations and big-screen televisions.

Faith caught herself, knowing that the small part of her who had lost so many things when Jeremy came along was acting up. It wasn't these girls' fault that they had been born into wealthy families. They certainly didn't force their parents to buy them things. They were very lucky, and from the looks of them, very frightened. One of their schoolmates had been brutally murdered-more brutally than perhaps any of them would ever know. Another classmate was missing, probably being sadistically used by a monster. Between CSI and Thomas Harris, these kids could probably guess what was happening to Emma Campano.

The closer Faith got to the stage, the more she could hear crying. There was nothing more emotional than a teenage girl. Whereas ten minutes ago, she had felt something akin to disdain for them, now Faith could only feel pity.

McFaden took Faith by the arm. "That's Mrs. Clark," she said, pointing to a woman leaning against the far wall. Most of the teachers were standing in the aisle, diligently reprimanding students, keeping the peace in the large crowd, but Mary Clark seemed to be in her own little world. She was young, probably not long out of college, and bordering on beautiful. Her strawberry blond hair hung to her shoulders and freckles dotted her nose. Incongruously, she was dressed in a conservative black jacket, pressed white shirt and matching skirt that hit just below the knee-an outfit much more suitable for a matronly older woman.

McFaden said, "If you could just say a few words to the students?"

Faith felt a surge of panic. She told herself that she was only speaking to a room full of kids, that it didn't matter if she made an ass of herself, but her hands were still shaking by the time they reached the front of the auditorium. The room was efficiently chilled by the air-conditioning, but Faith found herself sweating.

McFaden climbed the steps to the stage. Faith followed her, feeling the same age as the kids she was supposed to be assuring. While McFaden went straight to the podium, Faith stayed in the wings, desperate for any excuse not to have to do this. The lights were bright, so much so that Faith could only see the students sitting in the front row. Their uniforms were probably custom tailored-schoolgirl skirts and matching starched white tops. The boys had fared better with dark pants and white shirts with blue striped ties. It must have been an uphill battle every day to make them tuck in their shirts and keep their ties straightened.

There were six chairs behind the podium. Four of the chairs were filled with teachers, the last with a large hairy man wearing spandex shorts and clutching a wrinkled piece of paper in his obviously sweaty hand. His gut rolled over the waist of his shorts and sitting made it hard for him to breathe; his mouth was open, his lips moving like a fish. Faith studied him, trying to figure out what he was doing, and realized that he was going over the lines from a script in his beefy hand. Faith guessed by the whistle around his neck that he was head coach for the physical education department.

Beside him was Evan Bernard, sitting in the last chair on the left. Daniella Park was in the last chair on the opposite end. Faith noted the distance between the two teachers and guessed from the way they were studiously avoiding each other's gaze that there was some tension between them. She glanced out at Mary Clark, who was still standing in the aisle, and guessed that might be the reason.

McFaden was checking the mic. Hushes went around the room, then the usual feedback through the sound system and the predictable murmur through the crowd. The principal waited for the noise to die down. "We are all aware of the tragedy that struck two of our students and one of their friends yesterday. This is a trying time for all of us, but as a whole, we can-we will-overcome this tragedy and make something good of it. Our shared sense of community, our love for our fellow students, our respect for life and the common good, will help all of us at Westfield persevere." There was a scattering of applause, mostly from the parents. She turned to Faith. "A detective from the Atlanta Police Department is here to take some of your questions. I would remind students to please be respectful to our guest."

McFaden sat down, and Faith felt every eye in the room scrutinize her as she walked across the stage. The podium seemed to get farther away with each step, and by the time she reached it, her hands were sweaty enough to leave marks on the polished wood.

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